Gary A. Braunbeck - Cages and Those Who Hold the Keys

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In the Midnight Museum - Bram Stoker Award-nominated for Superior Achievement in Long Fiction, 2005 Martin Tyler is a 44-year-old janitor whose life has come to a sputtering halt; he has no friends, no family, and no promise of better days ahead. In the grip of blackest depression, he attempts to take his own life, only to find himself waking up in a local mental health facility where he has been placed for observation. But something more has happened to Martin than just a failed suicide attempt; certain doors of perception have been unlocked in his mind, allowing him to see fantastic creatures that lurk outside on the streets of Cedar Hill - creatures only he can perceive. Over the next 48 hours, Martin will discover what these creatures are, who controls them, and why he must enter The Midnight Museum, a place with no doors or windows, but many entrances and exits; a place just outside the perception of everyday life; a place where Martin will discover how and why he inadvertently holds the fate of the world in his hands. The Ballad of Road Mama and Daddy BlissIn the novella The Ballad of Road Mama and Daddy Bliss, a man assigned community service duty with the city morgue after a DUI arrest is offered a simple deal: transport an old woman's body back to her hometown, and his record will be wiped clean. But this is no typical old woman, and -- as he soon discovers -- he is taking her to a town that is on no map. The old woman's identity, as well as the reasons behind the town's secret existence, will be revealed to him over the course of a few nightmarish hours between midnight and dawn -- the time when The Road demands its sacrifices.Kiss of the MudmanInternational Horror Guild Award for Long Fiction, 2007 A haunting story behind the lyrics of a rock song from the 70s. It is a story of music, stardom, death, and the combination of notes that brings dirty destruction to the Cedar Hill halfway house. Along the way, a visit from the "ulcerations" of Jim Morrison, Jimi Hendrix, John Entwistle and Keith Moon, Kurt Cobain, and Billie Holiday enlighten the legend of just why the greatest guitar player that ever lived was a woman. Music fans will love it, and Braunbeck's fans should not miss it. It has all the things that make his work special: the pain, the despair, and the fear, all combined but with each one allowed its own moment in the sun, each one getting its own time with your nerves before they all come crashing down, leaving you with just enough energy to turn the page.TessellationsA haunted, young actress returns home after the death of her father to discover that her brother has seemingly gone insane. Over the course of one unnerving night she first witnesses — and then becomes a part of — a Halloween nightmare that, piece by piece, physically brings back the past, rips a hole in her consensual reality, and allows demons, monsters, and even a miracle or two to shamble into this world and transform it into the darkest of fairy tales...The Sisterhood of Plain-Faced Women'The Sisterhood of Plain-Faced Women' is the story of Amanda, who gains beauty but at a terrible price as her new physical attributes are torn from other people, the tale never less than compelling and with a heartfelt moral at its core.

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“Hurry it up.”

Martin went inside, heading straight for the desk, opening the drawer, and removing everything—car keys first. He started reaching for the watercolor of DeVito’s Books when it hit him: he’d have no way of explaining why he wanted to take this to the ER with him, and the last thing he needed to do was give anyone a reason to be suspicious.

The realization that he was going to have to leave it here—and probably never get it back—brought a hard and unexpected rush of tears to his eyes.

Goddammit—he loved this picture.

Right—but this isn’t about you.

Then: Well, maybe a little bit . . .

He turned the picture sideways and slipped it under his shirt (he’d once stolen a record album—on a dare—from a department store the same way when he’d been in grade school), then put his coat on over it.

Back out in the main area, Ethel saw him and said: “Where’s your book?”

“I thought I’d left it back there, but I guess I didn’t.”

“No matter—you’re not gonna have time for reading, anyway.” She put her hand on his shoulder and looked him right in the eye. “Martin, I need you to promise me something.”

“If I can.”

“I’m the only staffer here right now—Bernie left right after he brought you up, he’s a real pain in the ass about going home exactly at quitting time—anyway, I can’t leave the premises until Betty and Marie get here. The entrance to the ER is just across the parking lot. They’re expecting you right away. They’re real busy tonight and can’t spare anyone to come over here and get you. I trust you, Martin—we had a nice talk today and I think you’re a man of your word. I want you to promise me that if I let you walk out of here by yourself, you’ll go straight over there. Any other time, me or Bernie would take you, but this isn’t any other time.

“I’m not trying to be mean, telling you this next part, but you might want to remember a couple of things: you haven’t been officially released by Dr. Hayes, you’re still considered a danger to yourself and maybe others, and as far as the law is concerned, that makes you no different than someone who escapes from jail. You take off on me, I’ll have the police after you in a heartbeat. We’ve got your address, the license number of your car, we know where you work . . . you take off, the police will find you, and when they do, they’ll bring you back here in handcuffs, and you’ll be staying the whole ten days. But that’s not the worst of it.”

“No?”

“No. The worst of it is, you’ll have abused my trust, and hurt my feelings, and probably gotten me chewed out by a couple of different people. In short: I will be irked at you, Martin. And I’m kinda like The Incredible Hulk that way; don’t irk me; you wouldn’t like me when I’m irked.”

Martin smiled. “Damn, Ethel, I like you.”

“Then prove it by keeping your word.” She started back to the nurses’ station. “Okay, I’m gonna buzz you out.”

“Thanks.”

He was out the door and into the night before it occurred to him (and probably Ethel, as well) that he hadn’t promised her anything one way or the other.

Okay, as moral loopholes went, it was fairly underhanded, but he took it.

Now , the question of the moment was: where did Dr. Hayes park his car? He had maybe five minutes before Ethel called the ER to check on him, tack on another three if she called the police right away, which, being irked, she would undoubtedly do, so . . .

It was not in the first place he checked: The Center’s parking lot.

It was , however, in the second place he looked: across the street from The Center and down a little ways.

Looking over his shoulder, he froze when he saw Ethel’s face peering from the small square window of The Center’s door.

Shit, shit, shit!

He took off running, looking back in time to see Ethel’s face move away from the window. The throbbing ache in his head wasn’t helped any by his running—every time his foot hit the ground, it sent shockwaves of near-blinding pain into the center of his skull—but he managed to make it to his car, unlock the door, and start the engine before he caught a peripheral glimpse of someone very large and very male and very strong in a very white uniform running out of the ER and directly toward him.

“I’m sorry, Ethel,” he said.

Then floored the gas pedal and tore away in a smoking squeal.

7

Once the most exclusive and expensive hotel in Cedar Hill, the last fifty years had seen the Taft slide not-so-slowly into disrepair and decay (as had many of the buildings in this unpopular area near the East End), becoming nothing more than a glorified flop-house where those who’ve reached the end of their rope could crawl into poverty’s shadow and just give up. Martin thought it looked like some mangy, dying animal left by the road. The rusted fire escape twisted around the exterior like a piece of barbed wire, and were it not for the low-wattage lights seen in a few of the dirtier, cracked, and duct-taped windows, you’d swear it was an abandoned ruin waiting for the wrecking ball to put it out of its misery.

He stood at the front doors, readying himself for whatever waited inside.

He’d left his car three blocks away, in the city’s only parking garage. It had cost him all the money he had to get through the gate, but at least it wasn’t on the street and in easy view of any cops who might cruise past; he supposed he ought to count himself lucky none had driven by while he was walking over here: the last two things he’d done before leaving his car was tear off one shirt sleeve to use as a makeshift bandage for his head (the knot had begun bleeding—not a lot, but just enough to start dripping into his eye), and taken a crowbar out of the trunk, sliding it up his coat sleeve. A full half of the serious crime committed in Cedar Hill occurred in this area, and he wanted to be able to defend himself if it came to that.

Martin, however, could not see himself; some of the blood from the wound had spattered onto both his shirt and coat, had even left a thin trail down the side of his face; the bandage around his head was ragged, too tight, and already stained with fresh blood that was also soaking into stray strands of his hair; his face was far too pale (he did have a minor concussion, though he didn’t know it), and his eyes appeared to be sinking farther and farther into the dark circles around them; add to this the manner in which he walked—fast and hard, a man in a hurry—and that even a nearsighted ninety-year-old grandmother could tell he was carrying a crowbar up his sleeve, and you had a picture of someone you did not. Want to. Fuck with.

Martin pulled in a deep breath, opened the door, and stepped into the hallway. It was lighted (as were all of them) by naked bulbs that hung too low and cast too many shadows.

He shook his arm, letting the crowbar drop a little farther into his grip, and started up the groaning stairs. Christ, he’d almost swear he could hear the rats gnawing at the woodwork, or roaches scuttling across dishes left too long unwashed.

Somewhere outside, in back of the building, a trashcan was knocked over.

He hurried his step.

If the looks and sounds of the place weren’t bad enough, the smells made up for it: rot, filth, the ghost of recently-mopped vomit, the sickly sweet aroma of urine and old human feces, all of it mixing with the thin mist rising from the outside sewers that added its own olfactory panache to the evening. He began breathing through his mouth so as not to gag. He hit the fourth-floor landing and stepped into something moist and spongy, but didn’t look down to see what it was. All he could see was the door a few feet away from him. 401. He approached it, raised his hand to knock (out of habit), then tried the knob. Locked.

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