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Morgan Rice: Arena One: Slaverunners

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Morgan Rice Arena One: Slaverunners

Arena One: Slaverunners: краткое содержание, описание и аннотация

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“From Morgan Rice, #1 Bestselling author of THE VAMPIRE JOURNALS, comes a new trilogy of dystopian fiction. New York. 2120. American has been decimated, wiped out from the second Civil War. In this post-apocalyptic world, survivors are far and few between. And most of those who do survive are members of the violent gangs, predators who live in the big cities. They patrol the countryside looking for slaves, for fresh victims to bring back into the city for their favorite death sport: Arena One. The death stadium where opponents are made to fight to the death, in the most barbaric of ways. There is only one rule to the arena: no one survives. Ever. Deep in the wilderness, high up in the Catskill Mountains, 17 year old Brooke Moore manages to survive, hiding out with her younger sister, Bree. They are careful to avoid the gangs of slaverunners who patrol the countryside. But one day, Brooke is not as careful as she can be, and Bree is captured. The slaverunners take her away, heading to the city, and to what will be a certain death. Brooke, a Marine's daughter, was raised to be tough, to never back down from a fight. When her sister is taken, Brooke mobilizes, uses everything at her disposal to chase down the slaverunners and get her sister back. Along the way she runs into Ben, 17, another survivor like her, whose brother was taken. Together, they team up on their rescue mission. What follows is a post-apocalyptic, action-packed thriller, as the two of them pursue the slaverunners on the most dangerous ride of their lives, following them deep into the heart of New York. Along the way, if they are to survive, they will have to make some of the hardest choices and sacrifices of their lives, encountering obstacles neither of them had expected – including their unexpected feelings for each other. Will they rescue their siblings? Will they make it back? And will they, themselves, have to fight in the arena?

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If this house wasn’t built right on the road, so exposed – if it were just a bit smaller, more protected, deeper in the woods, I don’t think I’d worry so much. Of course, we’d still have to put up with the paper-thin walls, the leaking roof, and the windows that let in the wind. It would never be a comfortable, or a warm house. But at least it would be safe. Now, every time I look at it, and look out at the sweeping vista beyond it, I can’t help but think it’s a sitting target.

My feet crunch in the snow as I approach our vinyl door, and barking erupts from inside. Sasha, doing what I trained her to do: protect Bree. I am so grateful for her. She watches over Bree so carefully, barks at the slightest noise; it allows me just enough peace of mind to leave her when I hunt. Although at the same time, her barking also sometimes worries me that she’ll tip us off: after all, a barking dog usually means humans. And that’s exactly what a slaverunner would listen for.

I hurriedly step into the house and quickly silence her. I close the door behind me, juggling the logs in my hand, and step into the blackened room. Sasha quiets, wagging her tail and jumping up on me. A chocolate lab, six years old, Sasha is the most loyal dog I could ever imagine – and the best company. If it weren’t for her, I think Bree would have fallen into a depression long ago. I might have, too.

Sasha licks my face, whining, and seems even more excited than usual; she sniffs at my waistline, at my pockets, already sensing that I’ve brought home something special. I set down the logs so I can pet her, and as I do, I can feel her ribs. She’s way too skinny. I feel a fresh pang of guilt. Then again, Bree and I are, too. We always share with her whatever we forage, so the three of us are a team of equals. Still, I wish I could give her more.

She pokes her nose at the fish, and as she does, it flies out of my hand and onto the floor. Sasha immediately pounces on it, her claws sending it sliding across the floor. She jumps on it again, this time biting it. But she must not like the taste of raw fish, so she lets it go. Instead, she plays with it, pouncing on it again and again as it slides across the floor.

“Sasha, stop!” I say quietly, not wanting to wake Bree. I also fear that if she plays with it too much, she might tear it open and waste some of the valuable meat. Obediently, Sasha stops. I can see how excited she is, though, and I want to give her something. I reach into my pocket, twist open the tin lid to the mason jar, scoop out some of the raspberry jam with my finger, and hold it out to her.

Without missing a beat she licks my finger, and in three big licks, she has eaten the whole scoop. She licks her lips and stares back at me wide-eyed, already wanting more.

I stroke her head, give her a kiss, then rise back to my feet. Now I wonder whether it was kind to give her some, or just cruel to give her so little.

The house is dark as I stumble through, as it always is at night. Rarely will I set a fire. As much as we need the heat, I don’t want to risk attracting the attention. But tonight is different: Bree has to get well, both physically and emotionally, and I know a fire will do the trick. I also feel more open to throwing caution to the wind, given that we will move out of here tomorrow.

I cross the room to the cupboard and remove a lighter and candle. One of the best things about this place was its huge stash of candles, one of the very few good byproducts of my Dad’s being a Marine, of his being such a survival nut. When we’d visit as kids, the electricity would go out during every storm, so he’d stockpile candles, determined to beat the elements. I remember I used to make fun of him for it, call him a hoarder when I discovered his entire closet full of candles. Now that I’m down to the last few, I wish he’d hoarded more.

I’ve been keeping our only lighter alive by using it sparingly, and by siphoning off a tiny bit of gasoline from the motorcycle once every few weeks. I thank God every day for Dad’s bike, and I am also grateful he fueled it up one last time: it is the one thing we have that makes me think we still have an advantage, that we have something really valuable, some way of surviving if things go to hell. Dad always kept the bike in the small garage attached to the house, but when we first arrived, after the war, the first thing I did was remove it and roll it up the hill, into the woods, hiding it beneath bushes and branches and thorns so thick that no one could ever possibly find it. I figured, if our house is ever discovered, the first thing they’d do is check the garage.

I’m also grateful that Dad taught me how to drive it when I was young, despite Mom’s protests. It was harder to learn than most bikes, because of the attached sidecar. I remember back when I was twelve, terrified, learning to ride while Dad sat in the sidecar, barking orders at me every time I stalled. I learned on these steep, unforgiving mountain roads, and I remember feeling like we were going to die. I remember looking out over the edge, seeing the drop, and crying, insisting that he drive. But he refused. He sat there stubbornly for over an hour, until I finally stopped crying and tried again. And somehow, I learned to drive it. That was my upbringing in a nutshell.

I haven’t touched the bike since the day I hid it, and I don’t even risk going up to look at it except when I need to siphon off the gas – and even that I will only do at night. I imagine that if ever one day we’re in trouble and need to get out of here fast, I’ll put Bree and Sasha in the sidecar and drive us all to safety. But in reality, I have no idea where else we’d possibly go. From everything I’ve seen and heard, the rest of the world is a wasteland, filled with violent criminals, gangs, and few survivors. The violent few who’ve managed to survive have congregated in the cities, kidnapping and enslaving whoever they can find, either for their own ends, or to service the death matches in the arenas. I am guessing Bree and I are among very few survivors who still live freely, on our own, outside the cities. And among the very few who haven’t yet starved to death.

I light the candle, and Sasha follows as I walk slowly through the darkened house. I assume Bree is asleep, and this worries me: she normally doesn’t sleep this much. I stop before her door, debating whether to wake her. As I stand there, I look up and am startled by my own reflection in the small mirror. I look much older, as I do every time I see myself. My face, thin and angular, is flush from the cold, my light brown hair falls down to my shoulders, framing my face, and my steel-grey eyes stare back at me as if they belong to someone I don’t recognize. They are hard, intense eyes. Dad always said they were the eyes of a wolf. Mom always said they were beautiful. I wasn’t sure who to believe.

I quickly look away, not wanting to see myself. I reach out and turn the mirror around, so that it won’t happen again.

I slowly open Bree’s door. The second I do, Sasha charges in and rushes to Bree’s side, lying down and resting her chin on Bree’s chest as she licks her face. It never ceases to amaze me how close those two are – sometimes I feel like they are even closer than we are.

Bree slowly opens her eyes, and squints into the darkness.

“Brooke?” she asks.

“It’s me,” I say, softly. “I’m home.”

She sits up and smiles as her eyes light up with recognition. She lies on a cheap mattress on the floor and throws off her thin blanket and begins to get out of bed, still in her pajamas. She is moving more slowly than usual.

I lean down and give her a hug.

“I have a surprise for you,” I say, barely able to contain my excitement.

She looks up wide-eyed, then closes her eyes and opens her hands, waiting. She is so believing, so trusting, it amazes me. I debate what to give her first, then settle on the chocolate. I reach into my pocket, pull out the bar, and slowly place it in her palm. She opens her eyes and looks down at her hand, squinting in the light, unsure. I hold the candle up to it.

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