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Morgan Rice: Arena One: Slaverunners

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Morgan Rice Arena One: Slaverunners

Arena One: Slaverunners: краткое содержание, описание и аннотация

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“From Morgan Rice, #1 Bestselling author of THE VAMPIRE JOURNALS, comes a new trilogy of dystopian fiction. New York. 2120. American has been decimated, wiped out from the second Civil War. In this post-apocalyptic world, survivors are far and few between. And most of those who do survive are members of the violent gangs, predators who live in the big cities. They patrol the countryside looking for slaves, for fresh victims to bring back into the city for their favorite death sport: Arena One. The death stadium where opponents are made to fight to the death, in the most barbaric of ways. There is only one rule to the arena: no one survives. Ever. Deep in the wilderness, high up in the Catskill Mountains, 17 year old Brooke Moore manages to survive, hiding out with her younger sister, Bree. They are careful to avoid the gangs of slaverunners who patrol the countryside. But one day, Brooke is not as careful as she can be, and Bree is captured. The slaverunners take her away, heading to the city, and to what will be a certain death. Brooke, a Marine's daughter, was raised to be tough, to never back down from a fight. When her sister is taken, Brooke mobilizes, uses everything at her disposal to chase down the slaverunners and get her sister back. Along the way she runs into Ben, 17, another survivor like her, whose brother was taken. Together, they team up on their rescue mission. What follows is a post-apocalyptic, action-packed thriller, as the two of them pursue the slaverunners on the most dangerous ride of their lives, following them deep into the heart of New York. Along the way, if they are to survive, they will have to make some of the hardest choices and sacrifices of their lives, encountering obstacles neither of them had expected – including their unexpected feelings for each other. Will they rescue their siblings? Will they make it back? And will they, themselves, have to fight in the arena?

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I increase my speed and am now running beside Logan, fighting my way through the thick snow. The barge is now a good fifteen feet off shore, and moving fast. Too far to jump.

But I continue to sprint, right up to the very edge, and as I do, I suddenly spot thick ropes, dangling from the boat to the pier, slowly dragging off the edge.

The ropes stretch behind it, like a long tail.

“THE ROPES!” I scream.

Logan apparently has the same idea. Neither of us slows – instead, we keep sprinting, and as I reach the end, without thinking, I aim for a rope and leap.

I go flying through the air, hoping, praying. If I miss, it would be a long fall, at least thirty feet, and I would land in icy cold water, with no way back up. The water is so cold and the tides so strong, I’m sure I would die within seconds of impact.

As I reach for the thick, knotted rope, I wonder if this could be my last moment on earth.

Thirty One

My heart leaps in my throat as I reach out for the thick, knotted twine. I catch hold of it in the air, clutching onto it for life. Like a pendulum, I swing on it, racing through the air at full speed towards the immense hull of the rusted barge. The metal flies at me, and I brace myself for impact.

It is excruciatingly painful as I collide at full speed, the metal slamming into the side of my head, ribs, and shoulder. The pain and shock of impact is almost enough to make me drop the rope. I slip a few feet, but somehow manage to hang on.

I wrap my feet around the rope before I slip all the way down to the water. I cling to it, dangling there, as the barge continues to move, gaining speed. Logan has managed to catch his and hang on, too. He dangles a few feet away.

I look down at the rough waters a few feet below me, churning white as the barge cuts a path across the river. Those are big currents below, especially for a river, strong enough to lift this huge barge up and down.

To my right, the Statue of Liberty towers over us. Amazingly, it has survived intact. Seeing it, I feel inspired, feel as if maybe I can make it, too.

Luckily, Governors Island is close, barely a minute’s ride. I remember taking ferry rides there with Bree on hot summer days, and how amazed we were that it was so close. Now, I’m so grateful it is: if it were any farther, I don’t know if I’d be able to hang on. The wet rope digs into my freezing hands, making every second a struggle. I wonder how I will get out of this mess. There is no ladder on the side of the boat, and once we reach the island, there will be no way for me to get out except to drop down off the rope, into the water. Which would surely make me freeze to death.

I detect movement and look over and see that Logan is slowly climbing his way up the rope. He has devised an ingenious method of lifting his knees, clamping the insoles of his feet tightly against the thick rope, then using his legs to pull himself up.

I try it. I raise my knees and clamp my feet into the twine, and am happily surprised to see that my boot catches. I straighten my legs and pull myself up a notch. It works. I do it again and again, following Logan, and within a minute, the time it takes to reach the island, I’m at the top of the rope. Logan is there, waiting, hand outstretched. I reach up and grab it, and he pulls me quickly and silently over the edge.

We both crouch down behind a metal container and furtively survey the boat. Standing up front, their backs to us, are a group of guards holding machine guns. They herd a dozen young girls, directing them down a long ramp lowered from the boat. The sight makes me burn with indignation, and makes me want to attack them right now. But I force myself to wait, to stay disciplined. It would give me temporary satisfaction, but then I would never get Bree.

The group starts to move, chains rattling, until they are all off the ramp and on the island. When the boat is emptied, Logan and I nod to each other and silently make our way off the barge, running alongside the edge. We hurry down the ramp, a good deal behind everybody else. Luckily, no one is looking back for us.

In moments we are on land. We hurry through the snow and take shelter behind a small structure, hiding out of sight to watch where the girls are taken. The slaverunners head toward a large, circular brick structure which looks like a cross between an amphitheater and a prison. There are iron bars all around its perimeter.

We follow their trail, hiding behind a tree every twenty yards, running from tree to tree, careful not to be seen. I reach down and feel for my gun, in case I need to use it. Logan does the same. They might notice us at any moment, and we have to be ready. It would be a mistake to fire – it would draw too much attention, too soon. But if I need to, I will.

They herd the girls into the open doorway of the building and then disappear in the blackness.

We both break into action, running inside after them.

My eyes take a moment to adjust to the darkness. To my right, around the bend, a group of slaverunners leads the girls, while to my left, a single slaverunner heads solo down a corridor. Logan and I exchange a knowing glance, and both wordlessly decide to go after the stray slaverunner.

We run silently down the corridor, just yards behind him, waiting for our chance. He reaches a large iron door, pulls out a set of keys, and begins to unlock it. The metal clangs, reverberating in the empty corridors. Before I can react, Logan pulls out a knife, charges the slaverunner, grabs him by the back of his head, and slices his throat in one quick motion. Blood spurts everywhere as he collapses, a lifeless heap on the ground below.

I grab his set of keys, still in the lock, turn it, and pull back the heavy iron door. I hold it open and Logan runs in, and I follow.

We are in a cell block, long, narrow, semi-circular, filled with small cells. I run down it, looking left and right, scanning the haunted, hollow faces of the young girls. They stare back at me, hopeless, desperate. It looks like they’ve been here forever.

My heart is thumping. I look desperately for any sign of my sister. I feel she is close. As I run through, the girls go to their cell doors and stick their hands through. They must realize we’re not slaverunners.

“PLEASE!” one cries. “Help me!”

“LET ME OUT OF HERE!” another cries.

Soon, a chorus of shouts and pleas rises up. It is drawing too much attention, and it worries me. I want to help each one of these girls, but there’s no way I can. Not now. I need to find Bree first.

“BREE!” I scream, desperate.

I increase my pace to a jog, running cell to cell.

“BREE? CAN YOU HEAR ME? IT’S ME! BROOKE! BREE? ARE YOU HERE!?”

As I race by a cell, a girl reaches out and grabs my arm, pulling me to her.

“I know where she is!” she says.

I stop and stare at her. Her face is as frantic as the others.

“Let me out of here, and I’ll tell you!” she says.

If I set her free, she might draw unwanted attention to us. Then again, she is my best bet.

I look at her cell number, then look down at the keys in my hand and find the number. I unlock it, and the girl comes running out.

“LET ME OUT, TOO!” another girl yells.

“ME TOO!”

All the girls start screaming.

I grab this girl by the shoulders.

“Where is she!?” I demand.

“She’s in the mansion. They took her this morning.”

“The mansion?” I ask.

“That’s where they take the new girls. To be broken in.”

“Broken in?” I ask, horrified.

“For sex,” she answers. “For the first time.”

My heart plummets at her words.

“Where?” I demand. “WHERE IS IT?”

“Follow me,” she says, and begins to run.

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