Нэнси Кресс - The End Has Come

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild.
THE APOCALYPSE TRIPTYCH tells their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction.
THE END IS NIGH focuses on life before the apocalypse.
THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.
THE END HAS COME features all-new, never-before-published works by Hugh Howey, Seanan McGuire, Ken Liu, Carrie Vaughn, Mira Grant, Jamie Ford, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Elizabeth Bear, Ben H. Winters, Scott Sigler, and many others.
THE END IS NIGH is about the match.
THE END IS NOW is about the conflagration.
THE END HAS COME is about what will rise from the ashes.

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“Fair enough.” She knows I’m teasing her now. She stands up a bit straighter, stepping away from the wall and rolling her shoulders. “I only remember it because we didn’t do it often. My sister and I, we made that walk maybe five, six times in all the years we lived there.”

I know better than to ask what happened to her sister.

I think there’s a paradox here, and it’s starting to frustrate Lena, whether she’ll ever admit it or not. When a city is wiped out as completely as San Francisco was, the people who really knew it are gone. Gone in all kinds of horrible ways, burned or suffocated or sunk to the bottom of the sea. The only people who remember it are the ones who went away. People like Lena, who had to leave — or people like me, who ran.

The city has millions of stories that I don’t know. Never did and never will.

“Okay,” I say. I flip the visor back over my eyes, and the container flickers away behind a wall of blue. “Let’s do it again. Same thing. I think I almost got it.”

For Lena’s sake, I always try again. As many times as she asks. No matter how I feel about this city, I can admit — you deserve to be remembered by someone who loves you.

Three

I wonder if anyone alive remembers Felix.

What a disaster that turned out to be . I hear this in Mama’s voice, although of course I never heard her say it. She had a bad feeling about Felix, and now it colors everything in retrospect. I close my eyes and see him approaching me like a harbinger of doom, all honey-colored beard and blue eyes like the heat death of the universe. Tight black turtleneck sweater, showing off a trim waist and hiding a beautiful map of ink, sleeving both arms and tracing his sides from hip to collarbone. I can’t remember half the images, only the brightness of the colors.

He came up to my register with a bill for a turkey sandwich and small coffee, and handed me his phone number with his credit card. “Felix,” I asked, “is that ‘happy’ or ‘lucky’?” I don’t think he understood the question, but I called him anyway.

I did love him, at least at first. Enough to follow him north and west to what felt like the edge of the world, a finger reaching up into the Pacific, reaching or pointing for something unimaginable. Not that I saw the ocean side with any frequency. Our home overlooked the bay, if you stood on tiptoe and squinted through the gap in the houses, over the distant slice of 280. On warm nights, we stood on the fire escape as long as we could bear it, sipping wine from CVS out of plastic cups and pretending it was romantic.

He got me a job at the theatre, coming in after each performance to clean up the lobby and the seats. I swept up water bottles, abandoned programs, the ends of joints, and sometimes unspeakable or unidentifiable things more suited to Hazmat than the lighting guy’s girlfriend. I hated the job, but for his sake I tried to love the city. And sometimes I even succeeded. There was a corner shop with reasonably priced cigarettes that smelled like incense and played Lebanese pop on an ancient boom-box behind the counter. The panederia across the street sold delicious spiral-shaped cookies rolled in pink sugar. But mostly, I failed. And the more I hated where I was, the more I hated who I was with.

Oblivious . That’s the kind word for it. Self-absorbed . But it was worse than that, stupider, and maybe more tragic. A snake chewing on the tail of its own failing ambitions. A house building itself on a foundation of mud and quicksand. A city straddling a fault.

Then the earthquake came, like a miracle. And I ran.

The last time I saw Felix, he didn’t even look sad. He was on the phone with the electric company, running down his battery for no Earthly reason other than that scolding other people made him feel like he was accomplishing something. He waved me out the door, the phone still raised to his beautiful pink lips. Didn’t even hand me my suitcase.

But the damned thing was, I couldn’t stay away.

I didn’t even make it back to Mama. Got stuck a little south of Stockton, out of cash and out of breath. I thought I was going to die there, in that motel room with its hundred staring eyes of knotty pine.

But the rain came, and I didn’t die.

And when the rain turned out to be toxic, chewing through stone and metal like battery acid, I found a job with the relief efforts. They gave us truckloads of filters and pH balancing tablets to distribute, and we drove back to San Francisco. I looked for him, first thing, as soon as I could get away from the desperate lines on Mission. But by then he was gone — the apartment empty, the theatre boarded up. Everyone was looking for everyone and no one knew where to start.

The rain kept coming, and soon everything else was gone, too. Pounded into powder and washed out to sea.

Lena and I found each other because of the ship. Before he died, one of my co-workers had told me where the filter shipment was coming in. “It is, without exaggeration, the most important thing in the world,” he said. “Do you understand me? If something happens to me, you get to that ship.” Hours later, the house we were staying at in Oakland collapsed into a sinkhole, and whatever was left of him wasn’t strong enough to climb out. I went to the harbor, and saw the massive container ship grounded on the shifting floor of the bay.

Lena and Mahesh were already there. They had come here for precisely this purpose, all of Lena’s equipment loaded into two trucks, looking for a city to save. I found them hooking up generators and solar panels, labeling each container by its contents. Food, water, filters and medical supplies — keep. Plastic crap — toss, pallet by pallet. They mapped paths onto the exposed roofs of the lower-level containers, little squares of tape placed end to end like dominoes: green for east, yellow for west. So you know where you’re going, if you’re going anywhere.

Not knowing what else to do, I stayed.

So the question now is fairly simple. If you put aside Lena’s project, put aside the questions of its value and its feasibility, if you bracket the question of what I’ll find on shore. The rain has stopped, and life is returning to the hills, so shore must be survivable. And knowing that, the question is easy to ask: Do I leave, or do I stay? Go out into a world whose shape I no longer recognize, without even the thought of a person who might be looking for me? Or stay on the edge of the corpse of a city that I still don’t like, with the people who are trying to raise its ghost?

If Felix has taught me one thing, it’s that I have never been good at making choices.

When you have a hard decision , Mama said, close your eyes and count to five. Then say the word out loud. Your heart knows what it wants, if you stop ignoring it. You just have to listen .

Four

Once, only once, I tried to go back.

I had a reason, maybe, but not one I could articulate. We were six weeks into Lena’s project at that point, and hadn’t exchanged so much as a breeze, a whisper of leaves in the gutter, the faintest whiff of coffee. I didn’t think I was going to find anything, exactly. Maybe I was trying to convince myself that there was nothing to find.

We didn’t have gasoline for the container ship’s lifeboat, but there was a small canoe-like contraption that Mahesh had put together early on, when they were shuttling equipment from Oakland to the ship. It would hardly have been seaworthy a year ago. But now, the bay lying flat as a mirror, it was exactly what I needed.

I set off early in the morning with a few water filtration packets and a bag of chips for company. Left a note tucked in my sleeping bag for Lena, if she came looking for me, just to tell her I wasn’t gone for good. But I didn’t tell her where I was going, either.

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