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Ursula Le Guin: The Telling

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Ursula Le Guin The Telling

The Telling: краткое содержание, описание и аннотация

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Earthling Sutty has been living a solitary, well-protected life in Dovza City on the planet Aka as an official Observer for the interstellar Ekumen. Insisting on all citizens being pure "producer-consumers," the tightly controlled capitalist government of Aka — the Corporation — is systematically destroying all vestiges of the ancient ways: "The Time of Cleansing" is the chilling term used to describe this era. Books are burned, the old language and calligraphy are outlawed, and those caught trying to keep any part of the past alive are punished and then reeducated. Frustrated in her attempts to study the linguistics and literature of Aka's cultural past, Sutty is sent upriver to the backwoods town of Okzat-Ozkat. Here she is slowly charmed by the old-world mountain people, whose still waters, she gradually realizes, run very deep. But whether their ways constitute a religion, ancient traditions, philosophy, or passive, political resistance, Sutty is not sure. Delving ever deeper into her hosts' culture, Sutty finds herself on a parallel spiritual quest, as well.

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It showed a dingier, quieter side down here on the water, far under the canyon walls of the blocks and towers of business and government. Beneath huge concrete embankments were wooden docks and warehouses black with age, a water-beetle come-and-go of little boats on errands that were no doubt beneath the notice of the Ministry of Commerce, and houseboat communities wreathed in flowering vines, flapping laundry, and the stink of sewage.

A stream ran through a concrete ditch between high dark walls to join the great river. Above it a fisherman leaned on the rail of a humpback bridge: a silhouette, simple, immobile, timeless — the image of a drawing in one of the Akan books they had partially salvaged from the lost transmission.

How reverently she had handled those few pages of images, lines of poems, fragments of prose, how she had pored over them, back in Valparaiso, trying to feel from them what these people of another world were like, longing to know them. It had been hard to erase the copies from her noter, here, and no matter what Tong said, she still felt it as a wrong, a capitulation to the enemy. She had studied the copies in her noter one last time, lovingly, painfully, trying to hold on to them before she deleted them. And there are no footprints in the dust behind us… She had shut her eyes as she deleted that poem. Doing so, she felt that she was erasing all her yearning hope that when she came to Aka she’d learn what it was about.

But she remembered the four lines of the poem, and the hope and yearning were still there.

The quiet engines of Ferry Eight drummed softly. Hour by hour the embankments grew lower, older, more often broken by stairs and landings. At last they sank away altogether into mud and reeds and shrubby banks, and the Ereha spread itself out wider and wider and amazingly wider across a flatness of green and yellow-green fields.

For five days the boat, moving steadily eastward on that steady breadth of water through mild sunshine and mild starry darkness, was the tallest thing in sight. Now and then it came to a riverside city where it would tie up at an old dock dwarfed under high new office and apartment towers and take on supplies and passengers.

Sutty found it amazingly easy to talk to people on the boat. In Dovza City everything had conspired to keep her reserved and silent. Though the four offworlders were given apartments and a certain freedom of movement, the Corporation scheduled their lives very closely with appointments, programming and supervising their work and amusements. Not that they were the only ones so controlled: Aka’s abrupt and tremendous technological advance was sustained by rigid discipline universally enforced and self-enforced. It seemed that everybody in the city worked hard, worked long hours, slept short hours, ate in haste. Every hour was scheduled. Everybody she’d been in touch with in the Ministries of Poetry and of Information knew exactly what they wanted her to do and how she should do it, and as soon as she started doing as they directed, they hurried off about their business, leaving her to hers.

Though the technologies and achievements of the Ekumenical worlds were held as the shining model for everything on Aka, the four visitors from the Ekumen were kept, as Tong said, in a fish tank. From time to time they were put on display to the public and in the neareals, smiling figures sitting at a Corporation banquet or somewhere near the chief of a bureau giving a speech; but they were not asked to speak. Only to smile. Possibly the ministers did not trust them to say exactly what they ought to say. Possibly the ministers found them rather flat, dull examples of the superior civilisations Aka was striving so hard to emulate. Most civilisations, perhaps, look shinier in general terms and from several light-years away.

Though Sutty had met many Akans and disliked few of them, after a half year on the planet she had scarcely had anything deserving the name of a conversation with any one of them. She had seen nothing of Akan private life except the stiff dinner parties of upper-level bureaucrats and Corporation officials. No personal friendship had ever come even remotely into view. No doubt the people she met had been advised not to talk with her more than necessary, so that the Corporation could remain in full control of the information she received. But even with people she saw constantly, intimacy did not grow. She did not feel this distance as prejudice, xenophobia; the Akans were remarkably unconcerned about foreignness as such. It was that they were all so busy, and all bureaucrats. Conversation went by program. At the banquets people talked business, sports, and technology. Waiting in lines or at the laundry, they talked sports and the latest neareals. They avoided the personal and, in public, repeated the Corporation line on all matters of policy and opinion, to the point of contradicting her when her description of her world didn’t tally with what they had been taught about wonderful, advanced, resourceful Terra.

But on the riverboat, people talked. They talked personally, intimately, and exhaustively. They leaned on the railing talking, sat around on the deck talking, stayed at the dinner table with a glass of wine talking.

A word or smile from her was enough to include her in their talk. And she realised, slowly, because it took her by surprise, that they didn’t know she was an alien.

They all knew there were Observers from the Ekumen on Aka; they’d seen them on the neareals, four infinitely remote, meaningless figures among the ministers and executives, stuffed aliens among the stuffed shirts; but they had no expectation of meeting one among ordinary people.

She had expected not only to be recognised but to be set apart and kept at a remove wherever she traveled. But no guides had been offered and no supervisors were apparent. It seemed that the Corporation had decided to let her be genuinely on her own. She had been on her own in the city, but in the fish tank, a bubble of isolation. The bubble had popped. She was outside.

It was a little frightening when she thought about it, but she didn’t think much about it, because it was such a pleasure. She was accepted — one of the travelers, one of the crowd. She didn’t have to explain, didn’t have to evade explanation, because they didn’t ask. She spoke Dovzan with no more accent, indeed less, than many Akans from regions other than Dovza. People assumed from her physical type — short, slight, dark-skinned — that she came from the east of the continent. "You’re from the east, aren’t you?" they said. "My cousin Muniti married a man from Turu," and then they went on talking about themselves.

She heard about them, their cousins, their families, their jobs, their opinions, their houses, their hernias. People with pets traveled by riverboat, she discovered, petting a woman’s furry and affable kittypup. People who disliked or feared flying took the boat, as a chatty old gentleman told her in vast detail. People not in a hurry went by boat and told each other their stories. Sutty got told even more stories than most, because she listened without interrupting, except to say, Really? What happened then? and How wonderful! or How terrible! She listened with greed, tireless. These dull and fragmentary relations of ordinary lives could not bore her. Everything she had missed in Dovza City, everything the official literature, the heroic propaganda left out, they told. If she had to choose between heroes and hernias, it was no contest.

As they got farther upstream, deeper inland, passengers of a different kind began to come aboard. Country people used the riverboat as the simplest and cheapest way to get from one town to another — walk onto the boat here and get off it there. The towns were smaller now, without tall buildings. By the seventh day, passengers were boarding not with pets and luggage but with fowls in baskets, goats on leashes.

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