Delilah Dawson - Wicked After Midnight

I stepped into his foyer, which was ten degrees colder and a deep shade of ombre. Lenoir was already taking the stairs, which were thickly padded by a carpet patterned in thorns and roses. I hurried after him, hoping not to displease him further. Something about him felt dangerous in a very welcome way, and I wanted to learn more of his secrets. Two Siamese cats the color of marshmallows with singed corners darted past us, silently preceding us up the staircase. I longed to touch them, as the only cat I’d seen in six years had been the tailor’s cat in the caravan.

Lenoir passed the second level, and I only had a moment to glance down the orange-lit hallway at two closed doors and an elegant table holding a huge bouquet of flowers. My nose crinkled at the vegetal decay of funeral lilies, but I suspected that to a human or daimon, the odor would have been pleasant. Still Lenoir didn’t speak, and still I followed him, past two more floors likewise beautifully closed off, up to the very top floor, where the cats posed daintily on a chaise. The plush carpet ended in a frayed strip, and then dusty wood floors the color of new honey spread out, their smooth stripes broken only by the occasional stain of spilled paint.

A grand window let in a strip of sun as narrow and targeted as a laser, with the promise of a gold-rimed sunbath once morning was officially in full force. Directly in front of it was a rug so deep and luscious-looking that I wanted to rub my cheek against it. A velvet chair with curling arms sat at an angle, a cushy pillow and a whisper-soft blanket thrown over it. Lenoir turned to me with a dress draped over both arms as if the body inside had simply dissolved.

“Put this on, and take your hair down. There’s a screen.” He jerked his chin at the corner and dumped the dress into my arms. It was a heavy thing and had the old, rubbed look of a royal gown from the previous century. The deep chocolate-plum would perfectly complement my hair, eyes, and skin, and Lenoir knew it.

The screen was a paltry thing, paper and ripped in places. A pair of forgotten stockings were draped over it like shed snakeskins. I checked that Lenoir was readying his palette before turning my back to the slightly chill room and quickly slipping from the many layers of cabaret attire to the rich, hand-stitched dress. It was off-the-shoulder and sleeveless, hanging like a bell from my hips. When I took down my hairpins and shook the black curls over my shoulders, I couldn’t help smiling. It felt a little like I was going to vampire prom. And yet something about the costume made me feel vulnerable and small, like a child playing dress-up. Like one shove at my shoulders would draw it down and leave me completely bare in seconds.

“Hurry, Mademoiselle. We need the light.”

I walked to the chair and sat down.

“Too prim. You’re a sensual woman, Demi. Sit in the chair like a lazing queen.”

His dark eyes engulfed me, one fist under his chin. I slumped back and slid down, hooking a leg over the chair arm and letting my head fall to the side. His mouth barely twitched.

“Better.”

He had an easel ready, a large canvas waiting. But he didn’t start painting. Merely scrutinized me as if something still weren’t quite right.

“You’re too tense. The painting will appear unnatural. But I know what will help.”

I shifted the cushion to where my leg met the chair arm and watched Lenoir open a cabinet filled with bottles of all shapes and sizes. He selected a wine bottle and a shorter squat thing of heavy green glass. I narrowed my eyes as he pulled a leaf-shaped flat spoon from a drawer.

“ Monsieur , forgive me, but I don’t care for absinthe.”

I didn’t actually know if I cared for it; I just knew that I didn’t want any. I’d heard enough stories in Sangland, read enough penny-dreadfuls, and studied enough art history on Earth to know that Sang’s combination of wormwood and laudanum would render me a useless, addicted zombie.

“My dear, this isn’t the rot-gut they sell on the street. This is an herbal preparation by the esteemed Dr. Ordinaire. I take just the tiniest drop in my own bloodwine.”

He added a dash of green liquid to a wineglass, placed the flat spoon over the rim, set a sugar cube on it, set the sugar on fire, and poured a full glass of red bloodwine over the blue-flaming sugar cube, causing most of it to melt away. After stirring the deep purple mixture, he poured half the liquid into another wineglass and brought it to me. I took it as if grasping a viper. I was suspicious, angry, and scared, but the dare in his eyes kept me from flinging the unwanted drink across the studio. Angering Lenoir could be the end of my stardom; one word from him, one breath that he’d rejected me, and the seats of Paradis would be empty, the paper full of lies surrounding my name. I would never be snatched up and delivered to Cherie, to save her from whatever hell held her. This man—this strange, dark, secretive man—held the keys to Mortmartre.

It also didn’t escape me that girls disappeared all the time in Paris with no repercussions, no justice. I was better equipped to survive than most, but no one knew my weaknesses as well as a fellow Bludman. The bravado I’d shown Vale was no longer justified.

Lenoir clinked his glass against mine and sipped, his mouth curving up in a lazy, sensual smile that served as a dare. We both knew he was proving that it wasn’t poison. We both knew I now had no choice but to taste it.

“To the Red Fairy,” he said.

I held the glass to my nose and sniffed. It was a cacophony of smells good and bad: the sharpness of anise, the maple-syrupy sweetness of fennel, the bite of wormwood, the sour velvet of wine, and, most attractive, the warm, salty goodness of fresh blood. I wanted to taste it. And I hated myself for that.

Lenoir took another sip and raised his eyebrows. “You didn’t strike me as the sort of woman easily frightened by rumors and a few bits of plant. Would I be drinking it myself if it were deleterious? Would I stand where I stand, hold the power I hold, if this drink was dangerous?” He sipped again, his Adam’s apple bobbing. “Drink, Demi.”

I touched my lips to the glass, let the plummy liquid wash against my mouth. The Red Fairy, he’d called it. Taste exploded over my tongue, and without another thought, I sipped it. What was the point of being nearly indestructible if you didn’t enjoy the hell out of yourself every now and then?

After my second sip, he nodded slowly, his dark eyes smoldering like storm clouds at night. “That’s better, chérie . Lean back. And hold still.”

Taking his half-empty glass with him, he found his place behind the easel. After a brief pause, his brush began to move furiously, faster than seemed possible. The oily tang of paint filled the air. Moments later, the sun lit on my hair, warming me all over with the feel of crayons melting on a radiator. I took another sip and relaxed, my eyes caught on the glittering motes of dust dancing in the sunbeam. They looked like fairies, and if I squeezed my eyes shut and watched through my eyelashes, I could almost see their wings.

“Your head, chérie .” He waved at the air, and I realized my cheek had fallen over completely.

I righted myself and felt the room spin sweetly, but something he’d said had caught my attention.

“Cherie,” I murmured.

“Yes?”

Cherie sounded the same as chérie . I giggled. That wasn’t the way to go about it.

“You paint lots of girls, don’t you, monsieur ?”

He peeked around the easel, brush moving furiously. “You know I do. Have you been to the Louvre yet?”

“No. But I’ve seen reproductions. When I was in Sangland.”

“I’m sure one of your paramours will take you there soon. A reproduction misses the life, the subtlety, of the original.”