Adrian Tchaikovsky - Children of Time

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Children of Time: краткое содержание, описание и аннотация

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WHO WILL INHERIT THIS NEW EARTH?
The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age – a world terraformed and prepared for human life. But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them, pristine and unoccupied. New masters have turned it from a refuge into mankind's worst nightmare. Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth?
[Contain tables.]

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Bianca meets with her assistants, a subdued band of five females and two males, and they hurry inside to another capsule, this one moving by little more than simple mechanical principles utilized on a grand scale. Unimaginably far away is a comparable weight even now descending inwards towards the planet’s surface. By exercise of the sort of mathematics that Bianca’s species has been fluent in for centuries, Bianca’s own car begins its long, long ascent.

She is the general, the tactician. She is going to take her place amidst the bustling community known as Great Star Nest to mastermind the defence of her planet against the alien invaders: the Star Gods. She has ultimate responsibility for the survival of her species. A great many better minds than hers have formulated the plan that she will attempt to carry out, but it will be her own decisions that will make the difference between success and failure.

The journey up is a long one and Bianca has plenty of time to reflect. The enemy they face is the child of a technology she cannot conceive of, advanced beyond the dreams of her own kind’s greatest scientists, using a technology of metal and fire and lighting, all fit tools for vengeful deities. At her disposal is fragile silk, biochemistry and symbiosis, and the valour of all those who will put their lives at her disposal.

Fretting, she spins and destroys, spins and destroys, as she and her fellows are hauled towards the open darkness of space, and the gleaming grid of her people’s greatest architectural triumph.

Already in orbit on the globe-spanning three-dimensional sculpture they think of as Great Star Nest, Portia is steeling herself for a fight.

The great equatorial web is studded with habitats that trail out from one another, interconnect, are spun up or taken down. It has become a way of life for the spiders, and one they have taken to remarkably quickly. They are a species that is well made for a life of constant free-fall around a planet. They are born to climb and to orient themselves in three dimensions. Their rear legs give them a powerful capacity to jump to places that their keen eyes and minds can target precisely, and if they get it wrong, they always have a safety line. In a curious way, as Portia and many others have considered, they were born to live out in space.

The old cumbersome spacesuits, which once took those pioneering balloonists to the outer reaches of the atmosphere, are things of the past now. Portia and her squad traverse the lattice-strung vacuum quickly and efficiently, setting out on manoeuvres to ready themselves for the coming conflict. They carry most of their suit about their abdomens: book-lungs fed by an air supply that is chemically generated as needed, rather than stored in tanks. With their training and their technology and their relatively undemanding metabolisms, they can stay out in raw space for days. A chemical heating pack is secured beneath their bodies, along with a compact radio. A lensed mask protects their eyes and mouths. At the tip of each abdomen their spinnerets connect to a little silk factory spinning chemical silk that forms strands – formidably strong strands – in the airless void. Lastly, they have packs of propellant with adjustable nozzles, to guide their silent flight in the void.

Their exoskeletons have been coated in a transparent film, a single molecule thick, which prevents any decompression or moisture loss without diminishing much in the way of feeling. The tips of their legs are sheathed in insulating articulated sleeves to guard them from heat loss. They are the complete astronaut-soldiers.

As they cross from line to line, judging each leap effortlessly, they are swift and agile and utterly focused.

The enemy is coming at last, just as the Messenger foretold. The concept of holy war is alien to them, but this looming conflict has all the hallmarks. There is an ancient enemy that they know will negate their very existence if they cannot defend themselves. There are weapons that, try as they might, they cannot even conceive of. The Messenger did Her best to set out for them the technical and martial capabilities of the human race. The overwhelming impression received was of a terrifying and godlike arsenal, and Portia is under no illusions. The best defence her people have is that the invaders want their planet to live on – the worst excesses of Earth technology cannot be deployed without rendering the prize that both sides fight for worthless.

But there are still a great many unpredictable weapons the Gilgamesh could conceivably possess.

The spiders have done what they could in the generations allowed to them, having considered the threat and prepared what is to them the best technological and philosophical response.

There is an army: Portia is one of hundreds who will serve on the front line, one of tens of thousands whose turn will likely come to fight. They will die, many of them, or at least that is what they expect. The stakes are so high, though: individual lives are ever the chaff of war, but if there was ever a just cause, it is this. The survival of an entire species, of a whole planet’s evolutionary history, is now at stake.

She has heard that Bianca is on her way up. Everyone is glad, of course, that the commander of their global defence will be up here alongside them, but the simple fact that their leader is on her way brings it home to all of them. The time is finally here. The battle for tomorrow is beginning. If they lose, then there will be no future for them and, with that severed tomorrow, all their yesterdays will be undone as well. The universe will turn, but it will be as though they had never existed.

Portia knows that the great minds of her species have considered many diverse weapons and plans. She must take it on faith that the strategy she has now been given is the best: the most achievable and the most acceptable.

She and her squad gather, watching other bands of soldiers surge and spring across distant sections of the webbing. Her eyes stray to the high heavens. There is a new star up above, now, and it foretells a time of terrible cataclysm and destruction simply by its appearance. There is no superstitious astrology in such predictions. The end times are truly here, the moment when one great cycle of history grinds inexorably into the next.

The humans are coming.

7.3 MAIDEN, MOTHER, CRONE

‘What do you mean, “Wake Lain”?’

Karst and Alpash turned to Holsten, trying to read his suddenly agonized expression.

‘What it sounds like,’ the security chief replied, baffled.

‘She’s alive ?’ Holsten’s fingers crooked, fighting the urge to grab one or other of them and shake. ‘Why didn’t anyone… why didn’t you… why only wake her now ? Why isn’t she in charge?’

Karst obviously took issue with that, but Alpash stepped in quickly. ‘To wake Grandmother is not something to be done lightly, by her own orders. Only in matters of emergency, she said. She told us: when I next wake, I want to walk upon a green planet.’

‘She told you that, did she?’ Holsten demanded.

‘She told my mother, when she was very young,’ the engineer replied, meeting the classicist’s challenging stare easily. ‘But it is recorded. We have records of many of Grandmother’s later pronouncements.’ He bent over a console, calling up a display that shuddered patchily. ‘But we should go now. Commander…?’

‘Yeah, well, I’ll hold the fort here, shall I?’ Karst said, plainly still smarting somewhat. ‘You get the woman up and on her feet, and then link to me. Give her the situation and tell her that Vitas and I need to touch heads with her.’

Alpash headed off into the ship, away from Key Crew and most of the living areas that Holsten was familiar with. The classicist hurried after him, not much wanting to be left with Karst, still less wanting to get lost within the flickering, ravaged spaces of the Gilgamesh . Everywhere told the same story of slow autolysis, a cannibalism of the self as less important parts and systems were ripped out to fix higher-priority problems. Walls were laid open, the ship’s bones exposed. Screens flared static or else were dark as wells. Here and there huddled small pockets of the Tribe, still about the essential business of keeping the ship running, despite the immediate crisis, their heads close together like priests murmuring doctrine.

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