Морин Макхью - Wastelands - The New Apocalypse

It was four days to Suva if I was lucky. I didn’t know what I would find there. Hopefully my children, whom I barely knew. Maybe my Maru, holding on for a final goodbye. The entire world might be gone.

Or maybe it was out there, silently waiting for me.

The wind howled the further I got from land, out of the protection of our small island, and I thought I could see the grandchildren back on the beach. There were regrets all around me. I should never have let Maru leave. Or I should’ve gone with her. I should’ve spent more time with my parents and my children. Generations should not be forgotten.

I sailed north in a frightful wind, the sky half gray and half blue, fear and hope in my breast, the seas lapping at the stern like chasing dogs, just me and my little Gossamer , my mind dipping and soaring like some old rusty prow.

I know it was the perils of the sea making me think this way, and my old age, my time running out. But it shouldn’t have to run out to want to spend it more wisely.

The world shouldn’t have to end to think of all it might be.

Charlie Jane Anders’ latest novel is The City in the Middle of the Night . She’s also the author of All the Birds in the Sky , which won the Nebula, Crawford and Locus awards, and Choir Boy , which won a Lambda Literary Award. Plus a novella called Rock Manning Goes For Broke and a short story collection called Six Months, Three Days, Five Others . Her short fiction has appeared in Tor.com, Boston Review, Tin House, Conjunctions, The Magazine of Fantasy & Science Fiction, Wired Magazine, Slate, Asimov’s Science Fiction, Lightspeed, ZYZZYVA, Catamaran Literary Review, McSweeney’s Internet Tendency and tons of anthologies, including Best American Science Fiction and Fantasy . Her story “Six Months, Three Days” won a Hugo Award, and her story “Don’t Press Charges And I Won’t Sue” won a Theodore Sturgeon Award. She also organizes the monthly Writers With Drinks reading series.

Marisol got into an intense relationship with the people on The Facts of Life , to the point where Tootie and Mrs. Garrett became her imaginary best friends and she shared every last thought with them. She told Tootie about the rash she got from wearing the same bra every day for two years, and she had a long talk with Mrs. Garrett about her regrets that she hadn’t said a proper goodbye to her best friend Julie and her on-again/off-again boyfriend Rod, before they died along with everybody else.

The panic room had pretty much every TV show ever made on its massive hard drive, with multiple backup systems and a fail-proof generator, so there was nothing stopping Marisol from marathoning The Facts of Life for sixteen hours a day, starting over again with season one when she got to the end of the bedraggled final season. She also watched Mad Men and The West Wing . The media server had tons of video of live theatre, but Marisol didn’t watch that because it made her feel guilty. Not survivor’s guilt, failed playwright guilt.

Her last proper conversation with a living human had been an argument with Julie about Marisol’s decision to go to medical school instead of trying to write more plays. (“Fuck doctors, man,” Julie had spat. “People are going to die no matter what you do. Theatre is important .”) Marisol had hung up on Julie and gone back to the premed books, staring at the exposed musculature and blood vessels as if they were costume designs for a skeleton theatre troupe.

The quakes always happened at the worst moment, just when Jo or Blair was about to reveal something heartfelt and serious. The whole panic room would shake, throwing Marisol against the padded walls or ceiling over and over again. A reminder that the rest of the world was probably dead. At first, these quakes were constant, then they happened a few times a day. Then once a day, then a few times a week. Then a few times a month. Marisol knew that once a month or two passed without the world going sideways, she would have to go out and investigate. She would have to leave her friends at the Eastland School, and venture into a bleak world.

Sometimes, Marisol thought she had a duty to stay in the panic room, since she was personally keeping the human race alive. But then she thought: what if there was someone else living, and they needed help? Marisol was pre-med, she might be able to do something. What if there was a man, and Marisol could help him repopulate the species?

The panic room had nice blue leather walls and a carpeted floor that felt nice to walk on, and enough gourmet frozen dinners to last Marisol a few lifetimes. She only had the pair of shoes she’d brought in there with her, and it would seem weird to wear shoes after two barefoot years. The real world was in here, in the panic room—out there was nothing but an afterimage of a bad trip.

Marisol was an award-winning playwright, but that hadn’t saved her from the end of the world. She was taking pre-med classes and trying to get a scholarship to med school so she could give cancer screenings to poor women in her native Taos, but that didn’t save her either. Nor did the fact that she believed in God every other day.

What actually saved Marisol from the end of the world was the fact that she took a job cleaning Burton Henstridge’s mansion to help her through school, and she’d happened to be scrubbing his fancy Japanese toilet when the quakes had started—within easy reach of Burton’s state-of-the-art panic room. (She had found the hidden opening mechanism some weeks earlier, while cleaning the porcelain cat figurines.) Burton himself was in Bulgaria scouting a new location for a nano-fabrication facility, and had died instantly.

When Marisol let herself think about all the people she could never talk to again, she got so choked up she wanted to punch someone in the eye until they were blinded for life. She experienced grief in the form of freak-outs that left her unable to breathe or think, and then she popped in another Facts of Life . As she watched, she chewed her nails until she was in danger of gnawing off her fingertips.

The door to the panic room wouldn’t actually open when Marisol finally decided it had been a couple months since the last quake and it was time to go the hell out there. She had to kick the door a few dozen times, until she dislodged enough of the debris blocking it to stagger out into the wasteland. The cold slapped her in the face and extremities, extra bitter after two years at room temperature. Burton’s house was gone, the panic room was just a cube half-buried in the ruins, covered in some yellowy insulation that looked like it would burn your fingers.

Everything out there was white, like snow or paper, except powdery and brittle, ashen. She had a Geiger counter from the panic room, which read zero. She couldn’t figure out what the hell had happened to the world, for a long time, until it hit her—this was fungus. Some kind of newly made, highly corrosive fungus that had rushed over everything like a tidal wave and consumed every last bit of organic material, then died. It had come in wave after wave, with incredible violence, until it had exhausted the last of its food supply and crushed everything to dust. She gleaned this from the consistency of the crud that had coated every bit of rubble, but also from the putrid sweet-and-sour smell that she could not stop smelling once she noticed it. She kept imagining that she saw the white powder starting to move out of the corner of her eye, advancing toward her, but when she would turn around there was nothing.