John Wyndham - The Chrysalids

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The Chrysalids: краткое содержание, описание и аннотация

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The Chyrsalids At first he does not question. Then, however, he realizes that the he too is out of the ordinary, in possession of a power that could doom him to death or introduce him to a new, hitherto unimagined world of freedom.
The Chrysalids Perfect timing, astringent humour… One of the few authors whose compulsive readability is a compliment to the intelligence Spectator Remains fresh and disturbing in an entirely unexpected way Guardian Review
Review “One of the most thoughtful post-apocalypse novels ever written. Wyndham was a true English visionary, a William Blake with a science doctorate.”
— David Mitchell “Sometimes you just need a bit of soft-core sci-fi, and Wyndham’s 1950’s classic, newly back in print, fully delivers.”

“It is quite simply a page-turner, maintaining suspense to the very end and vividly conjuring the circumstances of a crippled and menacing world, and of the fear and sense of betrayal that pervade it. The ending, a salvation of an extremely dubious sort, leaves the reader pondering how truly ephemeral our version of civilization is…”

“[Wyndham] was responsible for a series of eerily terrifying tales of destroyed civilisations; created several of the twentieth century's most imaginative monsters; and wrote a handful of novels that are rightly regarded as modern classics.”

(London) “Science fiction always tells you more about the present than the future. John Wyndham's classroom favourite might be set in some desolate landscape still to come, but it is rooted in the concerns of the mid-1950s. Published in 1955, it's a novel driven by the twin anxieties of the cold war and the atomic bomb… Fifty years on, when our enemy has changed and our fear of nuclear catastrophe has subsided, his analysis of our tribal instinct is as pertinent as ever.”

(London) “[A]bsolutely and completely brilliant…The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.”

“John Wyndham’s novel
is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference - in this case, of genetic mutations in the aftermath of nuclear war—finds its echoes in every society.”

“The Chrysalids comes heart-wrenchingly close to being John Wyndham's most powerful and profound work.”
— SFReview.net “
was one of the first science fiction novels I read as a youth, and several times tempted me to take a piggy census. Returning to it now, more than 30 years later, I find that I remember vast parts of it with perfect clarity… a book to kindle the joy of reading science fiction.”
— SciFi.com “A remarkably tender story of a post-nuclear childhood… It has, of course, always seemed a classic to most of its three generations of readers…It has become part of a canon of good books.”

, September 15, 2000

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‘Sophie!’ I said, ‘Oh, Sophie…!’

She smiled.

‘Dear David,’ she said. ‘Have they hurt you badly, David?’

I tried moving my arms and legs. They were stiff and they ached in several places, so did my body and my head. I felt some blood caked on my left cheek, but there seemed to be nothing broken. I started to get up, but she stretched out a hand and put it on my arm.

‘No, not yet. Wait a little, till it’s dark.’ She went on looking at me. ‘I saw them bring you in. You and the little girl, and the other girl — who is she, David?’

That brought me fully round, with a jolt. Frantically I sought for Rosalind and Petra, and could not reach them. Michael felt my panic and came in steadyingly. Relieved, too.

‘Thank goodness for that. We’ve been worried stiff about you. Take it easy. They’re all right, both of them tired out and exhausted; they’re asleep.’

‘Is Rosalind—?’

‘She’s all right, I tell you. What’s been happening to you?’

I told him. The whole exchange only took a few seconds, but long enough for Sophie to be regarding me curiously.

‘Who is she, David?’ she repeated.

I explained that Rosalind was my cousin. She watched me as I spoke, and then nodded slowly.

He wants her, doesn’t he?’ she asked.

‘That’s what he said,’ I admitted, grimly.

‘She could give him babies?’ she persisted.

‘What are you trying to do to me?’ I asked her.

‘So you’re in love with her?’ she went on.

A word again…. When the minds have learnt to mingle, when no thought is wholly one’s own, and each has taken too much of the other ever to be entirely himself alone; when one has reached the beginning of seeing with a single eye, loving with a single heart, enjoying with a single joy; when there can be moments of identity and nothing is separate save bodies that long for one another…. When there is that, where is the word? There is only the inadequacy of the word that exists.

‘We love one another,’ I said.

Sophie nodded. She picked up a few twigs, and watched her brown fingers break them. She said:

‘He’s gone away — where the fighting is. She’s safe just now.’

‘She’s asleep,’ I told her. ‘They’re both asleep.’

Her eyes came back to mine, puzzled.

‘How do you know?’

I told her briefly, as simply as I could. She went on breaking twigs as she listened. Then she nodded.

‘I remember. My mother said there was something… something about the way you sometimes seemed to understand her before she spoke. Was that it?’

‘I think so. I think your mother had a little of it, without knowing she had it,’ I said.

‘It must be a very wonderful thing to have,’ she said, half wistfully. ‘Like more eyes, inside you.’

‘Something like,’ I admitted. ‘It’s difficult to explain. But it isn’t all wonderful. It can hurt a lot sometimes.’

‘To be any kind of deviant is to be hurt — always,’ she said. She continued to sit back on her heels, looking at her hands in her lap, seeing nothing.

‘If she were to give him children, he wouldn’t want me any more,’ she said at last.

There was still enough light to catch a glistening on her cheeks.

‘Sophie dear,’ I said. ‘Are you in love with him — with this spider-man?’

‘Oh, don’t call him that — please — we can’t any of us help being what we are. His name’s Gordon. He’s kind to me, David. He’s fond of me. You’ve got to have as little as I have to know how much that means. You’ve never known loneliness. You can’t understand the awful emptiness that’s waiting all round us here. I’d have given him babies gladly, if I could…. I — oh, why do they do that to us? Why didn’t they kill me? It would have been kinder than this…’

She sat without a sound. The tears squeezed out from under the closed lids and ran down her face. I took her hand between my own.

I remembered watching. The man with his arm linked in the woman’s, the small figure on top of the pack-horse waving back to me as they disappeared into the trees. Myself desolate, a kiss still damp on my cheek, a lock tied with a yellow ribbon in my hand. I looked at her now, and my heart ached.

‘Sophie,’ I said. ‘Sophie, darling. It’s not going to happen. Do you understand? It won’t happen. Rosalind will never let it happen. I know that.’

She opened her eyes again, and looked at me through the brimming tears.

‘You can’t know a thing like that about another person. You’re just trying to—’

‘I’m not, Sophie. I do know. You and I could only know very little about one another. But with Rosalind it is different: it’s part of what thinking-together means.’

She regarded me doubtfully.

‘Is that really true? I don’t understand—’

‘How should you? But it is true. I could feel what she was feeling about the spi— about that man.’

She went on looking at me, a trifle uneasily.

‘You can’t see what I think?’ she inquired, with a touch of anxiety.

‘No more than you can tell what I think,’ I assured her. ‘It isn’t a kind of spying. It’s more as if you could just talk all your thoughts, if you liked — and not talk them if you wanted them private.’

It was more difficult trying to explain it to her than it had been to Uncle Axel, but I kept on struggling to simplify it into words until I suddenly became aware that the light had gone, and I was talking to a figure I could scarcely see. I broke off.

‘Is it dark enough now?’

‘Yes. It’ll be safe if we go carefully,’ she told me. ‘Can you walk all right? It isn’t far.’

I got up, well aware of stiffness and bruises, but not of anything worse. She seemed able to see better in the gloom than I could, and took my hand, to lead the way. We kept to the trees, but I could see fires twinkling on my left, and realized that we were skirting the encampment. We kept on round it until we reached the low cliff that closed the north-west side, and then along the base of that, in the shadow, for fifty yards or so. There she stopped, and laid my hand on one of the rough ladders I had seen against the rock face.

‘Follow me,’ she whispered, and suddenly whisked upwards.

I climbed more cautiously until I reached the top of the ladder where it rested against a rock ledge. Her arm reached out and helped me in.

‘Sit down,’ she told me.

The lighter patch through which I had come disappeared. She moved about, looking for something. Presently there were sparks as she used a flint and steel. She blew up the sparks until she was able to light a pair of candles. They were short, fat, burnt with smoky flames, and smelt abominably, but they enabled me to see the surroundings.

The place was a cave about fifteen feet deep and nine wide, cut out of the sandy rock. The entrance was covered by a skin curtain hooked across it. In one corner of the inner end there was a flaw in the roof from which water dripped steadily at about a drop a second. It fell into a wooden bucket; the overflow of the bucket trickled down a groove for the full length of the cave, and out of the entrance. In the other inner corner was a mattress of small branches, with skins and a tattered blanket on it. There were a few bowls and utensils. A blackened fire-hollow near the entrance, empty now, showed an ingenious draught-hole drilled to the outer air. The handles of a few knives and other tools protruded from niches in the walls. A spear, a bow, a leather quiver with a dozen arrows in it, lay close to the brushwood mattress. There was nothing much else.

I thought of the kitchen of the Wenders‘ cottage. The clean, bright room that had seemed so friendly because it had no texts on the walls. The candles flickered, sent greasy smoke up to the roof, and stank.

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