Paul Kane - Broken Arrow

But somehow he wasn't in that ditch anymore. He was in a forest. All the colour had bleached out of the scene. Greens and browns replaced by greys and blacks. Tanek approached one of the trees — apparently able to move quite freely now, his wounds gone. He touched the bark, and where it came away the wood was bleeding, red and moist. In the clearing beyond he saw an indistinct figure — the more he concentrated the more it came into focus. It was his superior, the Sheriff, except he had no eyes and didn't appear to be able to speak, though his mouth was opening and closing. Tanek walked towards him, and as he did so the forest caught on fire. The blind De Falaise held out a hand as if pleading for help. Tanek's pace picked up, running through the flames towards him. The injured Frenchman was mouthing the words, "Help me." Tanek ran and ran, towards the figure, fighting back the fire until-

He woke up panting. For long seconds he blinked, looking up at the ceiling. How? he wondered. How could he be awake when he'd died back there in the ditch? It didn't make any sense. And how could he be here? Tanek was in bed, covers pulled over him. When he moved, the pain in his chest and foot returned, proving that this was no longer the dreamscape. That he actually was still alive. Lifting the covers, he was suddenly aware of his nakedness — save for the bandages around his chest. And, yes, when he wiggled his foot there was one around that too.

All became clear when an overweight, middle-aged woman with a tight home perm — wearing a hideous floral dress — came into the room to check on him. "Ah, you're awake at last," she said, "that's a good sign. I thought you were going to sleep away the rest of the year."

Tanek sat up slowly, looking at the woman sideways.

"Don't try moving just yet, your body's still recovering," she told him, sitting down on the end of the bed. "It's just lucky that William found you when he did. If we hadn't got you back to the cottage, Heaven knows what might have happened."

William? A husband? A son, or maybe a brother? More than that, a threat!

"How…?" Tanek asked, then realised that talking hurt.

"Brought the car back for you. Only an old Morris, but… It was too far to drag you, and you're very, well, very big ." The woman smiled coyly, looking down. "I'm sorry, where are my manners? It's just been so long since we've had company." She rose and went to the door. "I'll fix you something to eat, you must be starved."

She disappeared, leaving a puzzled Tanek to take in his surroundings: the hideous floral wallpaper; the wooden dresser and wardrobe. From the window sill leered down photos from the woman's life. Her with several children, then at the seaside with a tall man much older than her, who had grey hair.

The woman returned about fifteen minutes later with a tray of scrambled eggs. "From the chickens," she explained, kicking the bedroom door shut. "They've been a Godsend." Tanek devoured the meal in minutes. "My…" said the woman, touching her hand to her throat, "you were hungry, weren't you?"

Tanek gave a single, curt nod.

The woman sat down on the edge of the bed again. "I'm Cynthia. Cynthia Reynolds." She looked like she was waiting for his name, but he didn't oblige. "It… It doesn't matter to me, you know."

Tanek cocked his head

"Your wounds. I don't care where you got them. I just wanted you to know that." She was playing with her obviously fake pearl necklace. "You don't have to tell me anything. I know what it's like, out there ." It was painfully obvious she didn't have the first clue what it was like. She reached out to touch his arm. "And don't feel you have to repay me or anything."

He didn't. Tanek pulled away sharply.

"I'm… I'm sorry." Cynthia looked like she was about to cry. "It's just that, like I said, I haven't had much company these past few years. Only William. But, well, you know, a woman has certain needs that he can't fulfil."

Tanek looked again at the man with grey hair in the photo.

"Others have come, but they've never stayed. Then, when we came across you while we were out walking…"

"I need clothes," he snapped suddenly. "And your car."

"You're not going?" It was phrased like a question, but it was also a statement. "You're not well yet."

Tanek was well enough. Better than he had been when he'd staggered away from the castle… how long ago? Days? Surely not weeks? He got up, letting the covers drop and not caring about Cynthia seeing his body. It must have been her who'd undressed him, anyway. But she seemed coy again, as if she hadn't just been suggesting he stay for more than his health.

Ignoring Cynthia, he checked the wardrobe first — finding a mixture of men's and women's clothes. The trousers, shirt and jumper obviously belonged to the man in the picture; large enough to fit him, but tight where Tanek was broader across the chest, shoulders and legs.

"Please," said Cynthia as he was getting dressed, "stay with me. I've looked after you, haven't I?"

Tanek grunted, tugging on a pair of shoes he'd found in the bottom of the wardrobe. He made his way over to the door, once again disregarding Cynthia's pleas. Then she grabbed him by the arm. That was it, he'd had enough. The woman should have known when to leave well enough alone. Tanek took hold of Cynthia by the shoulders and pushed her up against the wall.

It was then that he heard the growling.

Tanek turned to see the door had been nosed open by a large Doberman pinscher.

"William," he said.

Cynthia nodded. "I had hoped you might be different, William really liked you. I hoped you'd join us here, stay and be our guest for much longer. But, well, as you insist on being so rude."

Tanek never saw the command if there was one, but the dog leaped straight for him, teeth bared. His reactions were dulled from being flat on his back for so long, but the sight of that mutt coming for him soon sharpened them. Tanek let go of Cynthia, whirled around, and punched the dog in the side of the head. It fell across the bed.

Little wonder no one had stayed for very long when this was Cynthia's protector. Leaving the woman, Tanek ran across to the bedroom door, slipping through and slamming it shut just as the hound had recovered sufficiently to leap again. He held onto the door handle for a few moments, grimacing at the snarling and clawing on the other side, and taking in what was around him: a small landing, a steep staircase that led to the front door.

Tanek let go of the handle and pelted down the stairs, almost tripping on the final few. He scrambled to open the front door, only to find it locked. Meanwhile, Cynthia had flung open the bedroom door and was ordering William to attack. Bracing himself, Tanek rammed the door, causing it to loosen at its hinges. There was a growling from behind, very close behind, and he slammed into the door again — this time knocking it flat.

Ahead of him, parked next to the cottage, was the Morris car Cynthia had mentioned. Tanek lumbered towards it, aware the dog was only seconds behind. The car was locked as well, so he elbowed in a window, pulled up the knob and climbed into the driver's seat, barely fitting.

William jumped at the side of the car, desperate to climb inside and bite Tanek. He leaned over just enough to stay out of the reach of those vicious teeth, as he broke open the ignition housing and hot-wired the engine. Shoving the gear stick into first, Tanek drove off, and William lost his grip. Through the rear-view mirror he saw the dog chasing after him, Cynthia at the front door watching the pursuit. Tanek sped up and pretty soon he'd left the woman, the animal, and the cottage behind.

With no real strategy in mind, except to get out of the region because he knew Hood's men might be searching for him, Tanek headed east. There was nothing for him on this island anymore and his best bet was to retrace his steps, head back over to Europe. Maybe even head back towards Turkey.