Peter Heller - The Dog Stars

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The Dog Stars: краткое содержание, описание и аннотация

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“Leave it to Peter Heller to imagine a postapocalyptic world that contains as much loveliness as it does devastation. His hero, Hig, flies a 1956 Cessna (his dog as copilot) around what was once Colorado, chasing all the same things we chase in these pre-annihilation days: love, friendship, the solace of the natural world, and the chance to perform some small kindness.
is a wholly compelling and deeply engaging debut.”
—Pam Houston, author of
A riveting, powerful novel about a pilot living in a world filled with loss—and what he is willing to risk to rediscover, against all odds, connection, love, and grace.
Hig survived the flu that killed everyone he knows. His wife is gone, his friends are dead, he lives in the hangar of a small abandoned airport with his dog, his only neighbor a gun-toting misanthrope. In his 1956 Cessna, Hig flies the perimeter of the airfield or sneaks off to the mountains to fish and to pretend that things are the way they used to be. But when a random transmission somehow beams through his radio, the voice ignites a hope deep inside him that a better life—something like his old life—exists beyond the airport. Risking everything, he flies past his point of no return—not enough fuel to get him home—following the trail of the static-broken voice on the radio. But what he encounters and what he must face—in the people he meets, and in himself—is both better and worse than anything he could have hoped for.
Narrated by a man who is part warrior and part dreamer, a hunter with a great shot and a heart that refuses to harden,
is both savagely funny and achingly sad, a breathtaking story about what it means to be human.
http://youtu.be/YLAsMxZUerw

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We almost moved here. Paonia. Some misspelling of Peony. Melissa was tired of teaching, tired of the principal and the District, was itching to try something else. Organic farming maybe. Building was a lot slower over on this side of the state but I could’ve probably pieced it together with remodels, cabinets, the odd house. First time I saw it I thought it looked like a train set. Looks like a train set still. I let the Beast fall.

Cut power and glide down the south slope of Grand Mesa, the tops of the soft aspens a few feet under our belly. Still green, the pale trunks still startling, the ferns beneath them still a thick carpet no doubt harboring deer. Whoosh off a band of cliff. And the valley opens: a green river bottom backed by a high double mountain with a swooping saddle between. Orchards, the neat rows of tufted trees on either side of the river. Vineyards too. Tall cottonwoods marking the westward twisting course of the stream. In the west, where the river flows out of the valley into a dry desert scrubland, I can see the railroad tracks, the flat topped mesas and the massing uplift of the Plateau, purple in the morning haze. And the town, more a hamlet, clustered between the river and the hill with the white stone P.

Bought groceries here often, ammo, dog food. Used to wait seven minutes at the crossing while the coal train clattered by. Timed it once, resenting the loss of daylight. Look over at Jasper’s seat.

You loved it here, huh, bud. Walk down to the river below the town park and throw the stick in the current. You weren’t too good at stick. Or swimming. Loved it anyway. We should all be like that huh?

Bank downriver and aim for the high dry plateau. Guts in a knot.

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I cannot live like this. Cannot live at all not really. What was I doing? Nine years of pretending.

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The road we took crossed a green bridge. The canyon was called Dominguez. I am eight hundred feet above the ground. See the bridge. See the orchard pressed against the canyon walls, the dirt track. Follow it.

Sparse forest, piñons, junipers almost black and still living. Desert trees that don’t grow up but grow gnarled and thick. Stunted and stubborn. Remind me of Bangley. They just refuse to die at any price. Some of these have been here since the so-named Spanish priest traveled through here with his god.

Never flown this. We always came here in a truck. The road is grown in. Overgrown track swings away from the smaller river to climb a ridge. Bank right to follow it into another drainage and the country I used to hunt. But. Off to the left in the path of the creek a flash of red rock, the upper wall of a canyon just revealed. Always amazed that such a small stream can leave such a landmark, that so much big country stays hidden in these clefts. I bank back to take a look.

As I near, the rim reveals the ruddy face of a high wall, deep red and waterstained in strips of black and ochre. Cut by ledges. Pale printed outline where a huge block came unglued. The cliff two hundred feet high if a foot.

It’s a box canyon. I’ll be damned. The exploding lime green tops of cottonwoods, a few bristled ponderosas. And. I circle tight. How could I have never seen it? Because I was following the road, if you call it that.

The split and riven little canyon widens into this boisterous green hole. Creek winds through. A meadow on the left bank. And. So shocked and curious I am descending in my gyre and I almost spiral into the high wall.

A stone hut against the cliff. Smoke wafting from. A stone bridge over the creek to the field. Cattle scattered on the watered grass. Half a dozen.

Cattle.

And.

A garden plot larger than ours. Fed by a ditch cut from an oxbow of the creek. And.

A figure in the garden bent.

And.

It’s a woman.

Long dark hair tied back. Unbending to stand. Hand to forehead, shading to watch the plane.

A woman in shorts, man’s shirt tied at the waist. Barefoot? Barefoot. Tall and lanky. Standing straight, tall, shielding her face and watching me. Mouth in a wide circle. Yelling? Yes.

A figure now out of the house if that’s a house, a man with a gun. Old man. Old man with a gun raising it skyward and sighting. Jesus.

I don’t hear the concussion but. Twang of bird shot, the tear of aluminum and a new hiss of air. Jesus. Then a pop, burn and sting, my face burning whole left side. Both hands grip the yoke. Pull straight back into a hard climb and roll right wing straight back over the rim almost brush the tops of the low junipers on the edge as I go over and lose sight of them. Bits of shattered glass roll into my collar. Hey. Hey. My window is gone. Left side window, what’s left a mosaic of shattered tempered glass clinging to the frame.

Blood soaking my shirt. Air.

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In that instant I knew what I had come for.

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Not what you think: you are thinking Woman but that wasn’t it. It was to be glad again to be alive.

The moment you realize nothing vital is broken inside you, nor in the Beast, that you are climbing, leveling out, that the engine is purring, the controls tight. That your trembling fingers come up to the side of your bloody face and touch, and touch gingerly, feel the four splinters of glass and that’s it. A few shards. Fuck. And the roof of the cockpit is peppered with holes, just the liner, nothing all the way through metal. That close. The fucker almost took me out. If I hadn’t been rolling away over the edge of the canyon all that bird shot would now be in my head. Damn. And in that moment I began to laugh.

My first glad instinct was to climb down there with the AR-15 and turn the old bastard into hash at close range. That felt good. It was feeling something, not morose. Hig, the SOB did you a favor. Woke your sorry ass up. Just was doing what you would have done to defend his hearth and home and woman.

Woman.

Was that his woman? The old badger. Who knew what arrangements were made in this world. First instinct was to climb down there and murder the fucker and take his woman. And. Why not?

Well, anyway Hig, whether you are a good man or a bad man, or just a pretty good man in a fucked up world, you are going to have to land the Beast first. Put her down in a rolling rocky country with one road that is no longer a road.

I banked around, went over the ridge away from the canyon and aimed the nose down into a sage meadow with the rutted track going straight south across it.

Double U-O-M-A-N. First sight of one viable, one tall, one without the blood sickness probably, and not frozen on a poster in Bangley’s shop or spilled on the ground behind you, too young, with a kitchen knife in her hand—first sight and you are willing to forget everything. Like checking the landing.

Fuck Hig, get your shit together.

I pulled up. Circled low. The road was deeply rutted. Like it would bury the right main gear up to the strut. Nice one, Hig. Be a long walk back to anywhere.

That’s not it. Just. I mean pussy whipped at a thousand feet. I realized, laughing, that it could’ve been men, or a hag. It was this new relationship to a person of any gender: that I was under no obligation to kill them. Or let Bangley kill them. I mean this was their house, not mine. I was the visitor.

Amazing how not having to kill someone frees up a relationship generally. Despite the fact that Gramps tried to kill me . Well. Bygones. I could walk down in there and shoot him or not, which was liberating. Or them. Could’ve been a whole platoon in the house or somewhere hidden just waiting for me. I circled low twice and mapped the rutted road carefully, where the ditch started, where ended, marked it with bushes and gaps. Could they hear me a mile away in the canyon? Probably. Probably right now they were lining up twelve gauge shells on the rock windowsill, probably she was shaking loose her hair, unbuttoning her shirt, and waiting to bait me in range like a Siren.

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