Rick Yancey - The 5th Wave

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The Passage
Ender’s Game After the 1st wave, only darkness remains. After the 2nd, only the lucky escape. And after the 3rd, only the unlucky survive. After the 4th wave, only one rule applies: trust no one.
Now, it’s the dawn of the 5th wave, and on a lonely stretch of highway, Cassie runs from Them. The beings who only look human, who roam the countryside killing anyone they see. Who have scattered Earth’s last survivors. To stay alone is to stay alive, Cassie believes, until she meets Evan Walker. Beguiling and mysterious, Evan Walker may be Cassie’s only hope for rescuing her brother—or even saving herself. But Cassie must choose: between trust and despair, between defiance and surrender, between life and death. To give up or to get up.

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If something goes wrong, don’t overthink, Cassie. You have good instincts; trust them. Thinking through every step is fine if you’re playing chess, but this isn’t chess.

I run back through the killing room and dive through the hole. I misjudge the width of the counter and flip off the edge, somersaulting onto my back, smacking my head hard against the floor. I lie there for a fuzzy second, bright red stars burning in my vision. I’m looking at the ceiling and the metal ductwork running beneath it. I saw the same setup in the corridors: the bomb shelter’s ventilation system.

And I think, Cassie, that’s the bomb shelter’s freaking ventilation system.

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SCUTTLING FORWARD on my stomach, worrying that I’m too heavy for the supports and that at any second the entire section of pipe will collapse, I scoot along the shaft, pausing at each juncture to listen. Listen for what, I’m not really sure. The crying of frightened children? The laughter of happy children? The air in the shaft is cold, brought in from the outside and funneled underground, sort of like me.

The air belongs here; I don’t. What did Evan say?

Your best bet is the barracks that ring the parade grounds.

That’s it, Evan. That’s the new plan. I’ll find the nearest air shaft and climb up to the surface. I won’t know where I am or how far I am from the parade grounds, and of course the entire base is going to be in full lockdown, crawling with Silencers and their brainwashed child-soldiers looking for the girl in the white jumpsuit. And don’t forget the teddy bear. Talk about a dead giveaway! Why did I insist on bringing this damn bear? Sam would understand if I left Bear behind. My promise wasn’t to bring Bear to him. My promise was to bring me to him.

What is the deal with this bear?

Every few feet a choice: turn right, turn left, or keep going straight? And every few feet a pause to listen and to clear the blood from my mouth. Not worried about my blood dripping in here: It’s the bread crumbs that mark my way back. My tongue is swelling, though, and throbs horribly with each beat of my heart, the human clock ticking down, measuring out the minutes I have left before they find me, take me to Vosch, and he finishes me the way he finished my father.

Something brown and small is scurrying toward me, very fast, like he’s on an important errand. A roach. I’ve encountered cobwebs and loads of dust and some mysterious slimy substance that might be toxic mold, but this is the first truly gross thing I’ve seen. Give me a spider or a snake over a cockroach any day. And now he’s heading right toward my face. With very vivid mental images of the thing crawling inside my jumpsuit, I use the only thing available to squash it. My bare hand. Yuck.

I keep moving. There’s a glow up ahead, sort of greenish gray; in my head I call it mothership green. I inch toward the grate from which the glow emanates. Peek through the slats into the room below—only calling it a room doesn’t do it justice. It’s huge, easily the size of a football stadium, shaped like a bowl, with rows and rows of computer stations at the bottom, manned by over a hundred people—only to call them people is doing real people an injustice. They’re them, Vosch’s inhuman humans, and I have no clue what they’re up to, but I’m thinking this must be it, the heart of the operation, ground zero of the “cleansing.” A massive screen takes up an entire wall, projecting a map of the Earth that’s dotted with bright green spots—the source of the sickly green light. Cities, I’m thinking, and then I realize the green dots must represent pockets of survivors.

Vosch doesn’t need to hunt us down. Vosch knows exactly where we are.

I wiggle on, forcing myself to go slowly until the green glow is as small as the dots on the map in the control room. Four junctures down I hear voices. Men’s voices. And the clang of metal on metal, the squeak of rubber soles on hard concrete.

Keep moving, Cassie. No more stopping. Sammy’s not down there and Sammy is the objective.

Then one of the guys says, “How many did he say?”

And the other one goes, “At least two. The girl and whoever took out Walters and Pierce and Jackson.”

Whoever took out Walters, Pierce, and Jackson?

Evan. It has to be.

What the…? For a whole minute or two, I’m really furious at him. Our only hope was in my going alone, sliding past their defenses unnoticed and snatching Sam before they realized what was going on. Of course, it hadn’t quite worked out that way, but Evan had no way of knowing that.

Still. The fact that Evan had ignored our carefully thought-out plan and infiltrated the base also means that Evan is here.

And Evan does what he has the heart to do.

I edge closer to their voices, passing right over their heads until I reach the grating. I peer through the metal slats and see two Silencer soldiers loading eye-shaped globes into a large handcart. I recognize what they are right away. I’ve seen one before.

The Eye will take care of her.

I watch them until the cart is loaded and they wheel it slowly out of sight.

A point will come when the cover isn’t sustainable. When that happens, they’ll shut down the base—or the part of the base that’s expendable.

Oh boy. Vosch is going all Ashpit on Camp Haven.

And the minute that realization hits me, the siren goes off.

X: A THOUSAND WAYS

78 TWO HOURS The minute Vosch leaves a clock inside my head begins to - фото 171

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TWO HOURS.

The minute Vosch leaves, a clock inside my head begins to tick. No, not a clock. More like a timer ticking down to Armageddon. I’m going to need every second, so where is the orderly? Right when I’m about to pull out the drip myself, he shows up. A tall, skinny kid named Kistner; we met the last time I was laid up. He has a nervous habit of picking at the front of his scrubs, like the material irritates his skin.

“Did he tell you?” Kistner asks, keeping his voice down as he leans over the bed. “We’ve gone Code Yellow.”

“Why?”

He shrugs. “You think they tell me anything? I just hope it doesn’t mean we’re taking another bunker-dive.” No one in the hospital likes the air raid drills. Getting several hundred patients underground in less than three minutes is a tactical nightmare.

“Better than staying topside and getting incinerated by an alien death ray.”

Maybe it’s psychological, but the minute Kistner pulls the drip, the pain sets in, a dull throbbing ache where Ringer shot me that keeps time with my heart. As I wait for my head to clear, I wonder if I should reconsider the plan. An evacuation into the underground bunker might simplify things. After the fiasco of Nugget’s first air raid drill, command decided to pool all noncombatant children into a safe room located in the middle of the complex. It’ll be a hell of a lot easier snatching him from there than checking every barracks on base.

But I have no idea when—or even if—that’s going to happen. Better stick to the original plan. Tick-tock.

I close my eyes, visualizing each step of the escape with as much detail as possible. I did this before, back when there were high schools and Friday night games and crowds to cheer at them. Back when winning a district title seemed like the most important thing in the world. Picturing my routes, the arc of the ball sailing toward the lights, the defender keeping pace beside me, the precise moment to turn my head and bring up my hands without breaking stride. Imagining not just the perfect play but the busted one, how I would adjust my route, give the quarterback a target to save the down.

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