Hugh Howey - Sand

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Sand: краткое содержание, описание и аннотация

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We live across the thousand dunes with grit in our teeth and sand in our homes. No one will come for us. No one will save us. This is our life, diving for remnants of the old world so that we may build what the wind destroys. No one is looking down on us. Those constellations in the night sky? Those are the backs of gods we see.
The old world is buried. A new one has been forged atop the shifting dunes. Here in this land of howling wind and infernal sand, four siblings find themselves scattered and lost. Their father was a sand diver, one of the elite few who could travel deep beneath the desert floor and bring up the relics and scraps that keep their people alive. But their father is gone. And the world he left behind might be next.
Welcome to the world of
, the first new novel from
bestselling author Hugh Howey since his publication of the Silo Saga. Unrelated to those works, which looked at a dystopian world under totalitarian rule,
is an exploration of lawlessness. Here is a land ignored. Here is a people left to fend for themselves. Adjust your ker and take a last, deep breath before you enter. * * *
Sand collects all five parts into a single novel. This story is not related to Wool. It is a standalone and a perfect first work of mine to check out. The cover art is by Jason Gurley, and the interior includes artwork by Ben Adams. I’ve never been more proud of a printed work in my entire life.
The story is about family and about societies that need help but get ignored. Inspired by today’s headlines and also by the sort of familial strife that we’re all familiar with, I think this might be my most powerful work to date. I hope you enjoy. H. H.

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Go west if you can. Forget the horror stories of what lies that way. Forget the mountains. Crush their peaks if you must, but go. Take the children and whoever will listen to reason. Those who will not succumb to reason, leave them behind to rot. Leave them here with me where we belong.

Yours,

Farren Robertson Axelrod — The Pickpocket of Low-Pub

Rose ran her fingers across her husband’s name. She could feel the graceful groove the press of his pen had made. A man she thought dead had written this. She sat there for a long time with that letter in her hands, gazing upon the words, while a young girl lay in the bed beside her, murmuring in her dreams.

Rose remembered a time and a life when things had been different. She read the letter again, hearing the voice of her husband reading it to her, remembering his smell, his touch, the itch of his beard against her neck, the way a man could lie with her and she would want it to last, not end as quickly as possible. Love she would give anything for.

There was no telling how long she sat like this, there in that feeble shaft of light dumping through sand-dusted glass. The sand hissed on the panes. It came in waves with the wind. Her daydreaming of the long ago brought with it more than the sound of Farren’s voice. It brought the thunder of drums, which she used to hear from the great wall. Drums like a heartbeat out of rhythm.

The empty water jar on the table shuddered, which snapped Rose back to the present. The drums were real. She could still hear them popping—that unmistakable dull roar of buried bombs being triggered. But too many. She lost count. Rose leaned over the table and banged on the window with her fist, loosening the cake [13] Sand stuck to a window. so she could see. There was a noise outside her door, the sound of boots hurrying up the stairs and across the balcony. This was soon muffled by a growing grumble beyond her window, a thunderous din that grew and grew. There was noise everywhere. The door to her room flew open. Rose turned and saw Conner there, Rob standing behind him, both boys winded, eyes wide, looking to the bed and then to the window.

“Mom?”

Rose turned as the sound grew deafening. She peered through the glass toward Springston. The letter trembled in her hands. The jar wobbled as the violence approached.

“No,” she muttered, realizing what was coming, what was happening. The room shook. The Honey Hole quivered. The young girl woke suddenly and began screaming, and Rose yelled at her boys to take a deep breath, to get down. She dove from the window and threw herself across the girl.

And then the sand bashed through the window and buried them all.

43 • The Great Wall

Vic

Vic and Palmer spent a night at the oasis. Palmer needed time to regain some strength before another day of sailing, and Vic wasn’t comfortable navigating the dunes at night. They left at first light in a building breeze. She stopped twice to check on her brother and force him to drink. While she sailed, he rode along in the haul rack, a small bimini flapping above him, his head lolling side to side as he drifted off to sleep.

They arrived at Springston a little past noon, the sun just crossing the mast as Vic steered due south by compass. She took in the mainsheet and sailed the sarfer up and along a ridge of dunes toward the north side of town. Freeing the mainsail and furling the jib, she slowed the craft to a halt. The aluminum hull groaned on its rusty rivets as the pressure on the mast lessened, the sand crunching as the craft came to a rest. Vic set her teeth and rummaged through Marco’s gear bag—an unpleasant reminder of his absence. She always figured she’d lose him on a dive or in some retaliatory bombing, some nonsensical violence, an effort to depose one Lord and replace him with some identical other. She tried not to think of how it had happened. Or the click of that misfire aimed at her own skull. She found his binoculars in his bag and placed the strap around her neck. Today. Focus on the now.

“Why’re we stopping?” Palmer asked. He had propped himself up in the sarfer’s haul rack, Vic’s gear bag a pillow behind his head. The bimini Vic had rigged up to keep him in the shade made it difficult for him to see where they were.

“We’re stopping so I can get a look at town. Last time I was here, someone tried to kill me, and everyone is looking for you. We need food, and I’d like to get word to some friends to be on the lookout for Brock and his men. I’m hoping I can do both at the market on the edge of town here. If it looks too risky, we’re gonna push on to Low-Pub.”

Palmer groaned. “I don’t think I can go another dune in this rack, Vic.”

She unplugged her suit from the charger fed by the wind turbine and stood on the deck of the twin-hulled craft. She gave the boom a wary glance, made sure the wind wasn’t going to blow it toward her. “I know,” she said. “I’d rather not ride any farther myself. But I’d also prefer not to get killed, either.”

She pulled her goggles off, wiped the gunk from the corners of her eyes, and lifted the binoculars to study the lay of the land. There were a few sarfers parked along the dunes between her and Springston, dive flags flapping high up their masts to warn territorially of activity below. Vic had parked a little west and just north of the line between town proper and the unofficial scattering of shacks known as Shantytown. The last place she’d lived out there had been pushed under a dune a while ago. The morning market on the north side looked like it had already shut—the tents had been broken down and hauled off. Probably from lack of activity. So many had scattered in search of Danvar. There used to be a grocer just beyond the market; Vic could always leave Palmer with the sarfer and go check. She had the coin he’d scavenged. She just needed to get in and out without drawing attention.

She scanned farther to the east. There was a sandscraper near the great wall that had been abandoned for its lean. That might be the safest place to spend the night if Palmer couldn’t take more travel. The vagrants there would know where to grab an emergency bite. If she got desperate enough, she could make her way beneath the sand and just steal something. Better risk a hanging than starve for sure. Amazing how quickly one could reach such a decision. If it were Marco there suggesting such a thing, she’d be the voice of morality, of caution. But Marco was gone and people wanted her brother dead. She supposed there was a different sort of morality that took precedence. A hierarchy. Life and liberty were the Lords of action, now.

Focusing past the tall scrapers, she surveyed the great wall. The leaning concrete face was still in shadow. Another way she knew that it was a touch past noon. Vic remembered watching a quiet sunrise from those ramparts when she was a child, remembered not worrying about her next meal or the next cap of water. She licked her chapped lips as she remembered baths, as she remembered braying goats that could be had for their meat as well as their milk and cheese. Her stomach begged her to remember no more.

She spotted people up on the wall, little black specks of privilege. She envied them that home, that fortress that protected bustling Springston. Here was one solution to the winds from the east; a different answer to the same problem could be seen in Shantytown. The problem in common was that the world was in flux. The sands were always shifting, always pushing from east to west. Progressing , as her father used to say. Always progressing from east to west.

Vic swung the binoculars across Shantytown, where the people moved with the dunes. Not a day went by without a house collapsing. And the rhythmic rattle of hammers there was as constant as the wind. Build and destroy. Destroy and build. People tunneled through the dunes as they closed in around their homes. Back doors became front doors. A doormat shaken out and relocated. Adapt and survive. Life goes on.

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