Rick Yancey - The Infinite Sea

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The Infinite Sea: краткое содержание, описание и аннотация

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The riveting follow-up to the
bestselling
, hailed by Justin Cronin as “wildly entertaining.” How do you rid the Earth of seven billion humans? Rid the humans of their humanity.
Surviving the first four waves was nearly impossible. Now Cassie Sullivan finds herself in a new world, a world in which the fundamental trust that binds us together is gone. As the 5th Wave rolls across the landscape, Cassie, Ben, and Ringer are forced to confront the Others’ ultimate goal: the extermination of the human race.
Cassie and her friends haven’t seen the depths to which the Others will sink, nor have the Others seen the heights to which humanity will rise, in the ultimate battle between life and death, hope and despair, love and hate. Praise for “Just read it.”

“A modern sci-fi masterpiece.”

“Wildly entertaining… I couldn’t turn the pages fast enough.”
—Justin Cronin,
“Nothing short of amazing.”

(starred review) “Gripping!”

(starred review) “Everyone I trust is telling me to read this book.”

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Midmorning: The mist lifts and the snow begins to fall in flakes smaller than crows’ eyes. There’s not a breath of wind. The woods are draped in a dreamlike, glossy white glow. As long as the snow stays this light, I’m good till dark.

If I don’t fall asleep. I haven’t slept in over twenty hours, and I feel warm and comfortable and slightly spacy.

In the gossamer stillness, my paranoia ratchets up. My head is perfectly centered in his crosshairs. He’s high in the trees; he’s lying motionless like a lion in the brush. I’m a puzzle to him. I should be panicking. So he holds his fire, allowing the situation to develop. There must be some reason I’m hanging out here with a corpse.

But I don’t panic. I don’t bolt like a frightened gazelle. I am more than the sum of my fear.

It isn’t fear that will defeat them. Not fear or faith or hope or even love, but rage.

Fuck you, Sullivan said to Vosch. It’s the only part of her story that impressed me. She didn’t cry. She didn’t pray. She didn’t beg.

She thought it was over, and when it’s over, when the clock has wound to the final second, the time for crying, praying, and begging is over.

“Fuck you,” I whisper. Saying the words makes me feel better. I say them again, louder. My voice carries far in the winter air.

A flutter of black wings deep in the trees to my right, the petulant squawking of the crows, and through my eyepiece, a tiny green dot sparkling among the brown and white.

Found you.

The shot will be tough. Tough, not impossible. I’d never handled a firearm in my life until the enemy found me hiding in the rest stop outside Cincinnati, brought me to their camp, and placed a rifle in my hand, at which point the drill sergeant wondered aloud if command had slipped a ringer into the unit. Six months later, I put a bullet into that man’s heart.

I have a gift.

The fiery green light is coming closer. Maybe he knows I’ve spotted him. It doesn’t matter. I caress the smooth metal of the trigger and watch the blob of light expand through the eyepiece. Maybe he thinks he’s out of range or is positioning himself for a better shot.

Doesn’t matter.

It might not be one of Sullivan’s silent assassins. It might be just some poor lost survivor hoping for rescue.

Doesn’t matter. Only one thing matters anymore.

The risk.

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AT THE HOTEL, Sullivan told me a story about shooting a soldier behind some beer coolers and how bad she felt afterward.

“It wasn’t a gun,” she tried to explain. “It was a crucifix.”

“Why is that important?” I asked. “It could have been a Raggedy Ann doll or a bag of M&Ms. What choice did you have?”

“I didn’t. That’s my point.

I shook my head. “Sometimes you’re in the wrong place at the wrong time and what happens is nobody’s fault. You just want to feel bad so you’ll feel better.”

“Bad so I feel better?” With a deep blush of anger spreading beneath her freckles. “That makes absolutely no friggin’ sense.”

“‘I killed an innocent guy, but look how guilty I feel about it,’” I explained. “Guy’s still dead.”

She stared at me for a long time. “Well. I see why Vosch wanted you for the team.”

• • •

The green blob of his head advances toward me, weaving through the trees, and now I can see the glint of a rifle through the languid snow. I’m pretty sure it isn’t a crucifix.

Cradling my rifle, leaning my head against the tree as if I’m dozing or looking at the flakes float between the glistening bare branches, lioness in the tall grass.

Fifty yards away. The muzzle velocity of a M16 is 3,100 feet per second. Three feet in a yard, which means he has two-thirds of a second left on Earth.

Hope he spends it wisely.

I swing the rifle around, square my shoulders, and let loose the bullet that completes the circle.

The murder of crows rockets from the trees, a riot of black wings and hoarse, scolding cries. The green ball of light drops and doesn’t rise.

I wait. Better to wait and see what happens next. Five minutes. Ten. No motion. No sound. Nothing but the thunderous silence of snow. The woods feel very empty without the company of the birds. With my back pressed against the tree, I slide up and hold still another couple of minutes. Now I can see the green glow again, on the ground, not moving. I step over the body of the dead recruit. Frozen leaves crackle beneath my boots.

Each footstep measures out the time winding down. Halfway to the body, I realize what I’ve done.

Teacup lies curled into a tight ball beside a fallen tree, her face covered in the crumbs of last year’s leaves.

Behind a row of empty beer coolers, a dying man hugged a bloody crucifix to his chest. His killer didn’t have a choice. They gave her no choice. Because of the risk. To her. To them.

I kneel beside her. Her eyes are wide with pain. She reaches for me with hands dark crimson in the gray light.

“Teacup,” I whisper. “Teacup, what are you doing here? Where’s Zombie?”

I scan the woods but don’t hear or see him or anyone else. Her chest heaves and frothy blood boils over her lips. She’s choking. I gently push her face toward the ground to clear her mouth.

She must have heard me cursing. That’s how she found me, by my own voice.

Teacup screams. The sound knifes through the stillness, bounces and ricochets off the trees. Unacceptable. I press my hand down hard over her bloody lips and tell her to hush. I don’t know who shot the kid I found, but whoever did it can’t be far. If the sound of my rifle doesn’t bring him back to investigate, her screaming will.

Damn it, shut up. Shut up. What the hell are you doing out here, sneaking up on me like that, you little shit? Stupid. Stupid, stupid, stupid.

Teeth scrape frantically against my palm. Tiny fingers seek my face. My cheeks painted with her blood. With my free hand, I tug open her jacket. I’ve got to compress the wound or she’ll bleed out.

I grab the collar of her shirt and rip downward, exposing her torso. I wad up the remnant and press it just below her rib cage, against the bullet hole weeping blood. She jerks at my touch with a strangled sob.

“What did I tell you about that, soldier?” I whisper. “What’s the first priority?”

Slick lips slide over my palm. No words come out.

“No bad thoughts,” I tell her. “No bad thoughts. No bad thoughts. Because bad thoughts make us go soft. They make us soft. Soft. Soft. And we can’t go soft. We can’t. What happens when we go soft?”

The woods brim with menacing shadows. Deep in the trees, there’s a snapping sound. A boot crunching on the frozen ground? Or an ice-encrusted branch, splintering? We could be surrounded by a hundred enemies. Or zero.

I race through our options. There aren’t many. And they all suck.

First option: We stay. The problem is stay for what. The dead recruit’s unit is unaccounted for. Whoever killed the kid is also unaccounted for. And Teacup has no chance of surviving without medical attention. She has minutes, not hours.

Second option: We run. The problem is where. The hotel? Teacup would bleed to death before we make it back, plus she may have taken off for a good reason. The caverns? Can’t risk going through Urbana, which means adding miles of open fields and many hours to a journey that ends at a place that probably isn’t safe, either.

There’s a third option. The unthinkable one. And the only one that makes sense.

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