Jim Butcher - Changes

Gard glanced at the three and then rolled her eyes. “Yes. And?”

“And they’re just available for hire?” I asked.

“If you can afford them,” Gard said, smiling so that her teeth showed. “Though be warned that prices may vary. This way, Dresden.”

I followed her out into a hallway and past several rooms filled with enough weaponry to win a minor war in a century of one’s choice. Racks of ash-wood spears stood side by side with old bolt-action Mausers, which stood next to modern assault rifles. Katana-style swords shared a room with flintlocks and Maxim guns. One shelving unit housed an evolutionary progression of grenades, from powder-filled crockery with ignitable fuses to the most modern miniature flash-bang grenades. Judging from the variety of the place’s contents, it was like looking at a museum—but from the quantities present, it could only be an armory.

We got to an elevator whose walls were a simple metal grid, so that we could see out of them as we went up. I stopped counting after seeing seven floors of similarly equipped armories go by.

“Guess your boss believes in being prepared,” I said.

Gard smiled. “It’s one of his things, yes.”

“It’s a little extreme, isn’t it?”

She looked at me with an arched brow. Then she said, “One can have only as much preparation as he has foresight.”

I considered that for a moment, and decided that as cryptic statements went, it was all kinds of bad.

The elevator kept going up and up and up. Brief views of various floors went by. One floor looked like an enormous gym and was filled with sweating men and women working out. Another looked like an expensive legal office. Another was all done in antiseptic white, bathed with just a bit too much light, and smelled of disinfectant. Another was lit by candles and the murmuring of voices chanting. Still another was obviously some kind of enormous chemical laboratory. Still another level was filled with cells whose occupants could not be seen as anything other than shadowy presences. And so on.

I shook my head. “Hell’s bells. It’s like some kind of demented theme park.”

“The difference being that nothing you see here is meant to entertain,” Gard said. “And don’t bother asking questions. I won’t answer them. Ah, we’ve reached the ground floor.”

The elevator continued to rise up through an enormous atrium that housed ten or twelve stories of what looked like high-end corporate offices. Each floor was open to the atrium, and between the plants, decorative trees, the waterfall, and all the windows plus the skylights far above, the entire building looked like a single, massive garden. The sounds of office activity and equipment, birds, and the flowing waterfall all blended together into an active whole that formed a white noise bustling with life, variety, and movement. We soared up through the atrium and our open-sided elevator vanished into a short tunnel.

A moment later, the door opened on a rather novel reception area.

It had all the things such offices always did: a prominent desk, several seats in a waiting area, a coffee machine, and a table laden with magazines. In this office, however, all of those materials were made of stainless steel. So were the floors. So were the walls. As was the ceiling. Even the lamps and the coffeepot were made of stainless steel. The magazines alone stood out as shapeless, soft-looking blobs of garish color.

The logo for Monoc Securities stood out upon one wall, in basrelief, and somehow reminded me more of a crest upon a shield than a corporate marketing symbol: a thick, round circle bisected by a straight vertical line emerging from either side of the circle. It might have been a simplified, abstract representation of an eye being cut from its socket by some kind of blade—I have some of that symbol written in scar tissue on my own face, where a cut had run down from eyebrow to cheekbone but had barely missed my eye. It might have been simple abstract symbology, representing the female and the male with round and straight shapes, suggesting wholeness and balance. Or, heck, it could have been overlaid Greek lettering, omega and iota on top of each other. Omega-iota. The last detail? The final detail? Maybe it meant something more like “every last little thing.”

Or maybe it combined all of those things: the blind eye that sees all.

Yeah. That felt right.

Two women sat behind the big desk at computer monitors consisting of small clouds of very fine mist, wherein were contained all the drifting images and letters of the company cyber-reality, floating like the wispiest of illusions. Sufficiently advanced technology, I suppose.

The women themselves were, apparently, identical twins. Both had raven-dark hair cut in close-fitting caps, and it matched the exact shade of their identical black suits. Both had dark eyes that sparkled with intensity and intelligence. They were both pale and their features were remarkable, if not precisely beautiful. They would stand out in any crowd, and not in an unpleasant way, either—but they would never be mistaken for cover models.

The twins rose as the elevator doors opened, and their eyes looked very intent and very black as they stared at us. I’ve looked down the barrel of a gun before. This was like looking down four of them at once. They stood there, inhumanly motionless. Both wore headsets, but only one of them murmured into hers.

I started to step out of the elevator, but Gard put out a cautionary hand. “Don’t, until you’re approved,” she said. “They’ll kill you. Maybe me, too.”

“Like their receptionists tough in these parts, huh?”

“It would be wiser not to joke,” she said quietly. “They don’t miss anything—and they never forget.”

The receptionist who had spoken into her mike flexed one hand slowly closed and open. Her nails peeled up little silver curls from the stainless-steel desk.

I thought about making a manicure joke . . . and decided not to. Go, go, Gadget wisdom.

“Do you do oranges, too?” asked my mouth, without checking in with the rest of me. “What about sharpening table knives and scissors and lawn tools? My landlady’s lawn mower blade could use a hand job from a girl like y—”

“ Dresden ,” Gard hissed, her eyes both furious and wide with near-panic.

Both of the receptionists were focused on me intently now. The one who had remained silent shifted her weight, as though preparing to take a step.

“Come on, Sigrun,” I said to my companion. “I’m trying to be diplomatic. The wisdom of my ass is well-known. If I didn’t lip off to them, after shooting my mouth off to faerie queens and Vampire Courts—plural, Courts —demigods and demon lords, they might get their feelings hurt.”

Gard eyed me for a moment more, before her uncertain blue eyes gained a gleam of devil-may-care defiance. It looked a lot more natural on her than fear. “Perhaps your insults and insolence are not the valued commodities you believe them to be.”

“Heh,” I said. “Good one.”

The chatty twin tilted her head slightly to one side for a moment, then said, “Right away, sir.” She pointed her fingernail at me. “You are to enter the office through the doors behind me.” She aimed her nail at Gard next. “You are to accompany him and make introductions.”

Gard nodded shortly and then tilted her head in a “come along” sort of gesture. We walked out of the elevator and past the twins to the door behind them. They turned their heads as I went by, tracking my every movement. It was downright creepy.

On the other side of the door was a long hallway, also made of stainless steel. There were multiple ports or hatches of some kind in a row along the walls, all closed. They were about the size of dinner plates. I got a feeling that any visitors who tried the hors d’oeuvres served up from those plates would not be asking for the recipe later in the evening.