Rachel Caine - Carpe Corpus

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In the small college town of Morganville, vampires and humans lived in (relative) peace — until all the rules got rewritten when the evil vampire Bishop arrived, looking for the lost book of vampire secrets. He's kept a death grip on the town ever since. Now an underground resistance is brewing, and in order to contain it, Bishop must go to even greater lengths. He vows to obliterate the town and all its inhabitants — the living and the undead. Claire Danvers and her friends are the only ones who stand in his way. But even if they defeat Bishop, will the vampires ever be content to go back to the old rules, after having such a taste of power?

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Don’t! ” she hissed to Shane, and dug her fingernails in as deep as she could. It was all she could do. If Shane decided to go for him, she knew how it would end.

Luckily, so did Shane. He slowly relaxed, and Claire saw Michael’s tension ease as well. “We talking, or are we walking?” Shane asked. “I thought we had someplace to be.”

Claire felt a sunburst of pride in him, and a longing that came with it—she wanted all of this to just stop ; she wanted to go back to the night, the silence, the touch of his skin and the sound of his whispers. That was real. That was important.

It was a reason to live through all this.

She took Shane’s hand and squeezed it. He sent her a look. “What?”

She whispered, “You’re just full of awesome; did you know that?”

François made a face. “Full of something. In the car, fools.”

Founder’s Square at twilight was full of people—rock-concert full. Claire didn’t even know this many people lived in Morganville. “Did they grab the students, too?” she asked Michael.

“Bishop’s not quite that stupid. It’s residents only. University gates were closed. The place is under lock-down.”

“What, again? Even the stoners are going to figure out something’s going on.” Claire certainly would have, and she knew most of the students weren’t that gullible. Then again, knowing and wanting to push the status quo were two very different things. “You think they’ll stay on campus?”

“I think if they don’t, the problem’s going to solve itself,” Michael said somberly. “Amelie will try to protect them, but we’ve got a much bigger issue tonight.”

Technically, that challenge was saving Morganville, and everybody in it.

There were no chairs down on the grassy area, but Bishop’s vampires were out and about, and they were separating people at the entrances to the park and sending them to special holding areas. Or, Claire, thought, pens. Like sorting cattle. “What are they doing?”

“Dividing people according to their Protectors,” François said. “What else?”

Bishop had kept the Protection system, then—or at least, he hadn’t bothered to really dismantle it. People were being questioned at the gate. If they didn’t name a Protector, they got slapped with a big yellow sticker and herded into a big open area in the middle. “What if their Protector is one of Amelie’s rebels?” She knew the answer to that one. “Then they’re no longer Protected. They go in the middle, too?”

Michael looked pallid—not just vampire-pale, really stressed and upset, as if he knew what was coming before she did. Claire didn’t get it until François said, “Just like your friends,” and he grabbed Shane. Ysandre took hold of Eve. They both fought and cursed and tried to get free, but it was no use—they were shoved apart from Michael and Claire.

They were both dragged away to the big cordoned- off area in the center of the square. Claire tried to follow them, but Michael held her back. “Don’t,” he said. “Bishop may not know you’re out of his control yet. Tell him you were drugged by Hannah to keep you out of the way. It’s the truth; he’ll probably sense that.”

“What about Shane? Eve? God, how can you just stand there ?”

“I don’t know,” he admitted. “But I know I have to. Claire, don’t screw this up. You won’t help them, and you’ll only get yourself killed.” He gave her a grim smile. “And me, because I’d have to get in the middle.”

Claire stopped fighting him, but she still couldn’t accept it. She saw why Richard had wanted people out of town who were at the highest risk; Bishop intended this to be a public spectacle.

His final act to make himself the undisputed ruler of Morganville. In the bad old days, that meant executing lots of people.

François took Claire’s arm and marched her up to the front, past angry, scared men and women she knew by sight, and some she’d never seen before. That section had a symbol taped to the barrier that surrounded it— she vaguely recognized it as the symbol for a vampire named Valerie, who’d joined Bishop in the first round of fighting. And yes, there was Valerie, standing inside the barricade with her humans, but looking very much as if she wished she was somewhere else. Anywhere else.

Past Valerie’s barricades was a big raised stage, at least twenty feet off the ground, with steps leading up to it. There were plush chairs, and carpet, and a red velvet backdrop behind it. Spotlights turned the sunset pale in contrast. The stage was empty, but there was a knot of people standing at the foot of the steps.

Richard Morrell was there, dressed in a spotless dark blue suit, with a sky blue tie. He looked like he was running for office, not about to fight for his life; apparently, he and Amelie had the same philosophy on looking good for the Apocalypse. Next to him, Hannah still wore her police uniform, but no belt—and no gun, handcuffs, baton, stakes, or pepper spray. They’d taken away the human cops’ weapons. There were other people, too—mostly vampires, but Claire recognized Dean Wallace, the head of TPU, and a few of the other prominent humans in town, including Mr. Janes, who was the CEO of the biggest bank in town. Mr. Janes had decided to stay. She’d seen his name on Richard’s evac list, and she’d seen him driving away from the warehouse instead of getting on the bus.

She wondered how Mr. Janes was feeling about that decision right now. Not too good, she was guessing. He kept looking out at the crowd, probably trying to find friends and family.

She knew how he felt.

Richard Morrell nodded to her. “You okay?”

Why did everybody always ask that? “Sure,” she lied. “What’s going to happen?”

“Wish I knew,” Richard said. “Stay close to Michael, whatever happens.”

She was going to do that regardless, but she appreciated that he cared. He patted her on the back, and under cover of shaking her hand, he pressed something into her hand.

It was a silver knife, no bigger than her finger. Razor-sharp, too. She tried not to cut herself—the last thing she wanted was for the vamps around her to smell blood—and managed to get it in the pocket of her hoodie without stabbing herself. From Richard’s warning look, she got that it was a weapon of last resort.

She nodded to let him know she understood.

A cordon of vampires closed in around them, including the tall, thin, sexless dude whom she’d last seen with the Goldmans. What was his name? Pennywell. Ugh. He had a thin smile, like he knew what was going to happen, and it wasn’t going to be pretty.

“Up,” he said, and jerked his chin to indicate that they were supposed to climb the steps. Richard went first—trying to set a good example, Claire supposed—and she followed, along with Hannah and Michael. It seemed like a long climb, and it reminded her of nothing else than those old stories about people getting hanged, or walking the last mile to the electric chair.

Up on the stage, it was a whole lot worse. There were hisses and boos from the crowd, quickly hushed, and Claire was blinded by the white spotlights, but she could feel thousands of people staring at her. I’m nobody, she wanted to shout. I don’t want to be up here!

They wouldn’t care about her motives, or her choices, or anything else. She was working for Bishop. That made her the enemy.

Richard took one of the chairs, and Dean Wallace sat next to him. Hannah stayed standing next to Richard’s chair, arms folded. Claire didn’t quite know what to do, so she stuck close to Michael as Mr. Janes claimed the last plush chair.

Two vampires came up the steps carrying Bishop’s massive carved throne, which they set right in the exact center of the carpeted stage.

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