Jim Butcher - Ghost Story

Anyway, the point is that everyone thinks that the sunrise is all about abolishing evil. It’s the light coming up out of the darkness, right?

Well, yeah. Sometimes. But mostly it’s just sunrise. It’s a part of every day, a steady mark of the passing of whirling objects in the void. Granted, there isn’t much black magic associated with the sun coming over the horizon—in fact, I’ve never even heard of any. But it isn’t a cleansing force of Good and Right.

It is, however, one hell of a cleansing force, generally speaking. Therein lay my problem.

A spirit isn’t meant to be hanging around in the mortal world unless it’s got a body to live in. It’s supposed to be on Carmichael’s El train, I guess, or in Paradise or Hell or Valhalla or something. Spirits are made of energy—they’re made of 99.9 percent pure, delicious, nutritious magic. Accept no substitute.

Spirits and sunrise go together like germs and bleach, respectively. The renewing forces flowing through the world with the new day wash over the planet like a silent, invisible tsunami, a riptide of magic that will inevitably wear away at even the strongest of mortal spells, giving them an effective shelf life if they aren’t maintained.

A wandering spirit, caught out beneath the sunrise, would be dissolved. It isn’t a question of standing in a shady spot, any more than standing in your kitchen would protect you from an oncoming tsunami. You have to get to somewhere that is actually safe , that is somehow shielded, sheltered, or otherwise lifted above the renewing riptide of sunrise.

I was a ghost, after all. So I ran for the one place I thought might shelter me, and that I could reach the quickest.

I ran for my grave.

I have my own grave, headstone already in place, the darned thing all dug out and open, just ready to receive me. It was a present from an enemy who, in retrospect, didn’t seem nearly as scary as she had been at the time. She’d been making a grand gesture in front of the seamier side of the supernatural community at large, delivering me a death threat while simultaneously demonstrating her ability to get me a grave in a boneyard with very exclusive access, convincing its management that it ought to break city ordinances and leave a gaping hole in the earth at the foot of my headstone. I don’t know what she’d bribed or threatened them with, but it had stayed where it was, yawning open in Chicago’s famous Graceland Cemetery, for years.

And maybe it would finally be useful as something other than a set piece for brooding.

I pulled Sir Stuart’s vanishing trick and realized that I couldn’t jump much farther than maybe three hundred yards at a hop. Still, I could do it a lot faster than running, and it didn’t seem to wear me out the way I would expect such a thing to do. It became an exercise like running itself—repeating the same process over and over to go from Point A to Point B.

I blinked through the front gate of Graceland, took a couple more hops, trying to find the right spot by this big Greek temple–looking mausoleum, and arrived, in a baseball player’s slide, at the gaping hole in the ground. My incorporeal body slid neatly over the white snow that ran right up to the edge of the grave, and I dropped into the cool, shady trench that had been prepared for me.

Sunlight washed over the world above a few heartbeats later. I heard it, felt it, the way I had once felt a minor earthquake through the soles of my shoes in Washington State. There was a harsh, clear, silvery note that hung in the air for a moment, like the after-tone of an enormous chime. I closed my eyes and scrunched up against the side of the grave that felt most likely to let me avoid obliteration.

I waited for several seconds.

Nothing happened.

It was dim and cool and quiet in my grave. It was . . . really quite restful. I mean, you see things on television and in movies about someone lying in a coffin or in a grave, and it’s always this hideous, terrifying experience. I’d been to my grave before, and it had disturbed me every time. I guess maybe I was past all that.

Death is only frightening from the near side.

I sat back against the wall of my grave, stretching my legs out ahead of me, leaning my head back against it, and closed my eyes. There was no sound but for a bit of wind in the cemetery’s trees, and the muted ambient music of the living, breathing city. Cars. Horns. Distant music. Sirens. Trains. Construction. A few birds that called Graceland home.

I couldn’t remember the last time I’d felt so . . .

Peaceful. Content.

And free. Free to do nothing. Free to rest. Free to turn away from horrible, black things in my memory, to let go of burdens for a while.

I left my eyes closed for a time, and let the contentment and the quiet fill me.

“You’re new,” said a quiet, calm voice.

I opened my eyes, vaguely annoyed that my rest had been interrupted after only a few moments—and looked up at a sky with only a hint of blue still in it. Violet twilight was coming on with the night.

I sat up, away from the wall of my grave, startled. What the hell? I’d been resting for only a minute or two. Hadn’t I? I blinked up at the sky several times and pushed myself slowly to my feet. I felt heavy, and it was harder to rise than it should have been, as if I’d been covered in wet, heavy blankets or one of those lead-lined aprons they use around X-ray machines.

“I always like seeing new things being born,” said the voice—a child’s voice. “You can guess what they’re going to become, and then watch and see if it happens.”

My grave was about six feet deep. I’m considerably over six feet tall. As I stood, my eyes were a few inches above the top of half a foot of snow that covered the ground at that spot. So it wasn’t hard to see the little girl.

She might have been six years old and looked small, even for her age. She wore a nineteenth-century outfit, an almost ridiculously frilly, ornate dress for a child who would probably have it splattered with dirt or food within the hour. Her shoes looked handmade and had little buckles on them. Over one shoulder she was carrying a tiny, lacy parasol that matched her dress. She was pretty—like most children—and had blond hair and bright green eyes.

“Hi,” I said.

“Hello,” she said, with a little Shirley Temple curtsy. “It is a pleasure to meet you, the late Mr. Harry Dresden.”

I decided to be careful. What were the odds she was really a little girl, as she appeared? “How did you know my name?”

She folded the little parasol closed and tapped it against the headstone. It was made of white marble. Letters had been inscribed upon it in gold, or at least something goldlike, and it still gleamed despite about a decade of exposure. It had a pentacle inscribed beneath its simple legend: HERE LIES HARRY DRESDEN. Beneath the pentacle, it continued: HE DIED DOING THE RIGHT THING.

For a moment, there was a strange, sweet taste in my mouth, and the scent of pine needles and fresh greenery filled my nose. A frisson rippled up and down my spine, and I shivered. Then the taste and scent were both gone.

“Do you know me?” she asked. “I’m famous.”

I squinted at her for a moment. Then I made an effort of will and vanished from the bottom of the grave, reappearing beside the child. I was facing the wrong direction again, and I sighed as I turned to face her and then glanced around me. In Graceland there’s a statue of a small girl, a child known as Inez. It’s been there for going on two centuries, and every few years stories circulate about how the statue will go missing—and how visitors to the graveyard have reported encounters with a little girl in a period dress.

The statue was gone from its case.