Ekaterina Sedia - Running with the Pack

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Running with the Pack: краткое содержание, описание и аннотация

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Remember the werewolves of classic stories and films, those bloodthirsty monsters that transformed under the full moon, reminding us of the terrible nature that lives within all of us? Today's werewolves are much more suave — and even sexy — and they've moved from British moors to New York City lofts, shaved, and got jobs. But as the tales of these writers will show you, they remain no less wild and passionate, and they still tug at the part of our being where a wild animal used to be.
includes stories from Carrie Vaughn, Laura Anne Gilman, and C.E. Murphy, and they will convince you that despite their gentrification, werewolves remain as fascinating and terrifying as ever.

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“Mr. Argent, there are regulations about breeding endangered species—”

“I understand that,” Jonathan says. “There are also regulations about rabies shots. If you don’t give my dog her rabies shot—”

The vet shakes her head, but she gives you the rabies shot, and then Jonathan gets you out of there, fast. “Bitch,” he says on the way home. He’s shaking. “Animal-rights fascist bitch! Who the hell does she think she is?”

She thinks she’s a vet. She thinks she’s somebody who’s supposed to take care of animals. You can’t say any of this, because you’re on four legs. You lie in the back seat of the car, on the special sheepskin cover Jonathan bought to protect the upholstery from your fur, and whine. You’re scared. You liked the vet, but you’re afraid of what she might do. She doesn’t understand your condition; how could she?

The following week, after you’re fully changed back, there’s a knock at the door while Jonathan’s at work. You put down your copy of Elle and pad, bare-footed, over to the door. You open it to find a woman in uniform; a white truck with “Animal Control” written on it is parked in the driveway.

“Good morning,” the officer says. “We’ve received a report that there may be an exotic animal on this property. May I come in, please?”

“Of course,” you tell her. You let her in. You offer her coffee, which she doesn’t want, and you tell her that there aren’t any exotic animals here. You invite her to look around and see for herself.

Of course there’s no sign of a dog, but she’s not satisfied. “According to our records, Jonathan Argent of this address had a dog vaccinated last Saturday. We’ve been told that the dog looked very much like a wolf. Can you tell me where that dog is now?”

“We don’t have her anymore,” you say. “She got loose and jumped the fence on Monday. It’s a shame: she was a lovely animal.”

The animal-control lady scowls. “Did she have ID?”

“Of course,” you say. “A collar with tags. If you find her, you’ll call us, won’t you?”

She’s looking at you, hard, as hard as the vet did. “Of course. We recommend that you check the pound at least every few days, too. And you might want to put up flyers, put an ad in the paper.”

“Thank you,” you tell her. “We’ll do that.” She leaves; you go back to reading Elle, secure in the knowledge that your collar’s tucked into your underwear drawer upstairs and that Jessie will never show up at the pound.

Jonathan’s incensed when he hears about this. He reels off a string of curses about the vet. “Do you think you could rip her throat out?” he asks.

“No,” you say, annoyed. “I don’t want to, Jonathan. I liked her. She’s doing her job. Wolves don’t just attack people: you know better than that. And it wouldn’t be smart even if I wanted to: it would just mean people would have to track me down and kill me. Now look, relax. We’ll go to a different vet next time, that’s all.”

“We’ll do better than that,” Jonathan says. “We’ll move.”

So you move to the next county over, to a larger house with a larger yard. There’s even some wild land nearby, forest and meadows, and that’s where you and Jonathan go for walks now. When it’s time for your rabies shot the following year, you go to a male vet, an older man who’s been recommended by some friends of friends of Jonathan’s, people who do a lot of hunting. This vet raises his eyebrows when he sees you. “She’s quite large,” he says pleasantly. “Fish and Wildlife might be interested in such a large dog. Her size will add another oh, hundred dollars to the bill, Johnny.”

“I see.” Jonathan’s voice is icy. You growl, and the vet laughs.

“Loyal, isn’t she? You’re planning to breed her, of course.”

“Of course,” Jonathan snaps.

“Lucrative business, that. Her pups will pay for her rabies shot, believe me. Do you have a sire lined up?”

“Not yet.” Jonathan sounds like he’s strangling.

The vet strokes your shoulders. You don’t like his hands. You don’t like the way he touches you. You growl again, and again the vet laughs. “Well, give me a call when she goes into heat. I know some people who might be interested.”

“Slimy bastard,” Jonathan says when you’re back home again. “You didn’t like him, Jessie, did you? I’m sorry.”

You lick his hand. The important thing is that you have your rabies shot, that your license is up to date, that this vet won’t be reporting you to Animal Control. You’re legal. You’re a good dog.

You’re a good wife, too. As Stella, you cook for Jonathan, clean for him, shop. You practice your English while devouring Cosmopolitan and Martha Stewart Living , in addition to Elle. You can’t work or go to school, because the week of the full moon would keep getting in the way, but you keep yourself busy. You learn to drive and you learn to entertain; you learn to shave your legs and pluck your eyebrows, to mask your natural odor with harsh chemicals, to walk in high heels. You learn the artful uses of cosmetics and clothing, so that you’ll be even more beautiful than you are au naturel . You’re stunning: everyone says so, tall and slim with long silver hair and pale, piercing blue eyes. Your skin’s smooth, your complexion flawless, your muscles lean and taut: you’re a good cook, a great fuck, the perfect trophy wife. But of course, during that first year, while Jonathan’s thirty-six going on thirty-seven, you’re only twenty-one going on twenty-eight. You can keep the accelerated aging from showing: you eat right, get plenty of exercise, become even more skillful with the cosmetics. You and Jonathan are blissfully happy, and his colleagues, the old fogies in the Anthropology Department, are jealous. They stare at you when they think no one’s looking. “They’d all love to fuck you,” Jonathan gloats after every party, and after every party, he does just that.

Most of Jonathan’s colleagues are men. Most of their wives don’t like you, although a few make resolute efforts to be friendly, to ask you to lunch. Twenty-one going on twenty-eight, you wonder if they somehow sense that you aren’t one of them, that there’s another side to you, one with four feet. Later you’ll realize that even if they knew about Jessie, they couldn’t hate and fear you any more than they already do. They fear you because you’re young, because you’re beautiful and speak English with an exotic accent, because their husbands can’t stop staring at you. They know their husbands want to fuck you. The wives may not be young and beautiful any more, but they’re no fools. They lost the luxury of innocence when they lost their smooth skin and flawless complexions.

The only person who asks you to lunch and seems to mean it is Diane Harvey. She’s forty-five, with thin gray hair and a wide face that’s always smiling. She runs her own computer repair business, and she doesn’t hate you. This may be related to the fact that her husband Glen never stares at you, never gets too close to you during conversation; he seems to have no desire to fuck you at all. He looks at Diane the way all the other men look at you: as if she’s the most desirable creature on earth, as if just being in the same room with her renders him scarcely able to breathe. He adores his wife, even though they’ve been married for fifteen years, even though he’s five years younger than she is and handsome enough to seduce a younger, more beautiful woman. Jonathan says that Glen must stay with Diane for her salary, which is considerably more than his. You think Jonathan’s wrong; you think Glen stays with Diane for herself.

Over lunch, as you gnaw an overcooked steak in a bland fern bar, all glass and wood, Diane asks you kindly when you last saw your family, if you’re homesick, whether you and Jonathan have any plans to visit Europe again soon. These questions bring a lump to your throat, because Diane’s the only one who’s ever asked them. You don’t, in fact, miss your family—the parents who taught you to hunt, who taught you the dangers of continuing the line, or the siblings with whom you tussled and fought over scraps of meat—because you’ve transferred all your loyalty to Jonathan. But two is an awfully small pack, and you’re starting to wish Jonathan hadn’t had that operation. You’re starting to wish you could continue the line, even though you know it would be a foolish thing to do. You wonder if that’s why your parents mated, even though they knew the dangers.

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