Suzanne McLeod - The Bitter Seed of Magic

I dressed in a T-shirt and jeans, both black in preparation for my later plans, snagged the day-old BLT sandwich (last night’s snack) and some orange juice from the fridge, then sat cross-legged on the floor in front of my computer and started Googling. Once I’d finished, I picked up the folder Victoria Harrier had given me and took out the police list of missing faelings. It went back a couple of years and it wasn’t difficult to see a pattern. The numbers and breakdown of the sexes of the missing faelings had stayed fairly constant until five months ago, when it had changed. Since then, the only faelings reported missing were female. The list noted that most were working girls—a.k.a. girls who were vulnerable and easy prey, the type no one would make much of a fuss about if they vanished. It wasn’t vamps. For one, Malik had given his protection to all fae and faelings; and two: for the most part vamps weren’t interested in gender when it came to blood or sex. The two dead faelings were just the tip of the iceberg. There were another fifteen missing, and they were just the ones that had been reported.

I chewed my sandwich, staring thoughtfully at the computer screen. Were the others all dead too? Or were they still alive somewhere? I thought back to my trip to Disney Heaven. Angel/The Mother had said: they are all dying , not: they are all dead , which was sort of hopeful—if the girls could be found before he killed them, he being the photofit of the horned god, which could either be symbolic—since the horned god was also associated with fertility, and this was all to do with the curse—in which case the photofit wasn’t going to help much, or the picture could be literal: the killer had horns—and that, however much I didn’t want it to, came down to the satyrs. They were the only horned fae in London.

You will stop this , You will break the curse, and You will give them a new life . One and two were no-brainers, the third command … maybe it was just as literal? Maybe I was meant to save the missing faelings, therefore breaking the curse, and give them a new life, not actually pop out the next generation of London’s fae—or maybe that was just wishful thinking on my part.

Then there was goddess number two, the Morrígan. It didn’t take a genius to put together a fertility goddess who had a thing about ravens and who wanted me to remember losing a child, and a dead corvid faeling, to know that she was on the same case as The Mother. Finding and saving the missing girls would be so much easier if the pair of them had talked to each other, and given me more than cryptic clues to go on … still, one good thing about the whole horrific Alien baby show and Tavish’s dire pronouncements of doom, not to mention whatever nasty spells the pair of them had sicced on me, the Morrígan was adamant I shouldn’t get pregnant … as adamant as Clíona was, in fact … so maybe the Morrígan was working for Clíona in some way, as Sylvia had guessed?

And then there was Ana, or Annan, Clíona’s great-granddaughter, who was pregnant, and whose mother Brigitta was dead because of the curse (and the vamps), and whose grandmother, Rhiannon/Angel, had suffered at the hands of London’s fae because of it. So when it came to the curse, Ana had ‘victim’ stamped all her, even without the Morrígan appearing as a bean nighe . But that didn’t mean she had anything to do with the missing faelings, other than she was a faeling herself. I sipped my juice. Maybe I’d find out more when I visited Ana tomorrow for our little who’s-the-vamp chat?

There was nothing more I could do about the missing faelings until tomorrow now, other than email Hugh some questions:

The missing faelings since Hallowe’en—how many have corvid

blood, or connections to the Morrígan?

And do any have dealings with any of the satyrs?

Check out Ana (Victoria Harrier’s daughter-in-law)—possible future victim.

I went to press send, then stopped and added:

Did any of them worship The Mother?

Someone was annoying Her with their prayers, enough to make Her do something, so it was a clue Hugh needed to know, whether it would lead to anything or not. He was the one really investigating the poor faeling’s death, after all. Then recalling another vague suspicion I’d had, I added:

Maybe have someone look at yesterday’s circle; I think there was something wrong with the way the yew was laid out …

I pressed send, and hoped that The Mother’s gag clause didn’t extend to cyber-space, not that I’d put much in the email. The message disappeared, but whether it would get there … I sent him a text too, just in case.

I closed the computer down, then padded over to the kitchen and touched the empty cut-glass fruit bowl on the counter. The bowl’s diamond-cut facets shimmered with a sudden rainbow of colours, highlighting the engraved glyphs. I dipped my hand in … and an apple, painted gold, appeared as my fingers passed its edge.

‘ Symbol of fertility ,’ whispered the bowl. ‘ The forbidden fruit. The poisoned gift. The healthgiver; an apple a day keeps the vampires away. ’

I sighed, exasperated, and withdrew my hand. ‘I’ve told you,’ I muttered, ‘I hate apples.’ And magical artefacts that had their own snide opinions. The bowl had been a boon from Clíona in return for finding Angel at Hallowe’en. The magical blood-fruit it produced was the equivalent of the humans’ G-Zav—faerie methadone for the 3V infection—and while it didn’t cure my venom addiction, at least with the blood-fruit, I was the one in control. So long as I didn’t let a vamp actually stick their fangs in me.

The bowl gave a small, irritated cough, and the apple was replaced by five gleaming, silver-painted blackberries. ‘ Sacred fruit of the Goddess. Fruit of the fae. Healer of wounds. Seeds of hope and rebirth— ’

‘Yeah, okay, I get it,’ I muttered and gathered them up. The blood-fruit burst on my tongue, sweet and tart with the faint liquorice flavour of vamp venom, the juice flowing down my throat like warm blood. My libido went straight to Red Alert—which was why I usually followed the blood-fruit with a cup of cold lamb’s blood: it knocked the annoying sexual cravings on the head. But despite Sylvia’s obvious enjoyment of the blood, I wasn’t prepared to lick it off the floorboards, and the feelings would wear off by the time I got to my evening’s appointment.

And as I was running short on daylight, I needed to get a move on.

I whipped my T-shirt off, turned it inside out and put it back on, then tucked my hair into my black baseball cap with its See-Me-Not spell; my standard operating procedure when I wanted to stay below the fae’s radar. It appeared to have been working, because even with Bandana following me, no one (including Finn!) had ever mentioned my outings.

I grabbed the padded backpack with the insulated compartment from under the sink, opened the fridge, and carefully transferred the three bags of blood— my blood—from the middle shelf. The blood-fruit controlled my venom addiction, but like anyone infected with 3V, my body still produced much more blood than it needed. Bags were way better than leeches (the slimy sort, not the fanged sort) at getting rid of it.

Time to go to Sucker Town, make my weekly donation, and see what insider info I could glean about Malik before the beautiful, over-protective, and maybe still angry vamp got my message at sunset.

‘Sure you want to get out ’ere, luv?’ The taxi driver took my money with a morose expression. ‘Them vamps, they ain’t like regular people. One of me mates, ’is kid got mixed up wiv ’em and ’e ended up in rehab at that ’OPE clinic. An’ I gotta tell you too, luv, that you don’t get no human cab drivers after dark ’ere in Sucker Town, just them Gold Goblin cabs. Regulations, innit.’