Mike Carey - The Devil You Know

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The Devil You Know: краткое содержание, описание и аннотация

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Felix Castor is a freelance exorcist, and London is his stamping ground. At a time when the supernatural world is in upheaval and spilling over into the mundane reality of the living, his skills have never been more in demand. A good exorcist can charge what he likes — and enjoy a hell of a life-style — but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. After a year spent in 'retirement' Castor is reluctantly drawn back to the life he rejected and accepts a seemingly simple exorcism case — just to pay the bills, you understand. Trouble is, the more he discovers about the ghost haunting the archive, the more things don't add up. What should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons, were-beings and ghosts all keen to claim the big prize. But that's OK; Castor knows how to deal with the dead. It's the living who piss him off...

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That was the one that did it for me, because I knew that face—knew it better than I wanted to. My body arched backward, and the shift in balance was enough to topple the chair I was sitting in. I went crashing to the floor, and a second later, the sound was echoed in another crash from somewhere far above me.

I was so groggy and dazed for a moment as I came up from the half trance that I didn’t realize what that meant. But a single thought cut through the shit and fog that filled my brain. I’d lost her again. I’d been so close that another few seconds would have been enough to nail her down for good, and then I’d jolted myself out of the receptive state and lost her.

Then a second thought dropped into place next to the first.

There was someone else as well as me in the building.

I mean, someone else who was still alive.

Further thoughts crowded in on those first two, muddying the waters. There were any number of explanations for the noise. It could just have been the echo of my own fall or a sound from the street outside that had bounced in a weird way and come back to my ears from inside the building. And if it was another live human being, five would get you plenty it would only be Jon Tiler popping back in for his bag again, even later than last night.

My mind was pulled back to the images that had just flicked through it. They were still vividly there, hanging in front of my eyes in the dark—vivid enough to obliterate my dim surroundings if I let them. The car, the factories, the wristwatch—these were things from the modern world, so they shot to pieces any idea that the ghost was a turn-of-the-century Russian whose spirit had become entangled in some old love letters or a promissory note.

And with that realization came another. Bare arms with a hood? The ghost wasn’t wearing any kind of full-length cloak or ecclesiastical robe; it was most likely to be a hoodie. Like I said, sometimes I’m so corkscrew sly and subtle that I miss what’s right in front of my face.

But it was the last image that had left me reeling. Like I said, I knew the man, and if he’d been here at the archive before me, then I needed to have words with Peele sooner than soon—some of which would be of the kind that you’re not liable to read in the Bible.

I pulled myself together, which took a bit of an effort. Wherever I went next, I was all done here. The room didn’t have any more revelations to offer me, because the ghost had nothing to do with any of the stuff in these boxes. In the chagrin and frustration of that moment, my thoughts went back to the crash, which was a welcome diversion from the clutter and confusion that the rest of my mind was now filled with.

There was another explanation for that sound. It could be the ghost itself, stirred up by our little two-handed game and throwing another tantrum. If it was, then I might have a chance of collecting the last coffin nail, the last tiny sliver of her psychic fingerprint that would allow me to do my stuff. Something to report to Alice—besides “I’ve been barking up the wrong tree and now I’ve got splinters”—would be very useful.

Well, I sure as hell had nothing to lose. I picked myself up off the floor, stepped out of the room, and headed on down the hallway. I’d been through this maze a few times now, but in the dark, I still managed to miss my way. Somehow when I should have come to the bottom of the first set of stairs, I came to a dead end instead and had to retrace my steps. Strange. That blind-ended corridor had the worst vibes of all: a headache-inducing sludge of sorrow. Something really unpleasant must have happened there once, or maybe it was just that the tumble I’d taken had bent my psychic tuning fork all out of shape.

Second time lucky. I found my way to the stairs and walked up quickly, my footsteps filling the unpeopled silence like the marching of a clumsy ghost army. Up, down, in, out. I threaded my way through the nearly dark corridors by feel, with the occasional help of a patch of dirty yellow white light from the street outside. I passed the workroom, which was silent and empty, Alice’s office, then Peele’s. Everything here was silent, dark, and deserted. If it was the ghost who’d made the sound, it seemed she was taking a breather.

I walked on until I came to the main stairwell—the stone one that led down to the lobby—and there I stopped and listened. This place was an echo chamber; if anything moved in the building, my best chance of hearing it was probably from right there.

But there was nothing to hear except for the blood drumming in my own ears. Perhaps I’d got it wrong in the first place; that thunderous bang that had followed the sound of my chair falling over could have come from almost anywhere. I was about to give up on it when suddenly there was a quick rustle of movement from the dark above me, instantly stilled. I waited, but nothing followed on from this flurry of sound. Interesting. There’s a kind of silence that just has the overwhelming feel of someone trying desperately not to break it, and that was the kind of silence I was breathing in right then. From my earlier wanderings, I remembered that the fourth floor was mainly additional office space and nonsecure storage, and above that there were the empty shells of rooms where the building work was still going on.

I climbed up the next flight of steps slowly, with laborious stealth. There was no sign of anyone or anything there. I waited for another long, uneventful while and was rewarded by another microscopic fragment of sound from just above my head: a floorboard protesting as someone shifted his weight. I climbed again, into the attic level, where the palletloads of bricks waited in the dark like the ghosts of strong rooms yet to be born. I trod carefully here; the ropes of the block and tackle hanging down into the stairwell had reminded me that the railings had been removed from the top landing. One foot out of place, and I’d be doing a vertical quick step.

The building got less extensive horizontally the farther up you went; most of the extensions had been to the first and second floors. Up here in the roof space, there was a single straight corridor with half a dozen rooms leading off it, three to each side. The great rose window was directly over my head here, and through it I could see a few stars breaking cover as a mass of black cloud shifted off westward. They did nothing to relieve the darkness, though; it was even more dense and opaque up here than it had been on the floor below. I squinted down the corridor. Nothing to see, but that didn’t mean there was nothing there.

I walked down the corridor, trying each door in turn. They all opened, and they all gave onto empty rooms. Those on the right-hand side were completely bare, just dusty floorboards and nailed-up plasterboard, without even electric sockets or lights. Those on the left were in a more finished state, but turned out, when I flicked on the shadeless lights, to hold nothing more interesting than a few boxes and stacks of old papers.

But the last door on the left was already slightly ajar. I pushed the door fully open and scanned the room from the corridor without trying to walk in. I found the light switch to the right of the door and pressed it. Nothing happened. Either the bulb had given out already, or more likely nobody had bothered to put one in the socket yet. It was too dark to see much, but the room seemed to be little more than a cupboard; shelves extended from floor to ceiling on the wall facing me, which was only about six feet away. More box files and stacked papers: a smell of sour, unbreathed air.

I took a single step forward, over the threshold. I just about had time to take a paranoid glance behind the door before someone barged me hard from behind, sending me staggering forward into the room. I slammed painfully into the shelving before I could even fall. One of the shelves tipped under my weight, but I got my balance back and turned around.

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