Mike Carey - Thicker Than Water

‘Well, I keep my ear to the ground,’ I responded in kind.

‘Good way to get your face trodden on.’

‘If you catch me at it, feel free to cast the first boot.’

Gary frowned. He hates being smart-mouthed in front of his chattels and gofers, and this probably rankled all the more because he was doing me a favour: letting me know, in his own winsome way, that Rafi’s disappearance from the secure care facility where he’d lived — if you wanted to call it that — for the past three years had now become a police matter. It wasn’t good news, but it was coming sooner or later so there was no point in crying about it. We’d see what we’d see.

Perhaps by way of clawing back some of the points he’d just lost, Gary switched to another topic. ‘So who is it that’s watching you?’ he asked.

I blinked, false-footed. ‘Who’s what?’ Now this was news to me, and I couldn’t quite get my guard up in time to hide it. ‘Two-man tag team,’ Gary said. ‘One on the corner, one in a car a bit further down the street. Discreet operation, but they must have a budget.’

‘Probably the rent man,’ I said sourly. Jenna-Jane bloody Mulbridge, much more likely. Maybe this was why she’d kept Rafi out of the news: so I’d relax, get sloppy and lead her straight to him. But obviously it hadn’t worked yet, or they wouldn’t still be there. And now — well, forewarned was forearmed.

Just south of Elephant and Castle we turned off the main drag onto a service road that took a slack-bellied run-up around the back of the station car park before screwing up its courage and leaping over Kennington Lane in the form of a concrete flyover. All the other traffic on the road was pulling to the left or right in two confused, jostling streams before they got onto this overpass, because directly ahead of us three more police cars had been parked so that they blocked the whole carriageway: or at least the whole carriageway apart from a single narrow gap guarded by a hard-faced WPC. Seeing us coming straight towards her she raised her hand to wave us away, but then she recognised either Coldwood or the driver and stood aside to let us through.

The road beyond had the unsettling emptiness of a school playground during the summer holidays. By this time on a weekday morning it ought to have been heaving; but there were only four vehicles that I could see, and none of them were moving. Two of them were Astras in police livery, with uniformed cops standing in inert clusters around them. A blonde woman in a black Dryzabone was talking to one of the clusters, pointing off towards the distant skyline: two boys in blue went forth to do her bidding. I thought I recognised that tall slim figure and hard handsome face, but there was no point in jumping off that bridge until I came to it.

The third vehicle was an ambulance, standing with its back doors wide open and its hoist platform down, and the last was a sprightly pillar-box red Ford Ka parked on a precariously angled concrete apron too narrow to be called a hard shoulder. Something about the sight of it gave me a sudden qualm of unease. I wasn’t entirely sure, though, whether or not that response was coming from the part of my perceptual equipment I call my death-sense. I couldn’t see anything dead in the vicinity — or, for that matter, anything in that badly defined and mystifying state we choose to call undead — but then we were still a hundred yards or so away. When we got closer, maybe I’d find out what it was that had set me off.

But we didn’t get closer: Coldwood tapped the driver’s shoulder and we slowed to a halt at the side of the road, up against a buckled steel crash barrier that seemed to have done its job on more than one occasion.

Coldwood got out, a little awkwardly because his legs hadn’t been set particularly well after being broken the year before — at certain angles they moved in a robotic, discontinuous way. I followed him because this was clearly the end of the ride. Walking around the back of the car to join him, I glanced idly over the edge of the parapet. We were high enough up that we were looking down on the mottled apron of a rooftop car park. The asphalt was bare apart from a phalanx of wheelie bins in one corner, behind which a black jacket lay like a dead bird: part of the inexplicable roadkill of the inner city.

Coldwood leaned against the flank of the car, hands in pockets, like Patience on a monument but with a more pugnacious facial expression. ‘So what’s the score?’ I asked him when it was clear that he wasn’t going to speak first.

‘You tell me, Fix,’ he suggested.

I waited for the other shoe to drop. For the most part I ply my trade wherever there’s a profit to be made, and the Metropolitan Police’s homicide division has been a lucrative source of income for me on more than one occasion. At one time, in fact, the Met had been my main client, and I’d started to take it for granted. But then, like an old married couple, we’d parted company at last because of irreconcilable differences, mostly arising out of me being arrested for murder. It had been a while since Coldwood had put any work my way, and a longer while since I’d asked him for any favours. So there was something else going on here, and I was damned if I was going to commit myself to anything, even an opinion, before I knew what it was.

But Coldwood seemed equally coy, and the staring match couldn’t go on for ever. I shrugged and reached inside my greatcoat. There’s a pocket there that I sewed in myself — deep but narrow, just the right size to hold a tin whistle with an inch of clearance at the top so that it’s easy to hook it out in a hurry. The whistle in question is a Clarke Sweetone in the key of D. I’ve tried other brands and other keys, but only in the way that a compass needle tries to pull away from north. It never sticks.

Whistle in hand, I headed over towards the parked Ka. From behind me, Coldwood said, ‘Fix.’

I turned and looked back at him. He hadn’t moved. ‘Yeah?’ I demanded.

‘Do it from here.’

I measured the distance to the car. ‘I can’t see anything from here,’ I pointed out.

Coldwood held my gaze. ‘How do you know until you try?’

There was a time when bullshit like that would have made me dig my heels in, when I would have turned around and walked away rather than play a command performance with a blindfold on. But at this particular time there was something like an unsettled debt between me and Coldwood, dating from an occasion — quite recently — when I’d almost got him killed: that one incident explained both the limp and the scar. And right about then, when I was more or less evenly balanced between giving him a tune and telling him exactly where and how deeply to shove it, the blonde woman came striding up to us, walking right past me without a glance to address herself to Coldwood.

‘This isn’t right,’ she said without preamble. Her expression was grim and tight.

Coldwood nodded. It wasn’t a nod of agreement: he was just acknowledging an argument he’d clearly already heard. ‘You’re down on record, Ruth,’ he said, ‘so you can stop banging the drum any time you get sick of the sound. But you don’t have any seniority on me here and this is the way we’re doing it.’

The blonde woman turned now and favoured me with a cold, clinical stare. She was beautiful — really beautiful — but in a hard and austere way that told you more clearly than words how little she cared about what you thought of her. She wore her hair short, and her blue eyes stared out at you pale and unframed, without the benefit of mascara. She favoured greys and blacks, with occasional concessions to blue. Maybe she thought warm colours would be provocative. Tonight she was at the darker end of her spectrum, and her subtle curves were reined in to leave as straight-edged an outline as possible.