Deborah Harkness - Shadow of Night

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Shadow of Night: краткое содержание, описание и аннотация

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Historian Diana Bishop, descended from a line of powerful witches, and long-lived vampire Matthew Clairmont have broken the laws dividing creatures. When Diana discovered a significant alchemical manuscript in the Bodleian Library,she sparked a struggle in which she became bound to Matthew. Now the fragile coexistence of witches, daemons, vampires and humans is dangerously threatened.
Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.
Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...

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15

“It looks like a demented hedgehog,” I observed. Elizabeth’s London was filled with needlelike spires that stuck up from the huddle of buildings that surrounded them. “What is that?” I gasped, pointing to a vast expanse of stone pierced by tall windows. High above the wooden roof was a charred, stout stump that made the building’s proportions look all wrong.

“St. Paul’s,” Matthew explained. This was not Christopher Wren’s graceful white-domed masterpiece, its bulk concealed until the last moment by modern office blocks. Old St. Paul’s, perched on London’s highest hill, was seen all at once.

“Lightning struck the spire, and the wood of the roof caught fire. The English believe it was a miracle the entire cathedral didn’t burn to the ground,” he continued.

“The French, not surprisingly, believe that the hand of the Lord was evident somewhat earlier in the event,” commented Gallowglass. He had met us at Dover, commandeered a boat in Southwark, and was now rowing us all upstream. “No matter when God showed His true colors, He hasn’t provided money for its repair.”

“Nor has the queen.” Matthew devoted his attention to the wharves on the shoreline, and his right hand rested on the hilt of his sword.

I had never imagined that Old St. Paul’s would be so big. I gave myself another pinch. I had been administering them since spotting the Tower (it, too, looked enormous without skyscrapers all around) and London Bridge (which functioned as a suspended shopping mall). Many sights and sounds had impressed me since our arrival in the past, but nothing had taken my breath away like my first glimpses of London.

“Are you sure you don’t want to dock in town first?” Gallowglass had been dropping hints about the wisdom of this course of action since we’d climbed into the boat.

“We’re going to the Blackfriars,” Matthew said firmly. “Everything else can wait.”

Gallowglass looked dubious, but he kept rowing until we reached the westernmost reaches of the old, walled city. There we docked at a steep set of stone stairs. The bottom treads were submerged in the river, and from the look of the walls the tide would continue to rise until the rest were underwater, too. Gallowglass tossed a line to a brawny man who thanked him profusely for returning his property in one piece.

“You seem only to travel in other people’s boats, Gallowglass. Maybe Matthew should give you your own for Christmas,” I said drily.

“And deprive me of one of my few pleasures?” Gallowglass’s teeth showed in his beard. Matthew’s nephew thanked the boatman and tossed him a coin the size and weight of which reduced the poor fellow’s previous anxiety to a hazy glow of appreciation.

We passed from the landing through an archway and onto Water Lane, a narrow, twisting artery crowded with houses and shops. With every rising floor, the houses jutted farther over the street, like a clothes chest with the upper drawers pulled out. This effect was heightened by the linens, carpets, and other items hanging out the windows. Everyone was taking advantage of the unusually fine weather to air out lodgings and garments.

Matthew retained a firm grip on my hand, and Gallowglass walked to my right. Sights and sounds came at us from every direction. Fabrics in saturated red, green, brown, and gray swung from hips and shoulders as skirts and cloaks were twitched away from wagon wheels and caught on the packages and weapons carried by passersby. The ring of hammers, the neighing of horses, the distant lowing of a cow, and the sound of metal rolling on stone competed for attention. Dozens of signs bearing angels, skulls, tools, brightly colored shapes, and mythological figures swayed and squeaked in the wind that blew up from the water. Above my head a wooden sign swung on its metal rod. It was decorated with a white deer, its delicate antlers circled with a golden band.

“Here we are,” Matthew said. “The Hart and Crown.”

The building was half-timbered, like most on the street. A vaulted passage spanned two arrays of windows. A shoemaker was busy at work on one side of the arch, while the woman opposite kept track of several children, customers, and a large account book. She gave Matthew a brisk nod.

“Robert Hawley’s wife rules over his apprentices and customers with an iron fist. Nothing happens in the Hart and Crown without Margaret’s knowledge,” explained Matthew. I made a mental note to befriend the woman at the earliest opportunity.

The passage emptied out into the building’s interior courtyard—a luxury in a city as densely packed as London. The courtyard boasted another rare amenity: a well that provided clean water to the residents of the complex. Someone had taken advantage of the courtyard’s southern exposure by tearing up the old paving stones to plant a garden, and now its neat, empty beds patiently awaited spring. A group of washerwomen conducted business out of an old shed next to a shared privy.

To the left, a twisting set of stairs rose to our rooms on the first floor, where Françoise was waiting to welcome us on the wide landing. She’d flung open the stout door into the apartments, crowding a cupboard with pierced sides. A goose, denuded of feathers and with its neck broken, was tied to one of the cupboard’s knobs.

“At last.” Henry Percy appeared, beaming. “We’ve been waiting for hours. My good lady mother sent you a goose. She heard reports that no fowl are to be had in the city and became alarmed that you would go hungry.”

“It is good to see you, Hal,” Matthew said with a laugh and a shake of his head at the goose. “How is your mother?”

“Always a termagant at Christmas, thank you. Most of the family found excuses to be elsewhere, but I am detained here at the queen’s pleasure. Her Majesty shouted across the audience chamber that I could not be trusted even so far as P-P-Petworth.” Henry stammered and looked ill at the recollection.

“You are more than welcome to spend Christmas with us, Henry,” I said, taking off my cloak and stepping inside, where the scent of spices and freshly cut fir filled the air.

“It is good of you to invite me, Diana, but my sister Eleanor and brother George are in town and they shouldn’t have to brave her on their own.”

“Stay with us this evening at least,” Matthew urged, steering him to the right, where warmth and firelight beckoned, “and tell us what has happened while we were away.”

“All is quiet here,” Henry reported cheerfully.

“Quiet?” Gallowglass stomped up the stairs, looking frostily at the earl. “Marlowe’s at the Cardinal’s Hat, drunk as a fiddler, trading verses with that impoverished scrivener from Stratford who trails after him in hopes of becoming a playwright. For now Shakespeare seems content with learning how to forge your signature, Matthew. According to the innkeeper’s records, you promised to pay Kit’s room and board charges last week.”

“I left them only an hour ago,” Henry protested. “Kit knew that Matthew and Diana were due to arrive this afternoon. He and Will promised to be on their best behavior.”

“That explains it, then,” Gallowglass muttered sarcastically.

“Is this your doing, Henry?” I looked from the entrance hall into our main living quarters. Someone had tucked holly, ivy, and fir around the fireplace and the window frames and mounded them in the center of an oak table. The fireplace was loaded with logs, and a cheerful fire hissed and crackled.

“Françoise and I wanted your first Christmas to be festive,” Henry said, turning pink.

The Hart and Crown represented urban living at its sixteenth-century best. The parlor was a good size but felt snug and comfortable. Its western wall was filled with a multipaned window that overlooked Water Lane. It was perfectly situated for people-watching, with a cushioned seat built into the base. Carved wainscoting warmed the walls, each panel covered with twisting flowers and vines.

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