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Deborah Harkness: Shadow of Night

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Deborah Harkness Shadow of Night

Shadow of Night: краткое содержание, описание и аннотация

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Historian Diana Bishop, descended from a line of powerful witches, and long-lived vampire Matthew Clairmont have broken the laws dividing creatures. When Diana discovered a significant alchemical manuscript in the Bodleian Library,she sparked a struggle in which she became bound to Matthew. Now the fragile coexistence of witches, daemons, vampires and humans is dangerously threatened. Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot. Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...

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“It was not a manjasang , then, who marked her,” Pierre murmured. He used the old Occitan word for vampire—“ blood eater .” “None would risk the anger of the de Clermonts.”

“No, it was another witch.” Even though I was shielded from the cold air, the admission made me shiver.

“Two manjasang stood by and let it happen, though,” Matthew said grimly. “And they will pay for it.”

“What’s done is done.” I had no wish to start a feud among vampires. We had enough challenges facing us.

“If milord had accepted you as his wife when the witch took you, then it is not done.” Françoise’s swift fingers wove my hair into tight braids. She wound them around my head and pinned them in place. “Your name might be Roydon in this godforsaken country where there is no loyalty to speak of, but we will not forget that you are a de Clermont.”

Matthew’s mother had warned me that the de Clermonts were a pack. In the twenty-first century, I had chafed under the obligations and restrictions that came with membership. In 1590, however, my magic was unpredictable, my knowledge of witchcraft almost nonexistent, and my earliest known ancestor hadn’t yet been born. Here I had nothing to rely on but my own wits and Matthew.

“Our intentions to each other were clear then. But I want no trouble now.” I looked down at Ysabeau’s ring and felt the band with my thumb. My hope that we could blend seamlessly into the past now seemed unlikely as well as naïve. I looked around me. “And this . . .”

“We’re here for only two reasons, Diana: to find you a teacher and to locate that alchemical manuscript if we can.” It was the mysterious manuscript called Ashmole 782 that had brought us together in the first place. In the twenty-first century, it had been safely buried among the millions of books in Oxford’s Bodleian Library. When I’d filled out the call slip, I’d had no idea that the simple action would unlock an intricate spell that bound the manuscript to the shelves, or that the same spell would reactivate the moment I returned it. I was also ignorant of the many secrets about witches, vampires, and daemons its pages were rumored to reveal. Matthew had thought it would be wiser to locate Ashmole 782 in the past than to try to unlock the spell for a second time in the modern world.

“Until we go back, this will be your home,” he continued, trying to reassure me.

The room’s solid furnishings were familiar from museums and auction catalogs, but the Old Lodge would never feel like home. I fingered the thick linen of the towel—so different from the faded terry-cloth sets that Sarah and Em owned, all worn thin from too many washes. Voices in another room lilted and swayed in a rhythm that no modern person, historian or not, could have anticipated. But the past was our only option. Other vampires had made that clear during our final days in Madison, when they’d hunted us down and nearly killed Matthew. If the rest of our plan was going to work, passing as a proper Elizabethan woman had to be my first priority.

“‘O brave new world .’” It was a gross historical violation to quote from Shakespeare’s Tempest two decades before it was written, but this had been a difficult morning.

““Tis new to thee ,’” Matthew responded. “Are you ready to meet your trouble, then?”

“Of course. Let’s get me dressed.” I squared my shoulders and rose from the chair. “How does one say hello to an earl?”

2

My concern over proper etiquette was unnecessary. Titles and forms of address weren’t important when the earl in question was a gentle giant named Henry Percy.

Françoise, to whom propriety mattered, clucked and fussed while she finished dressing me in scavenged apparel: someone else’s petticoats; quilted stays to confine my athletic figure into a more traditionally feminine shape; an embroidered smock that smelled of lavender and cedar, with a high, ruffled neck; a black, bell-shaped skirt made of velvet; and Pierre’s best jacket, the only tailored article of clothing that was remotely my size. Try though she might, Françoise couldn’t button this last item over my breasts. I held my breath, tucked in my stomach, and hoped for a miracle as she pulled the corset’s laces tight, but nothing short of divine intervention was going to give me a sylphlike silhouette.

I asked Françoise a number of questions during the complicated process. Portraits of the period had led me to expect an unwieldy birdcage called a farthingale that would hold my skirts out at the hips, but Françoise explained that these were for more formal occasions. Instead she tied a stuffed cloth form shaped like a doughnut around my waist beneath my skirts. The only positive thing to say about it was that it held the layers of fabric away from my legs, enabling me to walk without too much difficulty—provided there was no furniture in the way and my destination could be reached if I moved in a straight line. But I would be expected to curtsy, too. Françoise quickly taught me how to do so while explaining how Henry Percy’s various titles worked—he was “Lord Northumberland” even though his last name was Percy and he was an earl.

But I had no chance to use any of this newly acquired knowledge. As soon as Matthew and I entered the great hall, a lanky young man in soft brown leather traveling clothes spattered with mud jumped up to greet us. His broad face was enlivened with an inquisitive look that lifted his heavy, ash-colored eyebrows toward a forehead with a pronounced widow’s peak.

“Hal.” Matthew smiled with the indulgent familiarity of an older brother. But the earl ignored his old friend and moved in my direction instead.

“M-m-mistress Roydon.” The earl’s deep bass was toneless, with hardly a trace of inflection or accent. Before coming down, Matthew had explained that Henry was slightly deaf and had stammered since childhood. He was, however, adept at lip-reading. Here, at last, was someone I could talk to without feeling self-conscious.

“Upstaged by Kit again, I see,” Matthew said with a rueful smile. “I had hoped to tell you myself.”

“What does it matter who shares such happy news?” Lord Northumberland bowed. “I thank you for your hospitality, mistress, and apologize for greeting you in this state. It is good of you to suffer your husband’s friends so soon. We should have left immediately once we learned of your arrival. The inn would be more than adequate.”

“You are most welcome here, my lord.” This was the moment to curtsy, but my heavy black skirts weren’t easy to manage and the corset was laced so tightly I couldn’t bend at the waist. I arranged my legs in an appropriately reverential position but teetered as I bent my knees. A large, bluntfingered hand shot out to steady me.

“Just Henry, mistress. Everyone else calls me Hal, so my given name is considered quite formal.” Like many who are hard of hearing, the earl kept his voice deliberately soft. He released me and turned his attention to Matthew. “Why no beard, Matt? Have you been ill?”

“A touch of ague, nothing more. Marriage has cured me. Where are the rest of them?” Matthew glanced around for Kit, George, and Tom.

The Old Lodge’s great hall looked very different in daylight. I had seen it only at night, but this morning the heavy paneling turned out to be shutters, all of which were thrown open. It gave the space an airy feeling, despite the monstrous fireplace on the far wall. It was decorated with bits and pieces of medieval stonework, no doubt rescued by Matthew from the rubble of the abbey that once stood here—the haunting face of a saint, a coat of arms, a Gothic quatrefoil.

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