Deborah Harkness - Shadow of Night

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Shadow of Night: краткое содержание, описание и аннотация

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Historian Diana Bishop, descended from a line of powerful witches, and long-lived vampire Matthew Clairmont have broken the laws dividing creatures. When Diana discovered a significant alchemical manuscript in the Bodleian Library,she sparked a struggle in which she became bound to Matthew. Now the fragile coexistence of witches, daemons, vampires and humans is dangerously threatened.
Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.
Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...

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“Where is it?” I hissed to Matthew. Before he could respond, I felt the touch of a warm hand on my arm. Matthew stiffened.

“I have a gift for you, querida diosa .” Rudolf’s breath smelled of onions and red wine, and my stomach flopped over in protest. I turned, expecting to see Ashmole 782. Instead the emperor was holding up the enameled chain. Before I could protest, he draped it over my head and settled it on my shoulders. I looked down and saw a green ouroboros hanging from a circle of red crosses, thickly encrusted with emeralds, rubies, diamonds, and pearls. The color scheme reminded me of the jewel Herr Maisel gave to Benjamin.

“That is a strange gift to give my wife, Your Majesty,” Matthew said softly. He was standing right behind the emperor and looking at the necklace with distaste. This was my third such chain, and I knew there must be a meaning behind the symbolism. I lifted the ouroboros so that I could study the enameling. It wasn’t an ouroboros , exactly, because it had feet. It looked more like a lizard or a salamander than a snake. A bloody red cross emerged from the lizard’s flayed back. Most important, the tail was not held in the creature’s mouth but wrapped around the lizard’s throat, strangling it.

“It is a mark of respect, Herr Roydon.” Rudolf placed a subtle emphasis on the name. “This once belonged to King Vladislaus and was passed on to my grandmother. The insignia belongs to a brave company of Hungarian knights known as the Order of the Defeated Dragon.”

“Dragon?” I said faintly, looking at Matthew. With its stumpy legs, this might well be a dragon. But it was otherwise strikingly similar to the de Clermont family’s ouroboros—except this ouroboros was dying a slow, painful death. I remembered Herr Fuchs’s oath—Benjamin’s oath—to slay dragons wherever he found them.

“The dragon symbolizes our enemies, especially those who might wish to interfere with our royal prerogatives.” Rudolf said it in a civilized tone, but it was a virtual declaration of war on the whole de Clermont clan. “It would please me if you would wear it next time you come to court.” Rudolf ’s finger touched the dragon at my breast lightly and lingered there. “Then you can leave your little French salamanders at home.”

Matthew’s eyes, which were glued to the dragon and the imperial finger, went black when Rudolf made his insulting remark about French salamanders. I tried to think like Mary Sidney and come up with a response that was appropriate for the period and likely to calm the vampire. I’d deal with my outraged sense of feminism later.

“Whether or not I wear your gift will be up to my husband, Your Majesty,” I said coolly, forcing myself not to step away from Rudolf’s finger. I heard gasps, a few hushed whispers. But the only reaction I cared about was Matthew’s.

“I see no reason you should not wear it for the rest of the evening, mon coeur ,” Matthew said agreeably. He was no longer concerned that the queen of England’s ambassador sounded like a French aristocrat. “Salamanders and dragons are kin, after all. Both will endure the flames to protect those they love. And the emperor is being kind enough to show you his book.” Matthew looked around. “Though it seems Signor Strada’s incompetency continues, for the book is not here.” Another bridge burned behind us.

“Not yet, not yet,” Rudolf said testily. “I have something else to present to La Diosa first. Go see my carved nut from the Maldives. It is the only one of its kind.” Everybody but Matthew trooped off obediently in the direction of Strada’s pointing finger. “You, too, Herr Roydon.”

“Of course,” Matthew murmured, imitating his mother’s tone perfectly. He slowly trailed after the crowd.

“Here is something I requested especially. Father Johannes helped to procure the treasure.” Rudolf looked around the room but failed to locate Pistorius. He frowned. “Where has he gone, Signor Strada?”

“I have not seen him since we left the Great Hall, Your Majesty,” Strada replied.

“You!” Rudolf pointed to a servant. “Go and find him!” The man left immediately, and at a run. The emperor gathered his composure and returned his attention to the strange object in front of us. It looked like a crude carving of a naked man. “This, La Diosa , is a fabled root from Eppendorf. A century ago a woman stole a consecrated host from the church and planted it by the light of the full moon to increase her garden’s fertility. The next morning they discovered an enormous cabbage.”

“Growing out of the host?” Surely something was being lost in translation, unless I very much misunderstood the nature of the Christian Eucharist. An arbor Dianæ was one thing. An arbor brassicæ was quite another.

“Yes. It was a miracle. And when the cabbage was dug up, its root resembled the body of Christ.” Rudolf held out the item to me. It was crowned with a golden diadem studded with pearls. Presumably that had been added later.

“Fascinating,” I said, trying to look and sound interested.

“I wanted you to see it in part because it resembles a picture in the book you requested. Fetch Edward, Ottavio.”

Edward Kelley entered, clutching a leather-bound volume to his chest.

As soon as I saw it, I knew. My entire body was tingling while the book was still across the room. Its power was palpable—far more so than it had been at the Bodleian on that September night when my whole life changed.

Here was the missing Ashmole manuscript—before it belonged to Elias Ashmole and before it went missing.

“You will sit here, with me, and we will look at the book together.” Rudolf gestured toward a table and two chairs that were set up in an intimate tête-à-tête. “Give me the book, Edward.” Rudolf held out his hand, and Kelley reluctantly placed the book in it.

I shot Matthew a questioning look. What if the manuscript started to glow as it had in the Bodleian or behaved strangely in some other way? And what if I weren’t able to stop my mind from wondering about the book or its secrets? An eruption of magic at this point would be disastrous.

This is why we’re here , said his confident nod.

I sat down next to the emperor, and Strada ushered the courtiers around the room to the unicorn’s horn. Matthew drifted still closer. I stared at the book in front of me, hardly daring to believe that the moment had come when I would at last see Ashmole 782 whole and complete.

“Well?” Rudolf demanded. “Are you going to open it?”

“Of course,” I said, pulling the book closer. No iridescence escaped from the pages. For purposes of comparison, I rested my hand on the cover for just a moment, as I had when I’d retrieved Ashmole 782 from the stacks. Then it had sighed in recognition, as though it had been waiting for me to show up. This time the book lay still.

I flipped open the hide-bound wooden board of the front cover. A blank sheet of parchment. My mind raced back over what I’d seen months ago. This was the sheet on which Ashmole and my father would one day write the book’s title.

I turned the page and felt the same sense of uncanny heaviness. When the page fell open, I gasped.

The first, missing page of Ashmole 782 was a glorious illumination of a tree. The tree’s trunk was knotted and gnarled, thick and yet sinuous. Branches sprang from the top, twisting and turning their way across the page and ending in a defiant combination of leaves, bright red fruit, and flowers. It was like the arbor Dianæ that Mary had made using blood drawn from Matthew and me.

When I bent closer, my breath caught in my throat. The tree’s trunk was not made of wood, sap, and bark. It was made of hundreds of bodies— some writhing and thrashing in pain, some serenely entwined, others alone and frightened.

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