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James Smythe: The Echo

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James Smythe The Echo

The Echo: краткое содержание, описание и аннотация

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The stunning sequel to James Smythe’s critically acclaimed literary sci-fi novel . TWENTY YEARS following the disappearance of the infamous  – the first manned spacecraft to travel deeper into space than ever before – humanity are setting their sights on the heavens once more. Under the direction of two of the most brilliant minds science has ever seen – that of identical twin brothers Tomas and Mirakel Hyvönen – this space craft has a bold mission: to study what is being called ‘the anomaly’ – a vast blackness of space into which the Ishiguro disappeared. Between them Tomas (on the ground, guiding the mission from the command centre) and Mira (on the ship, with the rest of the hand-picked crew) are leaving nothing to chance. But soon these two scientists are to learn that there are some things in space beyond our understanding. As the anomaly begins to test the limits of Mira’s comprehension – and his sanity – will Tomas be able to save his brother from being lost in space too?

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‘I was awake,’ I protest, ‘and then I passed out. I hit my head.’

‘Well, you seem okay now,’ she says. She runs her hand behind my skull, to feel for a lump, maybe. She doesn’t believe me. It doesn’t matter. ‘Open your eyes for me,’ she says.

‘It’s too bright,’ I tell her.

‘Let me look.’ I feel her hand on my forehead, shielding me from the light. She stands in front of me, casting me in shadow. I open my eyes, and I can see her, past the after-image. She’s close, peering at me. ‘They’re fine,’ she says. I can feel her breath on my face, somehow both cool and warm. ‘Pupils dilated, but that’s okay. They’ll settle. You’re fine,’ she says. She steps back, and I blink. Only the spots remain, but everything else starts to slip into focus. The crew are all staring at me.

‘I’m okay,’ I say. They are professional, as am I. They know that what we need to do now is worry about the rest of the mission. This is a mission, where the Ishiguro was, what, a jaunt? And I am a scientist, not an action hero. In the old days, there used to be rules: astronauts had to conform to certain physical and mental presets in order to be able to undertake their missions. They had to be psychologically proofed to within an inch of their minds, ready and willing and able to take on whatever challenges would be hurled at them. And when Tomas and I were planning this, we said that our crew would adhere to those rules. You look at the Ishiguro , at what went wrong, and they started with their crew. Faces that were too pretty, faces made for television. People with inadequate training – six months, only, where we decided that eighteen was the minimum. And a journalist up there with them, purely so that they could secure more funding. The day that they went, they found out that his wife had killed herself, and still they let him go! It was madness. Tomas was adamant: that sort of thing wouldn’t be happening on our voyage. On ours, our crew would be right for the task at hand, multi-disciplinary. The correct people, above all else. When we spoke about it, in my mind, Tomas was the one up here. I assumed, I think, because maybe he seemed to win more coin tosses than I did. But the rest of the crew, in my mind, were to be solid and able. If something went wrong – god forbid, if they lost a pilot, for example, due to whatever – anybody else in the crew could step in and take their place. All of us are expendable, to some extent. I know the research that needs to be done when we reach the anomaly, but if I were to die, Tomas would be able to talk somebody else through it.

They all watch me push away from the bed, even as I squint through the brightness. I flail in the lack of gravity, somehow even less graceful than I was on NISS. Inna takes my hand and pulls me to one side, then puts it onto one of the rails that runs along the side of the room. She folds my fingers over it for me, and then puts her own over mine, putting pressure on it. The confidence of her, telling me that all of this will be all right.

‘Hold on,’ she says. I clutch onto the rail, and look at my hand, to focus myself. I can’t tell if the white is my knuckles or the residue of the spots in my eyes, but it distracts me and I let go. I haven’t got control, and I lose my breathing. I feel a hand on my shoulder: Hikaru, steadying me. He smiles.

‘Dr Hyvönen,’ he says. ‘You’re okay. It’s just a bit of residual whatever. Can’t have you ruined before we’ve even begun.’ I cling to him, and I try to make the feeling in my gut die down; I try to think of anything but how easy it would be to spin here, and how tired I am, and the whiteness behind my eyes, which doesn’t seem to leaving me no matter how many times I blink, no matter how many times I shut my lids and try to picture nothing but darkness.

Hikaru and Tobi prepare the cockpit. They sit down and they check the pathfinder, the life-support systems, the drag. One of them is to stay here at all times, to ensure that nothing changes suddenly. We are to travel to, and then stop outside, the anomaly, as best we understand it, and take measurements and readings, conduct all of our tests from there. It takes a long time to stop this ship as well: and the force to do it is just as strong as the force it took to get it going. We have to have our wits about us. As they are preparing, they change the cockpit screens to show us behind the ship; and they call us over, both of them smiling. There is the Earth: spinning in the distance, the size of the smallest coin, and getting smaller and smaller as we watch it, as we are moving away from it so quickly that it would be unbelievable if Tomas and I hadn’t designed it to be so.

I feel sick, unbelievably sick. Inna takes me to one side and clips me to the safety bars, and she gives me pills to swallow down that will settle my stomach, she says. I know what they do: they settle nothing. Instead, they suppress the brain’s ability to feel the stomach churning. I don’t say anything, because this is her job. I have no desire to undermine her. The rest of the crew start their checks: Tobi and Hikaru running through every possible fault-point, calling out features of the craft and running analysis on those systems, synchronizing the computers with the ship itself, checking the batteries, reporting back to Tomas to ensure parity of results. Wallace goes off down the corridor, towards the engine rooms, to check efficiency there, to ensure that all readings there are correct; Inna leaves me, patting me on the knee, and then goes round one by one, looking at the crew’s eyes, to make sure that there are no burst blood vessels (or, at least, that’s what she says, as she looks for signs of stroke or aneurysm); and when he’s been checked and okayed, Lennox pulls himself in front of me, smiling.

‘You want me to start doing something?’ he asks. His accent is bizarre. France by way of Jamaica, delivered with the drive of having studied in London. A proper mélange of an accent. We are kindred spirits in that, if nothing else. ‘I’ll call up exactly where we are.’

‘We know where we are,’ I say. The computer does all of that for us. We’re useless until we get to the anomaly itself.

‘I can set us up. Set your workstation up. Start pinging the anomaly.’

‘Fine,’ I say.

‘You want to check my settings before I begin?’

‘I trust you,’ I tell him, regardless of whether I do or not.

‘Okay.’ He pushes backwards, and he somersaults off. He’s graceful in a way that I never will be. ‘Listen, I just wanted to say: thanks for this opportunity, yeah?’ That seems an understatement, but it’s not. He’s humble. He’s a good kid, I suppose. I am too judgmental of ambition. He calls up a screen and starts the procedures, all of which log everything we’re going to be looking at. While we’re out here, we can do work that would, from Earth, take months. Maybe even years. He checks in with Tomas, and I hear them begin the work together. This is a partnership spread over thousands of miles, over space and time. When Lennox is going, Tomas asks to speak to me. Lennox channels it through to the station nearest me.

‘Is everything okay up there?’ Tomas asks. The speakers are focused and driven; and voice doesn’t carry, not here. Only I can hear him.

‘It’s fine,’ I say. I pause.

‘And you’re okay?’

‘I’m queasy,’ I say. ‘It happens.’

‘Everything looks wonderful from down here. Perfect. I’d say that this has been a triumph, wouldn’t you?’ He sounds thrilled. I can hear the grin in his voice – big, toothy grin, bending his cheeks, stretching and bending his birthmark. A clap of his hands together. ‘So now we’ve all got a job to do.’

‘Yes,’ I say. I don’t say anything else, and his pause is longer, as if he’s waiting for me to.

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