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James Smythe: The Echo

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James Smythe The Echo

The Echo: краткое содержание, описание и аннотация

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The stunning sequel to James Smythe’s critically acclaimed literary sci-fi novel . TWENTY YEARS following the disappearance of the infamous  – the first manned spacecraft to travel deeper into space than ever before – humanity are setting their sights on the heavens once more. Under the direction of two of the most brilliant minds science has ever seen – that of identical twin brothers Tomas and Mirakel Hyvönen – this space craft has a bold mission: to study what is being called ‘the anomaly’ – a vast blackness of space into which the Ishiguro disappeared. Between them Tomas (on the ground, guiding the mission from the command centre) and Mira (on the ship, with the rest of the hand-picked crew) are leaving nothing to chance. But soon these two scientists are to learn that there are some things in space beyond our understanding. As the anomaly begins to test the limits of Mira’s comprehension – and his sanity – will Tomas be able to save his brother from being lost in space too?

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How deep is this? I keep going. When you have no point of reference it feels like you are staying still, so I keep looking at the Lära . I am going further and further. Before, when I spoke to myself, I said that we were meeting in the middle. I suppose that was true. I wonder why I said it.

I have hidden the numbers of how much air I have left from the inside of the helmet, because I don’t want it to be a countdown. I only want a rough idea of how long I have before I cannot find the glimmer any more, before that hope is gone, and that will be enough. Because I know that, at that point, there will be nothing to be done about it.

When Tomas and I stopped talking for a while after our mother’s death, he said to me, You think you know best, don’t you? And I had to tell him that I didn’t. That such thoughts weren’t even close to me, nowhere near me. I said to him, She knew what she wanted, and I am only her son. I wanted what was best for my mother. I have always wanted to help those in pain. He said, There were other medicines, and I told him that he was mad. That she was suffering. Now, I wonder if this is my penance. If he thought that I was suffering, somehow. This is him making my pain cease. Does that make it better, if I think of him as that? As somehow rendering my name endless, timeless, part of history? Knowing I could never achieve as he does, and will in the future? He has given me something else. I wonder if that’s how he sleeps, after he sees the dreams of me dying. He tells himself that he did this for my benefit. He is benevolent.

I have to make my peace with him, somehow. I do not know how.

So I move on, and concentrate on other things. Inna. Hikaru. I am so glad that I was able to do right by them, and Wallace. His poor children. At least they might have a chance of knowing his absolute fate now, burying him. That matters. I wonder what he would have made of this, had he seen it. He was so much weaker than I thought, so desperately afraid of what we had found. We should have picked up on it. We should have known that he was a powder keg; and Hikaru, that he was liable to break down. That Inna was dying, or had come so close before.

But perhaps Tomas knew. Perhaps this was it: a crew of expendables, a crew that weren’t meant to live past this? Capable – no, perfectly able, at the top of their game, even – of completing the mission, but with no mind as to whether they came back. Led by me, the weakling twin. The one who did not achieve without his brother’s say. The one who stayed behind the curtain, but not because he was the one with all of the power; but because he was afraid.

I think about how they died. I watch it over and over, in my mind. Here in this darkness there is not much else to watch. I think about how much air I have left, and how it is going down whether I like it or not. I estimate an hour gone, even though I wasn’t going to do this. I could check. Everything is a countdown, whether I like it or not. Here is a timer until we lift off. Here is how long it will take to reach the anomaly. Here is how long you have got left. Twelve days to see me. Now wait twelve days until you can leave. Two hours until you die. Time moves slower, it seems, the faster the countdown. As if you give yourself more time to think.

I wonder if they will try this again? To reach the anomaly and to see what they can see? Probably not, assuming that Tomas knows everything I know, that I have worked out. Instead, he will try to work out how to stop it. He will prepare the world with tales of atmospheric interference, or say that it will herald meteor showers. He is an expert, the only expert, now. They’ll listen to him. They’ll ask him how they can ready themselves for the oncoming anomaly, and he’ll up his research budget. He will be able to write his own budget, in fact. He might sacrifice more of us, in the other ship. More expendables, thrown into the abyss to see what he can gain from it. He will claim, if anybody accuses him of anything, that it’s utilitarian. For the good of the people of planet Earth, that’s why he does it. He will tell them all that it’s no less than we deserve: a man who is willing to get things done. And I suppose they’ll thank him. They should, probably. I don’t know, maybe he was right. Maybe he knew where it was heading all along, and this was his way of… I don’t know. It doesn’t matter. It doesn’t matter any more.

What matters now is the people back there. If this reaches Earth, what happens? Does everybody cycle? Is that how this ends? In perpetual life? Do we ride it out until it passes? Will it ever pass?

How much bigger can this get?

Behind me, the Lära is tiny, now. He will be waiting, counting down the hours. Talking to himself. I am past the point where I can regret this and return. There is only forward. I am getting tired. I wonder if that’s natural. This must burn energy. The suit is designed to only take so much, and I’m only human. I think about Inna again. I always return to her. I think about her on the table that time. I wish I could think about the good things more, that my mind wandered there. But I think of her, like my mother. I think of those plastic organs.

I haven’t seen the glimmer again. I can’t see anything, now, not really. My eyes aren’t what they used to be. Now the Lära is out of sight. I think that maybe I can see the light from it, maybe, but it’s probably me fooling myself. The blackness is so thick, so encompassing, I doubt I can see past it. I turn and then realize that I have lost my bearing. Have I turned back enough? I start to panic, because there is only one reason that I am here now, and it’s that glimmer. I breathe too quickly and have to calm myself. Breathing fast makes my supply go down. It’s not a set time. Everything seems a mistake.

I never wanted to die with regrets. I move forward, because I cannot die like this. Where will I start my cycle from, assuming I start one? Where will I begin again? It would be cruel to make me go through this all over again. I think, if ever you questioned the existence of a god, here is your proof. This is cruelty; this is nothingness.

I am sobbing in my suit, and the glass is misting. I try and hold myself back, because I know that my gasps are ruining me. The air is thinning. It is becoming nothing. It’s not even time to make my peace.

I want to tell my mother that I love her. And Tomas, for all his sins. He would say that I have sinned worse than he ever could. That at least my death had purpose. He would say that I brought this on myself. So there is nothing here, and he would say that he knew that. I would tell him that I was so sure, and he would say, It was a trick of the light. It was seeing faces in clouds. You’re good at that, Mira. It’s how you’ve always been. I would argue, saying that there are no clouds here to see faces in. The glimmer must have come from somewhere. And he would stand back and look smug, because that would have been his point all along. I know so well how his mind works, exactly how he thinks.

The air is so thin, and I have to breathe twice where I previously needed one, huffing in the air that is left. I think of Inna, dying. I can still see her face. I cannot stand to think that I will die. I stop the boosters, because I would rather know where I am. I turn around. I try to find the glimmer. This cannot have been in vain. It cannot.

Nothing. Just the nothing.

My tears, and my pain. I wonder if this was destined. Pre-ordained, somehow. How I was always meant to go. I am going to choke. I am going to die. I want, more than anything, this to be an end. Only me: I am the only one who will feel this. I am singular, and distinct, but then I see him: another version of me. He is here, and he is dead; drifting. Realization. He is in the suit. I see him, and I turn around, and there is another, fighting against it, choking. He is me in a minute’s time, from the future; and behind him, me coming forward, looking for this, from the past. One is a future that I will suffer through, one that I have already done. Around this, there are other versions of me: drifting off into the nothing. Some of them have been here a long time, I think. I know: I see their faces, and they are not me. As Cormac aged, so have they. Unexplainable, but this is where everything changes. I am in a sea of myself. I struggle to keep the tears in, to stop myself hyperventilating, and I manage it.

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