Руди Рюкер: Inside Out

"Daddy, you are eating like a pig!" laughed Leda. She fixed herself a bowl of milk and sugar and tried lapping it up like Daddy. The bowl slid off the table and onto the floor. Griff, upset by the disorder, grabbed some bread and headed out the door to play with the dog. Leda cleaned up halfheartedly until she realized that Daddy didn't care, and then she went to watch cable TV.

"Do you want to fuck your wife some more?" said Zee. The voice was subvocal.

"Uh, no," said Rex, beginning to wonder what he'd gotten his family into. "Not right now. Do you remember saying that you'd make it worth my while if I gave the use of our bodies, Zee? What kind of payment do the folk give?"

"As a rule, none," said Zee, making Rex nibble on a stick of butter. "I told you I'm a terrible liar. Isn't having me in you payment enough? Don't you like being part of the Zee fractal?" Rex didn't understand, but Zee helped him and then he did. Folk like Zee were long thin vortices in the fractal soup of all that is. Or like a necklace strung with diverse beads. Rex was a Zee-bead now, and Candy was an Alf-bead. Alf's thread passed up through Zee, too, and up through Zee to who knew where.

It was dizzying to think about: the endlessness and the weird geometry of it all. To hear Zee tell it, every size scale was equally central, each object just another crotch in the transdimensional fractal world-tree. Zee and Alf were in them, above them, and maybe below them now, too: in their genes and in their memes. Rex's thoughts felt no longer quite his.

He'd made a terrible mistake picking Zee up. He kept remembering the desperate expression on Candy's face as Alf made her stop yelling. And the puzzled looks the children had given their terribly altered Dad.

"Can't you and Alf move on, Zee? Leave your fractal trail in us, but move on down into the atoms? Can I drive you anywhere?"

"No. It's ugly here in Killeville. I just came down because of you. When I'm through eating, I want to get back in bed with Candy and Alf." Rex watched himself open the fridge, hunker down, and begin using a stick of celery to dig peanut butter out of the jar. Crunch off some celery each time. It tasted good. Whenever he relaxed, the nerve-tingle of Zee's possession started to feel good. That was bad.

"What was it about me that attracted you so much, Zee?"

"I said I could smell you. You were thinking about your magic box called Reverse. It makes your flat space get thick, and it spins things over themselves. I told you the higher dimensions are real; you can build up to them with fractals. I bet I could make Reverse really work. I could do that for you, dear Rex."

"Well, all right." Rex went back in the bedroom and talked things over with Candy, who was busy putting on a different set of clothes. "I think I'll drive down to my office, Candy," said Rex. "Zee says she can help me get the Reverse working. And maybe then they'll leave."

"I'm going to stay in bed all day," said Candy, making that pixie face. She had taken all her clothes back off, and one of her hands was busy down in her crotch. "I love this body." Her voice was husky and strange. Rex felt very uneasy.

"Maybe I shouldn't leave you like this, Candy."

"Go on, go downtown to your Marjorie. I won't be lonely, Rex. You can count on that."

"Do you mean—"

Zee cut him off and marched him out of the bedroom and back down the stairs.

"And take the kids," called Candy in something like her normal voice. She sounded scared. "Get the poor children out of here!"

"Right."

Rex rounded up the children and took them over to the Car-randines' house. Luanne Carrandine was a little surprised when Rex asked her to babysit, but after the usual heavy flirting, she agreed to help out. She was a charming blonde woman with a small jaded face. Some of the suggestions which Zee forced out of Rex's mouth made Luanne laugh out loud. If her husband Garvey hadn't been upstairs, Rex and Zee might have stayed on, but as it was, they headed downtown.

Last night's storm had left Killeville gray and steamy. Kudzu writhed up the walls of the abandoned building Rex rented space in. The other renter — the famous Marjorie — didn't usually show up till ten. Rex/Zee's footsteps echoed in the empty space. He walked her up the filthy stairs to his little office. There on his desk sat the Re-verso: a silver-painted, wood box with a hidden trapdoor in the bottom.

Rex felt foolish showing his crummy trick to a truly magical spirit like Zee. But she insisted, and he ran through the patter.

"This is a handy little box that turns things into their opposites," said Rex, putting a right-handed leather glove in the chamber. "Suppose that you have two pairs of gloves, but you lose the left glove to each pair. No problem with Reverse!" He lifted the box up and shook it (meanwhile sneaking a hand in through the trapdoor to turn the special glove inside out). He set the Reverse back down. "Open it up, Zee. You see! Right into left." He took out the left glove and put in a fake saltshaker. "But that's not all. Reverse changes all kinds of opposites. What if you have salt but no pepper?" He shook the chamber again. (A hidden curtain inside the "saltshaker" slid down, changing its sides from white to black.) "Open the chamber, Zee — salt into pepper! Now what if you're short on shelf space and your coffee cups' handles keep bumping into each other?" He drew out a (special) coffee cup and placed it in the chamber. "Simple! We use Reverso to turn inside to out and put the handle on the inside for storage!" (He opened the chamber, moving the suctioned-on cup-handle to the cup's inside as he drew it out.) "See!"

"I know a way to do the first and last tricks without cheating," said Zee. "I know how to really turn things inside out. Look." Rex's hand picked up a pencil and drew a picture of two concentric circles. "See the annular ring between the circles? Think of lots of little radial arrows in the ring, all leading from the inner circle to the outer circle." His hand sketched rapidly. "Think of the ring part as something solid. To turn it inside out means to flip each of the arrows over." Zee stopped drawing and ran a kind of animation on Rex's retina. He seemed to see the ring's radial arrows rotating up out of the paper to point inwards. All of them turning together made a trail shaped like a torus. "Yes, a torus, whose intersection with the plane looks like two circles. Think of a smoke-ring, a torus whose inner circle keeps moving out — like a tornado biting its own tail. A planecutting toroidal vortex ring turns flat objects inside out. What we need for your real Reverso is a hypertorus whose intersection with your space looks like two spheres, a big one and a little one. I know where to get 'em, Rex, closer than you know. These hypertoruses have a fuzzy fractal surface and a built-in vortex flow. You won't believe where… "

"Talking to yourself, Rex?" It was Marjorie, come up the stairs to say hi. Rex and Zee, in the throes of scientific rapture, had failed to hear her come in.

Marjorie was a thin young woman who smiled a lot. She wore her hair very short, and she smoked Gauloises — which took some doing in a chain-store town like Killeville. "I'm making coffee for us, and I wondered if you remembered to bring milk and sugar."

"Uh, no. Yes, I guess I am talking to myself. This Reverse trick, you know." Suddenly Zee seized control of Rex's tongue. "Do you want to make love?"

Marjorie laughed and gave Rex a gentle butt with her head. "I never thought you'd ask. Sex now?"

"No time now," cried Rex, taking back over. "Shut up, Zee!"

Majorie stepped back to the door and gave Rex a considering look. "Are you high, Rex? Or what? You have some for me?"

"I have to work," said Rex. "Stay quiet, Zee."