Марк Лэйдлоу - 400 Boys and 50 More

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The most Marc Laidlaw stories ever assembled in one book…
Known as co-creator of the blockbuster HALF-LIFE video game series, and veteran writer of the e-sports phenomenon Dota 2, Marc Laidlaw is primarily a writer of short stories—horror, fantasy, and science fiction. But while his work has appeared in many popular magazines and several landmark collections over the last 40 years, it has never been collected in any form until now.
51 stories.
Over a quarter of a million words.
This is, quite simply, the most Marc Laidlaw thing ever.

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Presently she drifted off, breathing with the house, her thoughts muffled by its thick atmosphere. But her sleep was restless, uncertain.

Paula was never positive she had slept at all when she realized that she was wide awake again. The stillness was incredible. The house was holding its breath. She sat up, certain that something had jarred her from sleep. A noise.

There. Perhaps from Daniel’s room, perhaps from the hall. Perhaps trailing from the hall into Daniel’s room…

Suddenly Paula was certain she’d heard a door shut. And—footsteps? But where were they going? Where had they been?

Those sounds were clear in the swollen darkness. But after a moment came less certain ones—rising and falling, always soft, as deceptive as the rush of blood in her ears. She was hearing things. No. Paula shook her head. She did not imagine things. Straining her ears, the sounds resolved themselves.

Voices. From Daniel’s room.

They stopped.

Paula waited; heard nothing. A slight dragging sound that might have been the night passing through her mind. A dull footstep. And then, quite distinctly, three words, in the old man’s voice:

“I need you!”

And creaking.

Paula was out of bed in an instant, hurrying quietly across the floor. She didn’t trust that old man, not for a minute, not alone with Daniel. She found the door, jerked on the knob—

It was locked.

Paula remembered the sound that had awakened her; it returned very clearly now that she could place it. It had clicked, metallically. A lock engaging.

She pounded once on the door. Again, louder, tugging at the knob.

And still not a sound from the other room.

“Daniel, Daniel! ” Paula began to sob, wishing that there would be another sound, Daniel’s voice.

The door. Quieting, she returned her attention to it. The lock didn’t seem terribly strong, it was old. For a minute she considered throwing herself against the door, but it opened the wrong way. Chanting Daniel’s name, she wrenched at the knob, pulling it back with all her strength. It seemed to give a little. Paula glanced back into the room, hoping for something useful. Her hand mirror glimmered on the table, reflecting moonlight. It was heavy, had a sturdy handle.

In a moment she was cracking the doorframe with it, chipping away the splintered wood, ripping and tearing. There was a grinding, and she yanked on the doorknob and the door crashed open, stunning her. She stood for just a second, considering the darkened hall beyond, then moved forward, into it, the mirror dropping from her fingers.

No sound from Daniel’s room. None at all. Not through all her screaming and pounding and thundering… nothing.

“Daniel?” she called softly. She stopped outside his door, listening. Everything was grey and dim, shrouded in shadows. “Daniel?”

Before she could reason with herself, she had turned the knob, had found it unlocked, had opened the door and entered.

Entered.

“Daniel?”

On the bed, something grey, tangled in blankets, two shapes. God help her, she was going forward, approaching the bed.

“Please, Daniel, are you all right?” The words came as a whimper.

She was at the bedside, eyes squinted with fear, so that all she could see was the two of them, vaguely, Daniel and his father pressed close together as if… as if kissing, or making love, his father on top.

Down in the gloom, a huge spider, almost filling the bed.

Her eyes closed.

“Daniel—”

Her hand went forward, to touch. Gingerly.

“Please—”

And there, on top, was the back of the old man’s head, his hair coarse around her fingers. She moved her hand down, consciously, forcing it to touch his ear, and pass around it, still down. Over a rough cheek, withered skin. Skin that abruptly smoothed; skin that continued, unbroken…

Unbroken…

Straight to another cheek, another ear, and the back of Daniel’s head.

* * *

“Tissue” copyright 1980 by Marc Laidlaw. First appeared in New Terrors #1 (1980), edited by Ramsey Campbell.

RATTLEGROUND

Crawling down the fire-scarred steel corridors of the enemy’s lair, he says to himself, So,evil dogs… I see you quake in dread at the mere thought of my arrival!

They have apparently fled before him. The corridors are empty and silent, crackling with the energy of anticipation. The walls are smeared and gleaming, perhaps with the blood of his foes. There has been an earlier flash-attack on this sector: a flushing of the rabbits from their warrens, with humble garden hoses replaced by the searing whitefire of dissembler-grenades. He smiles at the thought, grinning from a nearly toothless mouth.

Vile pig-things, stinking scrambler bastards. Imagining my approach, you wet your pants with fright ! Ho, triumph!

For an instant he tries to stand, basking in his power but it is a hopeless endeavor. His chubby thin legs are unstable, the muscles lacking all but the faintest vestiges of tone.

Somewhere, he hears a ticking.

Then the clatter of footsteps. Footsteps!

No, it is too soon!

He scrambles for all he is worth, at last sighting an adjoining corridor. His training becomes reflex and he hurl himself toward the opening, into shadows, rolling like a ball. At the last instant before slamming into the wall, he drops open like a pink flower and presses into a corner.

The steps pound louder. Voices:

“—attack on 9. We’ll need every unit in there.”

“That’s cutting it too close. If we weaken the other sectors—”

“They’re not exposed, damn it! 9’s been peeled paper-thin.”

The footsteps are thunder all around him, the voices tumbling from high above. Squeezing back into the shadows, he glares up at the giants who have come into view. They are red-faced, panting, turning into the corridor where he is hidden.

So, must I make my stand here? Then I shall take you down with me, you filthy—

The looming figures start toward him, high, so high above. Their eyes, hidden behind shining grey lenses, do not detect him among so many shadows, but now they are moving in his direction, stalking like a storm down the corridor.

You too will die! Yah!

He leaps. He will fight until his strength is drained. He is ready to fight and die with only his small nails and nearly nonexistent teeth as weapons.

But his body betrays him. His leap, though packed with all the power he can summon, takes him a matter of inches. He falls short of the tromping enemy heels and sprawls flat, gasping for air, tears starting at his eyes, his head throbbing in a halo of pain, his little pink face twisting up.

As the footsteps fade away, he realizes that they did not even see him.

Defeated, he begins to cry.

Damn them, damn them, damndamndamnthebastards!

When the sobs die down, he is breathless and shivering. He consoles himself with the thought that soon enough, his time will come. They will feel terror then. Yes! Terror! Then!

He is moving again, once more taking up the rhythm of reflexes for which he was trained. He is a hunter, yes! Mighty conqueror, strength and champion of his own people.

Crawling, he riffles the list of his weapons and defenses.

Nails, yes: finger and toe.

Limbs? No, they are not yet strong enough. None of them.

Head? For butting, perhaps? Unfortunately not. The circular scar is still tender, the bones of his skull not fully reset; they have been expanded by surgery to accommodate his new brain, and they strain at the skin. Besides, his neck is infirm… wobbly.

Teeth? No, they are but a few pale slivers on his gums.

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