Neal Stephenson - Snow Crash
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- Название:Snow Crash
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- Год:неизвестен
- ISBN:нет данных
- Рейтинг книги:5 / 5. Голосов: 1
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Snow Crash: краткое содержание, описание и аннотация
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Correction: It's a taut cable. His sword won't cut it. And the tension on the rope is such that he can't get it unhooked from the stanchion.
As he's squatting there playing with the grappling hook, a greasy hand rises up out of the water and grabs his wrist. Another hand gropes for Hiro's other hand and grabs the sword instead. Hiro yanks the weapon free, feeling it do damage, and shoves the wakizashi point first into the place between those two hands just as someone is sinking his teeth into Hiro's crotch. But Hiro's crotch is protected - the motorcycle outfit has a hard plastic cup - and so this human shark just gets a mouthful of bulletproof fabric. Then his grip loosens, and he falls into the sea. Hiro releases the grappling hook and drops it in with him.
Vic fires three rounds in quick succession, and a fireball illuminates one whole side of the ship. For a moment, they can see everything around them for a distance of a hundred yards, and the effect is like turning on your kitchen lights in the middle of the night and finding your countertops aswarm with rats. At least a dozen small boats are around them.
"They got Molotov cocktails," Vic says.
The people in the boats can see them, too. Tracers fly around them from several directions. Hiro can see muzzle flashes in at least three places. Fisheye opens up once, twice with Reason, just firing short bursts of a few dozen rounds each, and produces one fireball, this one farther away from the yacht.
It's been at least five seconds since Hiro moved, so he checks this area for grappling hooks again and resumes his circuit around the edge of the yacht. This time it's clear. The two greaseballs must have been working together.
A Molotov cocktail arcs through the sky and impacts on the starboard side of the yacht, where it's not going to do much damage. Inside would be a lot worse. Fisheye uses Reason to hose down the area from which the Molotov was thrown, but now that the side of the boat is all lit up from the flames, they draw more small-arms fire. In that light, Hiro can see trickles of blood running down from the area where Vic ensconced himself.
On the port side, he sees something long and narrow and low in the water, with the torso of a man rising out of it. The man has long hair that falls down around his shoulders, and he's holding an eight-foot pole in one hand. Just as Hiro sees him, he's throwing it.
The harpoon darts across twenty feet of open water. The million chipped facets of its glass head refract the light and make it look like a meteor. It takes Fisheye in the back, slices easily through the bulletproof fabric he's wearing under his suit, and comes all the way out the other side of his body. The impact lifts Fisheye into the air and throws him off the boat; he lands face-first in the water, already dead.
Mental note: Raven's weapons do not show up on radar.
Hiro looks back in the direction of Raven, but he's already gone. A couple more greaseballs, side by side, vault over the railing about ten feet forward of Hiro, but for a moment they're dazzled by the flames. Hiro pulls out his nine, aims it their way, and keeps pulling the trigger until both of them have fallen back into the water. He's not sure how many rounds are left in the gun now.
There's a coughing, hissing noise, and the flame light gets dim and finally goes out. Eliot nailed it with a fire extinguisher.
The yacht jerks out from under Hiro's feet, and he hits the deck with his face and shoulder. Getting up, he realizes that either they've just rammed, or been rammed by, something big. There is a thudding noise, feet running on the deck. Hiro hears some of these feet near him, drops his wakizashi, pulls his katana, whirls at the same time, snapping the long blade into someone's midsection. Meanwhile they're dragging a long knife down his back, but it doesn't penetrate the fabric, just hurts a little. His katana comes free easily, which is dumb luck, because he forgot to squeeze off the blow, could have gotten it wedged in there. He turns again, instinctively parries a knife thrust from another greaseball, raises the katana and snaps it down into his brainpan. This time he does it right, kills him without sticking the blade. There are greaseballs on two sides of him now. Hiro chooses a direction, swings it sideways, decapitates one of them.
Then he turns around. Another greaseball is staggering toward him across the pitching deck with a spiked club, but unlike Hiro he's not keeping his balance. Hiro shuffles up to meet him, keeping his center of gravity over his feet, and impales him on the katana.
Another greaseball is watching all of this in astonishment from up near the bow. Hiro shoots him, and he collapses to the deck. Two more greaseballs jump off the boat voluntarily.
The yacht is tangled up in a spider's web of shitty old ropes and cargo nets that were stretched out across the surface of the water as a snare for poor suckers like them. The yacht's engine is still straining, but the prop isn't moving; something got wrapped around the shaft.
There's no sign of Raven now. Maybe it was just a one-time contract hit on Fisheye. Maybe he didn't want to get tangled up in the spiderweb. Maybe he figured that, once Reason was taken out, the greaseballs would take care of the rest.
Eliot's no longer at the controls. He's no longer even on the yacht. Hiro calls out his name, but there's no response. Not even thrashing in the water. The last thing he did was lean over the edge with the fire extinguisher, putting out the Molotov flame; when they were jerked to a halt he must have tumbled overboard.
They're a lot closer to the Enterprise than he had ever thought. They covered a lot of water during the fight, got closer in than they should have. In fact, Hiro's surrounded on all sides by the Raft at this point. Meager, flickering illumination is provided by the burning remains of the Molotov cocktail-carrying Zodiacs, which have become tangled in the net around them.
Hiro does not think it would be wise to take the yacht back out toward open water. It's a little too competitive there. He goes up forward. The suitcase that serves as Reason's power supply and ammo dump is open on the deck next to him, its color monitor screen reading: Sorry, a fatal system error occurred. Please reboot and try again.
Then, as Hiro's looking at it, it fritzes out completely and dies of a snow crash.
Vic got hit by one of the machine-gun bursts and is also dead. Around them, half a dozen other boats ride on the waves, caught in the spiderweb, nice-looking yachts all of them. But they are all empty hulks, stripped of their engines and everything else. Just like duck decoys in front of a hunter's blind. A hand-painted sign rides on a buoy nearby, reading FUEL in English and other languages.
Farther out to sea, a number of the ships that were chasing them earlier are lingering, steering well clear of the spiderweb. They know they can't come in here; this is the exclusive domain of the black grease swimmers, the spiders in the web, almost all of whom are now dead.
If he goes onto the Raft itself, it can't be any worse. Can it?
The yacht has its own little dinghy, the smallest size of inflatable zodiac, with a small outboard motor. Hiro gets it into the water.
"I go with you," a voice says.
Hiro whirls, hauling out his gun, and finds himself aiming it into the face of the Filipino cabin boy. The boy blinks, looks a little surprised, but not especially scared. He has been hanging out with pirates, after all. For that matter, all the dead guys on the yacht don't seem to faze him either.
"I be your guide," the boy says. "ba la zin ka nu pa ra ta…"
52
Y.T. waits so long that she thinks the sun must have come up by now, but she knows it can't really be more than a couple of hours. In a way, it doesn't even matter. Nothing ever changes: the music plays, the cartoon videotape rewinds itself and starts up again, men come in and drink and try not to get caught staring at her. She might as well be shackled to the table anyway; there's no way she could ever find her way back home from here. So she waits.
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