Rudy Rucker - The Ware Tetralogy

Onar found a great sheet of piezoplastic in Babs’s supplies and flopped it out onto an open space on the floor. With a deft move of his long fingers, Onar pinched off a bit of his own uvvy to make a receiver-DIM which he affixed to the big sheet of plastic. Now the imipolex came alive with colors and shapes: some abstract, some like cartoon images and blurred photographs, all coming directly from Onar’s brain. Saint put on his uvvy and got in on the act too, moving around playing air guitar and sending thought-sounds to the blanket of piezoplastic. The great sheet began to buzz and vibrate like a giant speaker, its rapid undulations sending out Saint’s brain-made music. It sounded like spacey horns with cymbals and heavy-metal guitars. Everyone watched and listened in fascination, everyone except Phil, who kept worrying about how to get Yoke’s attention.

Finally, Phil distracted Yoke by getting Babs to show off her old worm-farm, which was a big layer of humus between two transparent plastic walls. If you shone lights against a wall, the lavender, red-banded worms would appear, writhing up against the plastic.

“I have some smart imipolex worms mixed in,” said Babs. “There goes one.” A gold flicker went writhing past. “You can actually uvvy into them to get a worm’s eye view if you like.”

Now Babs went to get a beer, and Phil took the opportunity to get Yoke to step outside alone with him. It had stopped raining and there was some dramatic moonlight in the clouds. “If you’re interested, Yoke,” said Phil, “we could take a little walk and I could show you where I live. It’s not far from here. My housemate Calla has a big fabricant DNA sculpture, and Derek makes machines that do things with colored air. I have some toy blimps I made in my room. Would you like to come look at them?”

“What will Kevvie say?” asked Yoke.

“I don’t think she’s home,” said Phil. “She was going to do something with Klara Blo tonight.”

“Her friend the sex worker!” said Yoke. “I remember.”

“Kevvie and I aren’t totally linked or anything,” said Phil, feeling himself blush. “We just happen to—”

“Live with each other,” said Yoke. “Like an old married couple. Babs said you’ve been together for over a year. I was asking her about you.”

“I’d leave Kevvie for you in a minute, Yoke,” blurted Phil. “I can’t stop thinking about you.” There was something about Yoke—her smell, her voice, the way she moved, the things she said—she fit into Phil’s heart like a key in a lock.

Yoke widened her eyes and arched her eyebrows. She slipped her hand into Phil’s. “So show me where you live.”

It was a beautiful night. The moon floated out from behind the drifting clouds; it was nearly full. “Where exactly on the Moon are you from?” asked Phil.

“I was talking to Terri about that yesterday,” said Yoke. “She was showing me how you mudders think there’s a face in the Moon. And for everyone it’s different. To me it looks like a girl. And if you see it that way, then Einstein would be just at the bottom of her left eye. Which is the Sea of Tranquility.”

“I’ve always thought the Moon looked like a smiling pig,” said Phil. “With a snaggle snout.”

They walked a block and turned a corner. It was dark and quiet, with calm puddles staring up at the night sky. “I feel like my father’s up there,” said Phil. “Hanging in the sky like an ornament. His face looking down.”

“I can feel Ma like that too,” said Yoke. “Dear, loud Darla. I feel kind of weird about my pop’s plan to bring her back. That’s not really, truly going to be Darla. I mean, don’t you think there’s such a thing as a soul?” Yoke sighed and looked at the sky. “The dead are kind. They want us to live. You have to believe that.”

“I want to. The last time I saw my father, I fought with him. He always wanted me to be a scientist instead of a cook. He was needling me. I lost it. I told him I hated him for leaving my mother, and that his work was stupid. And then, bam, he started crying. I couldn’t deal. I left. And that was the last time I ever saw him. I need to feel like he forgives me.”

“Then you have to forgive him. Forgive him so you can forgive yourself.”

Silently, Phil tried the notion on. He let forgiveness fill him; and it felt like unwrapping a rusty wire from around his heart. “This is good, Yoke, this helps.” It was wonderful to be with this girl. Nobody had ever understood him so well before.

Yoke stood quietly next to him, her face turned up toward the sky—or toward him. Phil decided to try and kiss her. But just then a high ecstatic yodeling caught Yoke’s attention and made her draw away.

“What is that?” she asked. “It’s coming from those colored lights way down at the end of the block. Is that a ship?”

“It’s an abandoned ship that’s stuck in the mud at a slip right across from my warehouse,” said Phil. “The Snooks family lives there. A big nest of moldies. They’re betty-lifters, cheeseball whores, camote dealers, way xoxxy. If old Cobb wonders why most people don’t like moldies, he should get to know the Snookses.”

“What’s the ship’s name?”

“ Anubis. It’s decorated all ancient Egyptian. It used to be a party boat, and before that it was a freighter.”

They walked the rest of the block hand in hand, the crazy urgent yelling of the Snooks moldies and their customers getting louder.

“On the Moon we hardly mingle with moldies at all,” said Yoke. “They stay in their underground Nest and we stay in the Einstein dome.”

A shiny gold moldie came humping across the street like a big inchworm and reared up in front of them. He had a stylized chin-beard and a striped scarf on his head just like a pharaoh. “Come aboard the ship Anubis, spiritual seekers. We feature the stuzziest camote in town. Key a timewave to ancient Egypt.”

“It’s just me, Thutmosis,” said Phil.

“Neighbor Phil?” said the moldie, peering closer. “The eternal return. Metempsychosis. Yet never the same river twice. Who’s the woman?”

“I’m Yoke Starr-Mydol,” said Yoke. “I’ve just come here from the Moon.”

“How about those crazy loonie moldies?” asked Thutmosis. “Are they still kidnapping Earth moldies?”

“Maybe they are,” said Yoke, cocking her thumbs and pointing her forefingers at Thutmosis like guns. “Maybe I’m about to put a superleech on you. Better run!” Thutmosis Snooks grunted and went undulating back toward his ship.

Phil undid the heavy locks on his warehouse door and ushered Yoke inside. The lights were on; Derek was in his workshop in the far corner, doing something with one of his air-sculpture machines. Umberto the dog peered watchfully out from under Derek’s workbench. Derek caught Phil’s eye right away and pointed meaningfully toward the bathroom. Phil’s heart sank as he went to look. Yoke followed along behind.

There was a throw of skin in the bathtub, bumpily billowing like a sheet with lovers under it. Now the mass surged and Phil could see four eyes in two faces; it was Kevvie and Klara Blo, merged together into one ungainly bod; the skin was theirs.

“Hi there, Phil and Yoke,” said Kevvie, except it seemed like she said it out of Klara Blo’s mouth, a somewhat hard-looking mouth in a rough-skinned face the color of a lemon. Ungainly lumps moved beneath the fused skin: the bones of beckoning arms. “You two wanna lift and join us in some bacteria-style sex, Phil?” came Klara’s voice. “You and your new little cookie? You’re missing everything with your stupid Straight Edge, Phil. Merge is the best. It’s like the air is an orgasm.”

“Naranjo told me you went off with Yoke,” said Kevvie, talking out of her own mouth now. “So I brought Klara over here to help me wait for you.” Slowly, she sat up in the tub. Her neck and shoulders pulled free of Klara. Her still-fused breasts stretched and jiggled.