Fritz Leiber: Swords and Ice Magic

Yet without exception every pawn must eventually be snapped up and tossed in box in the course of the greatest game, even if it have advanced to the ultimate rank and become king or queen. So Death reminded himself, who knew that even he himself must ultimately die, and so he set to his intuitively creative task relentlessly and swifter than ever arrow or rocket or falling star flew.

After the fleetingest glance southwest toward the vast, dawn-pink city of Lankhmar, to reassure himself that Fafhrd and the Mouser still occupied a rickety penthouse atop an inn which catered to the poorer sort of merchants and faced on Wall Street near the Marsh Gate, Death looked back at the late Lithquil's slaughter pen. In his improvisations he regularly made a practice of using materials closest at hand, as any good artist will.

Lithquil was in mid-crumple. The slavegirl was screaming. The mightiest of the berserks, his big face contorted by a fighting fury that would never fade till sheer exhaustion forced it, had just slashed off the bonily pink, invisibly fleshed head of Lithquil's assassin. And quite unjustly and even idiotically — but most of Death's lesser banes outwardly appear to work in such wise — a halfscore arrows were winging from the gallery toward Lithquil's avenger.

Death magicked and the berserk was no longer there. The ten arrows transfixed empty air, but by that time Death, again following the practice of economy in materials, was peering once more at Horborixen and into a rather large cell lit by high, barred windows in the midst of the harem of the King of Kings. Rather oddly, there was a small furnace in the cell, a quenching bath, two small anvils, several hammers, many other tools for working metals, as well as a small store of precious and workaday metals themselves.

In the center of the cell, examining herself in a burnished silver mirror with almond eyes sharp as needles and now also quite as mad as the berserk's, there stood a deliciously slender girl of no more than sixteen, unclad save for four ornaments of silver filigree. She was, in fact, unclad in extremest degree, since except for her eyelashes, her every last hair had been removed and wherever such hair had been she was now tattooed in fine patterns of green and blue.

For seven moons now Eesafem had suffered solitary confinement for mutilating in a harem fight the faces of the King of Kings’ favoritest concubines, twin Ilthmarts. Secretly the King of Kings had not been at all displeased by this event. Truth to tell, the facial mutilations of his special darlings slightly increased their attractiveness to his jaded appetite. Still, harem discipline had to be kept, hence Eesafem's confinement, loss of all hairs — most carefully one at a time — and tattooing.

The King of Kings was a thrifty soul and unlike many monarchs expected all his wives and concubines to perform useful work rather than be forever lolling, bathing, gossiping and brawling. So, it being the work she was uncontestably best trained for and the one most apt to bring profit, Eesafem had been permitted her forge and her metals.

But despite her regular working of these and her consequent production of numerous beauteous and ingenious objects, Eesafem's young mind had become viciously unhinged from her twelve harem moons, seven of those in lonely cell, and from the galling fact that the King of Kings had yet to visit her once for amorous or any other reason, even despite the charming metal gifts she had fashioned for him. Nor had any other man visited her, excepting eunuchs who lectured her on the erotic arts — while she was securely trussed up, else she would have flown at their pudgy faces like a wildcat, and even at that she spat at them whenever able — and gave her detailed and patronizing advice on her metalworking, which she ignored as haughtily as she did their other fluting words.

Instead, her creativity, now fired by insane jealousies as well as racklike aches for freedom, had taken a new and secret turn.

Scanning the silver mirror, she carefully inspected the four ornaments adorning her slender yet wiry-strong figure. They were two breast cups and two shin-greaves, all chiefly of a delicate silver filigree, which set off nicely her green and blue tattooing.

Once her gaze in the mirror wandered overshoulder, past her naked pate with its finely patterned, fantastical skullcap, to a silver cage in which perched a green and blue parrot with eye as icily malevolent as her own — perpetual reminder of her own imprisonment.

The only oddity about the filigree ornaments was that the breast cups, jutting outward over the nipples, ended in short spikes trained straight forward, while the greaves were topped, just at the knee, with vertical ebony lozenges about as big as a man's thumb.

These bits of decor were not very obtrusive, the spikes being stained a greenish blue, as though to match her tattooing.

So Eesafem gazed at herself with a crafty, approving smile. And so Death gazed at her with a more crafty one, and one far more coldly approving than any eunuch's. And so she vanished in a flash from her cell. And before the blue-green parrot could gin squawk his startlement, Death's eyes and ears were elsewhere also.

Only seven heartbeats left.

Now it may be that in the world of Nehwon there are gods of whom even Death does not know and who from time to time take pleasure in putting obstacles in his path. Or it may be that Chance is quite as great a power as Necessity. At any rate, on this particular morning Fafhrd the Northerner, who customarily snoozed till noon, waked with the first dull silvery shaft of dawn and took up his dear weapon Graywand, naked as he, and blearily made his way from his penthouse pallet out onto the roof, where he gan practice all manner of swordstrokes, stamping his feet in his advances and from time to time uttering battleshouts, unmindful of the weary merchants he waked below him into groaning, cursing, or fright-quivering life. He shivered at first from the chill, fishy dawnmist from the Great Salt Marsh, but soon was sweating from his exercise, while his thrusts and parries, perfunctory to begin with, grew lightning-swift and most authoritative.

Except for Fafhrd, it was a quiet morning in Lankhmar. The bells had not yet begun to toll, nor the deep-throated gongs resound for the passage of the city's gentle overlord, nor the news been bruited about of his seventeen cats netted and hustled to the Great Gaol, there in separate cages to await trial.

It also happened that on this same day the Gray Mouser had waked till dawn, which usually found him an hour or so asleep. He curled in penthouse corner on a pile of pillows behind a low table, chin in hand, a woolly gray robe huddled around him. From time to time he wryly sipped sour wine and thought even sourer thoughts, chiefly about the evil and untrustworthy folk he had known during his mazily crooked lifetime. He ignored Fafhrd's exit and shut his ears to his noisy prancings, but the more he wooed sleep, the further she drew away.

The foamy-mouthed, red-eyed berserk materialized in front of Fafhrd just as the latter assumed the guard of low tierce, swordhand thrust forward, down, and a little to the right, sword slanting upward.

He was astounded by the apparition, who, untroubled by sanity's strictures, instantly aimed at the naked Northerner's neck a great swipe with his saw-edged scimitar, which looked rather like a row of short, broad-bladed daggers forged side to side and freshly dipped in blood — so that it was pure automatism made Fafhrd shift his guard to a wellbraced high carte which deflected the berserk's sword so that it whished over Fafhrd's head with something of the sound of a steel rod very swiftly dragged along a fence of steel pickets, as each razor-edged tooth in turn met the Northerner's blade.