Samantha Hunt - Mr. Splitfoot

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Mr. Splitfoot: краткое содержание, описание и аннотация

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A contemporary gothic from an author in the company of Kelly Link and Aimee Bender,
tracks two women in two times as they march toward a mysterious reckoning.
Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road?
In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed,
will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa.

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“Right.”

I look into the woods. I look at my hands in the firelight. “He tells her to get in. It’s freezing, wet, cold. ‘Climb in,’ he says. ‘I’ll take you home.’ Right?”

Lord nods. “Right,” like I’m wasting his time.

“‘Thank you,’ she says, and I know,” I tell Lord, “if you’re like me, you think that’s the scary part, right? Young girl, bad dude? That’s not the scary part. Just hold on. Girl says, ‘My mother will be worried.’”

I’m doing my best with the voices, girl’s voice high, man’s voice low. And both voices slowly, slowly. Scary.

“Then he asks her, ‘What are you doing out here alone at night?’ The girl was so young and brave, acting like she had no reason in the world to be scared, like she’d never even imagined the bad things men do to girls every moment of every day.” I am required to apply guilt to Lord, remind him how much he and, really, all men suck. “‘There was a party,’ the girl tells the man, or a recital, something like that. I can’t remember where she was coming from. But she climbs in his car. ‘What address?’ he asks. ‘Just up over the ridge. You know Horseshoe Hill? Half a mile past that.’

“The two drive on, and it’s quiet in the car. He notices she’s shivering. ‘Take my coat.’ He wraps it over her shoulders, a tan windbreaker, a real gentleman or maybe not. Maybe that’s what a total creep would do, hard to say because, you know, it could have been a bad situation.

“The rain picked up, lashing the windshield, and he had to concentrate again just to keep the car on the road. It’s dark out that way. Finally the girl stops him. ‘Here it is. Just there.’ And you’re like, phew. The little girl made it home safely. A small white cape. Very tidy. You know it? I’ve looked for it, but I’m not totally sure which one it is. You know it?”

“No.”

I watch the fire for a bit, saying nothing. I rub my thighs, pushing them open just the slightest bit to remind Lord what’s between them. I look off again into the dark woods beyond our fire. I know Lord’s horny because he’s always horny, old guy, young girl. But I can’t tell if he’s scared. I want him to be scared. I watch the woods. I let the story percolate.

“So. The guy pulls over, and the little girl dashes out of the car, darting across the road into the darkness and rain. He can’t see where she went or if she made it safely inside because of the rain. For a minute he thinks, ‘Forget it. I did my job.’ Turns out the guy’s not a creep, turns out he’s OK. He had parents who loved him. But he’s so OK that he can’t help it. He’s worried about the girl. Plus, she has his coat, so he gets out. It’s late but the lights are on downstairs in the little house. He rings the bell, and almost immediately an older woman answers the door like she’d been waiting for him. ‘Don’t say anything,’ she tells him, which seems pretty weird. ‘Come in.’ Still he tries, ‘Ma’am,’ he says. ‘Ma’am, did a young—’ She doesn’t let him finish. ‘My daughter. Yes. Thank you. Please.’ She hurries him in. ‘Follow me.’ The guy is starting to freak out. Everyone’s acting weird and all that rain. Still, he follows her. The old woman leads the man upstairs and into a bedroom, a girl’s bedroom. He stumbles in and there’s a photo of his hitchhiker there on the bureau. ‘My daughter,’ the old woman says again, but it’s impossible that such an old woman could be the mother to such a young girl. He starts to question, ‘But—’ Again she interrupts. ‘Twenty years ago, on a night like this one,’ she says, and the hairs on his neck rise. The storm blows. He doesn’t want her to go on. Fear’s making, you know, static in his head. ‘My daughter was killed,’ she says. ‘Struck down by a car as she walked home. The driver never even stopped to see if she was all right. Now, when it rains, she returns. She comes back, finding a ride with some kind driver. She’s home,’ the woman said. ‘She’s home. She’s come back again.’

“‘No,’ he says. ‘No. No!’ The guy, he runs down the stairs, out the back door. The rain’s blinding him and he’s lost his bearings. ‘I don’t believe in ghosts,’ the guy keeps telling himself — just like you — clenching his fists. He’s terrified, stumbling, trying not to see that right there in front of him, what he thought was a garden is a small graveyard, and in the graveyard is a tombstone and a low rusted wrought-iron fence. ‘No. No.’ He shakes his head, crazy because there, on top of the grave, is a tan windbreaker, his tan windbreaker, half buried in the muddy churned-up dirt.”

Then I get real quiet, watching the fire, nodding my head. Finally, I add the clincher. “Ghosts don’t care if we believe in them or—”

“Cora.”

“Yeah?” I smile. I scared Lord.

“That’s the oldest story in the world.”

“What?”

“It’s been told a million times. We used to tell it when we were kids. Different location and all, different item of clothing hanging out of the grave, but same story. It’s not real.”

I straighten my spine. Fucking jerk. “Doesn’t mean it’s not scary.”

“Yup.” Lord gives me a wink. “Pretty scary. Pretty, scar — BOO!” He pounces on me and bites into my cheek. Lord smells like boiled pasta. He digs his face into my chest, toggling between my boobs.

“You weren’t scared?”

Lord walks away from our campsite as if he’s going to take a pee. I shout into the woods. “It’s not real?” But Lord doesn’t answer and then Lord doesn’t come back, so I think it’s something a little more involved than pee, but he still doesn’t come back. A really, really long time passes, so I know what he’s trying to do. He wants me to think the bogeyman got him, think I’m all alone in the woods with a psycho on the loose.

I’m not going to let him do that to me. I put away the dinner dishes, strum his guitar, and later when I can’t think of anything else, I just sit there by the fire perfectly still with a fucked-up-looking clown smile on my face. I’m good at that. Lord’s too big a jerk to scare me. Orange light flickers on the underside of the tree branches. I think about the little girl who can’t stop coming back. I wonder what would make her come back. Love for her mother? Anger at the driver who killed her? Why keep coming back? Why not just stay dead?

Lord doesn’t explain anything when he returns. We do it like wild beasts for an hour right there in the dirt, like I’m the innocent little girl and he’s the big bad man with the car come to run me down.

Afterward he asks, “Do you want to shoot the gun?”

“Sure.” I’m still naked except for my hiking boots. The kick of his gun throws me three feet back. He thinks that’s the funniest thing ever. Lord opens more beers. I rub my arm. My shoulder will be bruised yellow for days.

“Janine was nineteen when I met her.”

His wife. Every freaking time the man comes, he starts feeling guilty. Every freaking orgasm.

“She was giving haircuts at a house party. Had no idea what she was doing, but the men lined up. Hatchet jobs. Including mine. Janine’s so beautiful, like a model almost. I’d let her do anything. She’s just so beautiful.”

He means: She is; you’re not. I want to tell him that she’s just normal-looking, nothing too special, but I’ve never met her and I don’t want him to know I stalk her on the Internet. He already thinks he’s better than me because he doesn’t use the Internet.

“We fell in love in a bloody way, thorns and hooks.”

Lord’s wiry and strong. “You must have been something at nineteen.” I hope that hurts. Lord’s old now. Forty-five, at least.

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