Samantha Hunt - Mr. Splitfoot

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Mr. Splitfoot: краткое содержание, описание и аннотация

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A contemporary gothic from an author in the company of Kelly Link and Aimee Bender,
tracks two women in two times as they march toward a mysterious reckoning.
Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road?
In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed,
will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa.

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Upstairs there’s a knock loud as a wake-up call. The air changes and Nat’s eyes open. More pounding. Someone’s at the front door. “Anybody home?” The faraway question leaks through the basement windows.

“Huh?” Nat acts surprised to find himself coming to in the coal bin.

“Tina?” Ruth asks him.

Nat shrugs. “Tina?”

“You don’t remember?”

Nat shakes his head. He pulls his legs into his chest. “Who?”

“Tina!” Ceph shouts.

“Who’s Tina?” Nat scratches the back of his head.

“My mom.”

Ruth lifts slowly. “Your mother’s name is really Tina?”

Ceph nods.

Ruth grabs his wrist. The threat of her nails rears again. “Did you tell him that was her name?”

“No.”

More pounding from above.

Nat stands. “He never said.”

“Did you tell anyone your mom’s name? I’ll rip your teeth out if you lie.”

“No.”

So she turns against a cold front behind her, something buried a long time ago. Ruth heads for the stairs. Ceph and Nat follow swiftly. The wood of the banister feels less solid because when Nat delivers something beyond the miseries at Love of Christ! Ruth’s world gets pocked with holes, flooded with light, so much brightness and possibility.

Upstairs the sun makes them squint. The knocking continues. Ceph growls through his awful breath. Ceph’s a mad dog, an exposed nerve without his mom.

The front door opens. “Anybody home?” the knocker asks.

Nat barely looks at the man standing there. Nat walks out, ignoring the visitor, trying to get some distance from Ceph, who is crying after Nat like it’s his fault his mom is gone. “Where she at?” Ceph’s vicious. “Bring her back!”

But Ruth is stopped by the visitor. “Hi,” he says.

The guy from the hospital is standing on the doorstep. Did she forget something? She didn’t have anything. “Zeke?”

“I’m happy to see you,” he says.

“Me?”

“I missed you.” He steps closer.

“It’s only been one day.” She looks down. She’s not wearing any shoes. He brings his chin in line with her ear. His breath makes a humid patch Ruth feels in her stomach, lower. Her swallow’s loud as a gulp. “What are you doing here?”

Zeke steps back. “I’ve come to talk to your foster father. Is he here?”

“Him?”

“Yes. Please.”

“You know him?”

“Not yet.” Zeke smiles.

Ruth sees more holes. She backs into the house as Nat disappears down the drive.

“The girl’s not for sale.” The Father squints at the strange offer.

“Not sale. No, but maybe there’s some sort of trade we could make.” Zeke chews his lips.

The Father wouldn’t mind figuring out a way to strike a deal. He remembers how Ruth’s sister, El, turned eighteen, crying, animal sounds, moaning and thrashing. Awful. She’d clung to his truck, grabbing onto the gearshift. He had to shove her off the seat with his boot, out the door, and quickly lock the truck. He’d tried not to look back as he pulled away from the mall parking lot, but couldn’t stop himself, Lot’s wife in the rearview. A child he’d cared for, now tiny and alone and frightened in the world. Awful, awful business.

Plus the Father likes for things to multiply. Once he even had a job working on an assembly line and it pleased him.

He stares out at the land, considers this man’s offer. The bottoms behind the house run down to a tiny creek. If he could place Ruth in someone else’s care before she ages out, he’d avoid the nastiness of moving her along at eighteen. Ruth’s been with him for so many years. In the past he’s made arrangements for the young women no longer in his care. A number of senior members from his congregation met their wives this way. Brother Warren. Brother Brett.

The Father looks out at the land, feels like Moses. He’ll look for the virtue. This seems a decent fellow, has his own storage business. He’ll take care of Ruth.

The Father balances the ball of his hand on top of the porch newel post. He strikes it once. “The girl earns me around eighty dollars a month, and she will until she turns eighteen.” Practiced at husbandry.

“How old is she now?”

“Just seventeen. Not sure I can replace her. My thought is perhaps you make a small gift to me. Eight hundred dollars? In exchange, you’ll get my blessing and consent to marry her. It’s legal at fourteen when you’ve got parental consent.”

“Eight hundred.” Zeke considers the price.

“You and Ruth have discussed this?”

“Some. You’ll take eight hundred dollars for the girl?”

Father Arthur shudders to deal so plainly in humans.

The man sees his unease and tries to demonstrate the righteousness of the plan. “The universe brought me here, brother. The universe is right.”

The Father queers his eyebrows, unable to use the word “right” in conjunction with whatever this man has in mind for Ruth.

~ ~ ~

IM SMARTER NOWthat my smartphone is gone I can pay attention in a different - фото 6

I’M SMARTER NOWthat my smartphone is gone. I can pay attention in a different way. I know what strangers are thinking. I know when a town is coming before it comes because the pollution changes a half mile out. There’s a thickness to the air like when you bring the palms of your hands toward one another. It’s not magic. It’s just attention and observation.

One store, one diner, one post office, and a heavy machinery rental center. The first humans we see in this town are a pack of kids on bikes, five or six of them. They ride past, pretending we’re invisible. Ruth and I walk on, but in a few minutes the kids pass us again somehow traveling in the same direction as before. They’ve made a loop on the town’s secret byways. I raise my hand and call out, “Hello.” This greeting makes them pedal faster.

At the store I buy a loaf of bread, a quarter pound of Muenster, an eighth of salami, and yogurt. Ruth always eats yogurt.

The clerk says to me, “If you’re pregnant, you shouldn’t eat cold cuts.” Now that my belly shows, I’m public property. Strangers speak to me all the time. They tell me how I should do everything. They want to know, boy or girl? What will I call it? Cloth or disposable diapers? Breast or bottle? Women either tell me that pregnancy hurts or that it is a miracle. Old men say some variation of “Whoa! Whoa! I’ll boil the water and get some sheets.”

Nothing stranger than pregnancy could happen to a body. Not drugs, not sex. An unknown that gets bigger every day. An unknown I feel stirring, growing, making me do things my body doesn’t normally do. A program set to play. One day it will talk to me. It will die. How’s that possible?

I pay for the food. I wish the clerk hadn’t mentioned the cold cuts. Without a phone I can’t even check to see if she’s just coming up with random rules for her amusement. Making shit up.

We sit on the grass by the side of the store for a little picnic. There’s a spigot to fill our water bottles. Ruth divvies up some cheese, some meat, and passes me a sandwich. I peel the salami off and hand it back. I haven’t taken more than three bites before those kids show up again. The youngest screams out, “Howdy, yourself!” They deposit their rides outside the store.

“What’s that?” the oldest girl asks. She’s maybe eleven, boobs just starting to bud.

“Salami and cheese.”

“Where are you from?” As if salami is such an exotic lunchmeat. Elizabeth, Katy, Drew, Alex, Amy, and Charley are brothers and sisters. They stand in a half circle around us. I offer them food. Charley tries a slice of salami. The other kids watch him chew it.

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