Peter Brett - The Painted Man

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The Painted Man: краткое содержание, описание и аннотация

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Sometimes there is very good reason to be afraid of the dark…
Eleven-year-old Arlen lives with his parents on their small farmstead, half a day's ride away from the isolated hamlet of Tibbet's Brook.
As dusk falls upon Arlan's world, a strange mist rises from the ground, a mist carrying nightmares to the surface. A mist that promises a violent death to any foolish enough to brave the coming darkness, for hungry corelings - demons that cannot be harmed by mortal weapons - materialize from the vapours to feed on the living. As the sun sets, people have no choice but to take shelter behind magical wards and pray that their protection holds until the creatures dissolve with the first signs of dawn.
When Arlen's life is shattered by the demon plague, he is forced to see that it is fear, rather than the demons, which truly cripples humanity. Believing that there is more to his world than to live in constant fear, he must risk leaving the safety of his wards to discover a different path.
In the small town of Cutter's Hollow, Leesha's perfect future is destroyed by betrayal and a simple lie. Publicly shamed, she is reduced to gathering herbs and tending an old woman more fearsome than the corelings. Yet in her disgrace, she becomes the guardian of dangerous ancient knowledge.
Orphaned and crippled in a demon attack, young Rojer takes solace in mastering the musical arts of a Jongleur, only to learn that his unique talent gives him unexpected power over the night.
Together, these three young people will offer humanity a last, fleeting chance of survival.

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The Painted Man nodded. 'And to you.' He turned to attend his cart, and Leesha stared after him, wanting to scream.

The Painted Man's muscles unclenched as he moved away. It had taken all his will to turn his back on her, but they couldn't afford to confuse one another tonight.

Forcing Leesha from his mind, he turned his thoughts to the coming battle. The Krasian holy book, the Evejah, contained accounts of the conquests of Kaji, the first Deliverer. He had studied it closely when learning the Krasian tongue.

The war philosophy of Kaji was sacred in Krasia, and had seen its warriors through centuries of nightly battle with the corelings. There were four divine laws that governed battle: Be unified in purpose and leadership. Do battle at a time and place of your choosing. Adapt to what you cannot control, and prepare the rest. Attack in ways the enemy will not expect, finding and exploiting their weaknesses.

A Kraisian warrior was taught from birth that the path to salvation lay in killing alagai. When Jardir called for them to leap from the safety of their wards, they did so without hesitation, lighting and dying secure in the knowledge that they were serving Everam and would be rewarded in the afterlife.

The Painted Man feared the Hollowers would lack the same unity of purpose, failing to commit themselves to the fight, but watching as they scurried to and fro, readying themselves, he thought he might perhaps be underestimating them. Even in Tibbet's Brook, everyone had stood by their neighbours in hard times. It was what kept the hamlets alive and thriving, despite their lack of warded walls. If he could keep them occupied, keep despair from clutching at them when the demons rose, perhaps they would fight as one.

If not, everyone in the Holy House would die this night.

The strength of Krasia's resistance was due as much to Kaji's second law, choosing terrain, as it was the warriors themselves. The Kraisian Maze was carefully designed to give the dal'Sharum layers of protection, and to funnel the demons to places of advantage.

One side of the Holy House faced the woods, where wood demons held sway, and two more faced the wrecked streets and rubble of the town. There were too many places for corelings to hide. But past the cobbles of the main entrance lay the town square. If they could funnel the demons there, they might have a chance.

They were unable to clean the greasy ash off the rough stone walls of the Holy House and ward it in the rain, so the windows and great doors had been boarded and nailed shut, hasty wards chalked onto the wood. Ingress was limited to a small side entrance, with wardstones laid about the doorway. The demons would have an easier time getting through the wall.

The very presence of humans out in the naked night would act as a magnet to demons, but nevertheless, the Painted Man had taken pains to funnel the corelings away from the building and flanks, so that the path of least resistance would drive them to attack from the far end of the square. At his direction, the villagers had placed obstacles around the other sides of the Holy House, and interspersed hastily made wardposts, signs he had painted with wards of confusion. Any demon charging past them to attack the walls of the building would forget its intent, and inevitably be drawn towards the commotion in the town square.

Beside the square on one side was a day pen for the Tender's livestock. It was small, but its new wardposts were strong. A few animals milled around the men erecting a rough shelter within.

The other side of the square had been dug with trenches quickly filling with mucky rainwater, to urge flame demons to take an easier path. Leesha's oil was a thick sludge on top of the water.

The villagers had done well in enacting Kaji's third law, preparation. Steady rain had made the square slick, a thin film of mud forming on the hard-packed ground. The Painted Man's warded circles were set about the battlefield as he had directed, points of ambush and retreat, and a deep pit had been dug and covered with a muddy tarp. Viscous grease was being spread on the cobbles with brooms.

And the fourth law, attacking the enemy in a way they would not expect, would take care of itself.

The corelings would not expect them to attack at all. 'I did as you asked,' a man said, approaching him as he pondered the terrain.

'Eh?' the Painted Man said.

'I'm Benn, sir,' the man said. 'Mairy's husband.' The Painted Man just stared. 'The glassblower,' he clarified, and the Painted Man's eyes finally lit with recognition. 'Let's see, then,' he said.

Benn produced a small glass flask. 'It's thin, like you asked,' he said. 'Fragile.'

The Painted Man nodded. 'How many did you and your apprentices have time to make?' he asked.

'Three-dozen,' Benn said. 'May I ask what they're for?'

The Painted Man shook his head. 'You'll see soon enough,' he said. 'Bring them, and find me some rags.'

Rojer approached him next. 'I've seen Leesha's spear,' he said. 'I've come for mine.'

The Painted Man shook his head. 'You're not fighting,' he said. 'You're staying inside with the sick.'

Rojer stared at him. 'But you told Leesha…'

'To give you a spear is to rob you of your strength,' the Painted Man cut him off. 'Your music would be lost in the din outside, but inside, it'll prove more potent than a dozen spears. If the corelings break through, I'm counting on you to hold them back until I arrive.'

Rojer scowled, but he nodded, and headed into the Holy House.

Others were already waiting for his attention. The Painted Man listened to reports on their progress, assigning further tasks that were leapt to immediately. The villagers moved with hunched quickness, like hares ready to flee at any moment.

No sooner than he had sent them off, Stefny came storming up to him, a group of angry women at her back. 'What's this about sending us up to Bruna's hut?' the woman demanded.

'The wards there are strong,' the Painted Man said. 'There is no room for you in the Holy House or Leesha's family home.'

'We don't care about that,' Stefny said. 'We're going to fight.'

The Painted Man looked at her. Stefny was a tiny woman, barely five feet, and thin as a reed. Well into her fifties, her skin was thin and rough, like worn leather. Even the smallest wood demon would tower over her.

But in her eyes, he saw it didn't matter. She was going to fight no matter what he said. The Krasians might not allow women to fight, but that was their failing. He would not deny any who were willing to stand in the night. He took a spear off his cart and handed it to her. 'We'll find you a place,' he promised.

Expecting an argument, Stefny was taken aback, but she took the weapon, nodded once and moved away. The other women came in turn, and he handed a spear to each.

The men came at once, seeing the Painted Man handing out weapons. The cutters took their own axes back, looking at the freshly painted wards dubiously. No axe blow had ever penetrated a wood demon's armour.

'Won't need this,' Gared said, handing back the Painted Man's spear. 'I ent one for spinning a stick around, but I know how to swing my axe.'

One of the cutters brought a girl to him, perhaps thirteen summers old. 'My name's Flinn, sir,' the cutter said. 'My daughter Wonda hunts with me sometimes. I won't have her out in the naked night, but if ya let her have a bow behind the wards, you'll find her aim is true.'

The Painted Man looked at the girl. Tall and homely, she had taken after her father in size and strength. He went to Twilight Dancer and pulled down his own yew bow and heavy arrows. 'I won't need these tonight,' he said to her, pointing to a high window at the apex of the Holy House's roof. 'See if you can pry loose enough boards to shoot from there,' he advised.

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