Peter Brett - The Warded Man

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Sometimes there is very good reason to be afraid of the dark…
Eleven-year-old Arlen lives with his parents on their small farmstead, half a day's ride away from the isolated hamlet of Tibbet's Brook.
As dusk falls upon Arlan's world, a strange mist rises from the ground, a mist carrying nightmares to the surface. A mist that promises a violent death to any foolish enough to brave the coming darkness, for hungry corelings - demons that cannot be harmed by mortal weapons - materialize from the vapours to feed on the living. As the sun sets, people have no choice but to take shelter behind magical wards and pray that their protection holds until the creatures dissolve with the first signs of dawn.
When Arlen's life is shattered by the demon plague, he is forced to see that it is fear, rather than the demons, which truly cripples humanity. Believing that there is more to his world than to live in constant fear, he must risk leaving the safety of his wards to discover a different path.
In the small town of Cutter's Hollow, Leesha's perfect future is destroyed by betrayal and a simple lie. Publicly shamed, she is reduced to gathering herbs and tending an old woman more fearsome than the corelings. Yet in her disgrace, she becomes the guardian of dangerous ancient knowledge.
Orphaned and crippled in a demon attack, young Rojer takes solace in mastering the musical arts of a Jongleur, only to learn that his unique talent gives him unexpected power over the night.
Together, these three young people will offer humanity a last, fleeting chance of survival.

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Arrick had killed his mother. As surely as if he had done the deed himself. Rojer brought the talisman to his lips, kissing her red hair.

“What’s that you’re holding?” Arrick asked softly, when it became clear the demons could not break through.

At any other time, Rojer would have felt a stab of panic at his talisman’s discovery, but he was in a different place now, reliving a nightmare and desperately trying to sort out what it meant. Arrick had been like a father to him for over ten years. Could these memories really be true?

He opened his hand, letting Arrick see the tiny wooden doll with its bright red hair. “My mum,” he said.

Arrick looked sadly at the doll, and something in his expression told Rojer all he needed to know. His memory was true. Angry words came to Rojer’s lips, and he tensed, ready to charge his master, throw him from the circle and let the corelings have him.

Arrick lowered his eyes and cleared his throat, beginning to sing. His voice, soured by years of drink, took on something of its old sweetness as he sang a soft lullaby, one that tickled Rojer’s memory just as the sight of the wood demon had. Suddenly he remembered how Arrick had held him in the very circle they now sat in, singing the same lullaby as Riverbridge burned.

Like his talisman, the song wrapped itself around Rojer, reminding him how safe it had made him feel that night. Arrick had been a coward, it was true, but he had honored Kally’s request to take care of him, though it had cost him his royal commission and ruined his career.

He tucked his talisman away in its secret pocket and stared out into the night as images over a decade old flashed in his mind and he tried desperately to make sense of them.

Eventually, Arrick’s singing trailed off, and Rojer pulled himself from contemplation and fetched their cooking utensils. They fried sausages and tomatoes in a small skillet, eating them with hard, crusty bread. After supper, they practiced. Rojer took out his fiddle, and Arrick wet his lips with the last drops from his wineskin. They faced one another, doing their best to ignore the corelings stalking about the circle.

Rojer began to play, and all his doubts and fears fell away as the vibration of the strings became his world. He caressed a melody forth, and nodded when he was ready. Arrick joined him with a soft hum, waiting for another nod before beginning to sing. They played thus for some time, falling into a comfortable harmony honed by years of practice and performance. Much later, Arrick broke off suddenly, looking around.

“What is it?” Rojer asked.

“I don’t think a demon has struck the wards since we started,” Arrick said.

Rojer stopped playing, looking out into the night. It was true, he realized, wondering how he hadn’t noticed it before. The wood demons were crouched about the circle, motionless, but as Rojer met the eyes of one, it sprang at him.

Rojer screamed and fell back as the coreling struck the wards and was repelled. All around them the magic flared as the rest of the creatures shook off their daze and attacked.

“It was the music!” Arrick said. “The music held them back!”

Seeing the confused look on the boy’s face, Arrick cleared his throat, and began to sing.

His voice was strong, and carried far down the road, drowning out the demon roars with its beautiful sound, but it did nothing to keep the demons at bay. On the contrary, the corelings shrieked all the louder and clawed at the barrier, as if desperate to silence him.

Arrick’s thick eyebrows furrowed, and he changed tune, singing the last song he and Rojer had been practicing, but the corelings still swiped at the wards. Rojer felt a stab of fear. What if the demons found a weakness in the wards, like they had …

“The fiddle, boy!” Arrick called. Rojer looked dumbly down at the fiddle and bow still clutched in his hands. “Play it, fool!” Arrick commanded.

But Rojer’s crippled hand shook, and the bow touched string with a piercing whine, like fingernails on slate. The corelings shrieked, and backed a step away. Emboldened, Rojer played more jarring and sour notes, driving the demons farther and farther off. They howled and put clawed hands to their heads as if in pain.

But they did not flee. The demons backed away from the circle slowly until they found a tolerable distance. There they waited, black eyes reflecting the firelight.

The sight chilled Rojer’s heart. They knew he couldn’t play forever.

*

Arrick had not been exaggerating when he said they would be treated as heroes in the hamlets. The people of Cricket Run had no Jongleurs of their own, and many remembered Arrick from his time as the duke’s herald, a decade gone.

There was a small inn for housing cattle drivers and produce farmers heading to and from Woodsend and Shepherd’s Dale, and they were welcomed there and given free room and board. The whole town showed up to watch them perform, drinking enough ale to more than repay the innkeep. In fact, everything went flawlessly, until it came time to pass the hat.

“An ear of corn!” Arrick shouted, shaking it in Rojer’s face. “Whar we sposa to do wi’that?”

“We could always eat it,” Rojer offered. His master glared at him and continued to pace.

Rojer had liked Cricket Run. The people there were simple and good-hearted, and knew how to enjoy life. In Angiers, crowds pressed close to hear his fiddle, nodding and clapping, but he had never seen folk so quick to dance as the Runners. Before his fiddle was halfway from its case, they were backing up, making room. Before long, they were reeling and spinning and laughing uproariously, embracing his music fully and flowing wherever it took them.

They cried without shame at Arrick’s sad ballads, and laughed hysterically at their bawdy jokes and mummery. They were, in Rojer’s estimation, everything one could ask in an audience.

When the act was over, chants of “Sweetsong and Halfgrip!” were deafening. They were inundated with offers of lodging, and the wine and food overflowed. Rojer was swept behind a haystack by a pair of raven-eyed Runner girls, sharing kisses until his head spun.

Arrick was less pleased.

“How could I have forgotten what it was like?” he lamented.

He was referring, of course, to the collection hat. There was no coin in the hamlets, or little enough. What there was went for necessities, seed and tools and wardposts. A pair of wooden klats settled to the bottom of the hat, but that wasn’t even enough to pay for the wine Arrick had drunk on the journey from Angiers. For the most part, the Runners paid in grain, with the occasional bag of salt or spice thrown in.

“Barter!” Arrick spat the word like a curse. “No vintner in Angiersh will take payment in bagsh of barley!”

The Runners had paid in more than just grain. They gave gifts of salted meat and fresh bread, a horn of clotted cream and a basket of fruit. Warm quilts. Fresh patches for their boots. Whatever good or service they could spare was offered with gratitude. Rojer hadn’t eaten so well since the duke’s palace, and for the life of him he could not understand his master’s distress. What was coin for, if not to buy the very things that the Runners gave in abundance?

“Leasht they had wine,” Arrick grumbled. Rojer eyed the skin nervously as his master took a pull, knowing it would only amplify Arrick’s distress, but he said nothing. No amount of wine could distress Arrick so much as the suggestion that he should not drink so much wine.

“I liked it there,” Rojer dared. “I wish we could have stayed longer.”

“What d’you know?” Arrick snapped. “You’re jussa stupid boy.” He groaned as if in pain. “Woodsend’ll be no better,” he lamented, looking down the road, “and Sheepshagger’s Dale’ll be worsht of all! What wash I thinking, keeping this stupid circle?”

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