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Brandon Sanderson: Shadows of Self

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Brandon Sanderson Shadows of Self

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Shadows of Self This bustling, optimistic, but still shaky society now faces its first instance of terrorism, crimes intended to stir up labor strife and religious conflict. Wax and Wayne, assisted by the lovely, brilliant Marasi, must unravel the conspiracy before civil strife stops Scadrial’s progress in its tracks. Shadows of Self The Alloy of Law

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Marasi did something with the stick to her right, changing the motor’s gears. Wax never had been able to get the hang of that. She darted around several horses, causing one of the riders to shout after them. The swerving motion pushed Wax against the side of the motorcar, and he grunted.

“What’s wrong with you lately?” Marasi demanded. “You complain about the motorcar, about me being here, about your tea being too hot in the morning. One would almost think you’d made some horrible life decision that you regret deep down. Wonder what it could be.”

Wax kept his eyes forward. In the mirror, he saw Wayne lean back in and raise his eyebrows. “She might have a point, mate.”

“You’re not helping.”

“Wasn’t intending to,” Wayne said. “Fortunately, I know which horrible life decision she’s talkin’ about. You really should have bought that hat we looked at last week. It was lucky. I’ve got a fifth sense for these things.”

“Fifth?” Marasi asked.

“Yeah, can’t smell worth a heap of beans. I—”

“There,” Wax said, leaning forward and looking through the windscreen. A figure bounded out of a side street soaring through the air, landed in the street, then launched himself down the thoroughfare ahead of them.

“You were right,” Marasi said. “How did you know?”

“Marks likes to be seen,” Wax said, slipping Vindication from her holster at his side. “Fancies himself a gentleman rogue. Keep this contraption moving steadily, if you can.”

Marasi’s reply was cut off as Wax threw open the door and leaped out. He fired down and Pushed on the bullet, launching himself upward. A Push on a passing carriage sent it rocking and nudged Wax to the side, so that when he came down, he landed on the wooden roof of Marasi’s motorcar.

He grabbed the roof’s front lip in one hand, gun up beside his head, wind blowing his mistcoat out behind him. Ahead, Marks bounded down the thoroughfare in a series of Steelpushes. Deep within, Wax felt the comforting burn of his own metal.

He propelled himself off the motorcar and out over the roadway. Marks always performed his robberies in daylight, always escaped along the busiest roadways he could find. He liked the notoriety. He probably felt invincible. Being an Allomancer could do that to a man.

Wax sent himself into a series of leaps over motorcars and carriages, passing the tenements on either side. The rushing wind, the height and perspective, cleared his mind and calmed his emotions as surely as a Soother’s touch. His worries dissolved, and for the moment there was only the chase.

The Marksman wore red, an old busker’s mask covering his face—black with white tusks, like a demon of the Deepness from old stories. And he was connected to the Set, according to the appointment book Wax had stolen from his uncle. After so many months the usefulness of that book was waning, but there were still a few gems to exploit.

Marks Pushed toward the industrial district. Wax followed, bounding from motorcar to motorcar. Amazing how much more secure he felt while hurtling through the afternoon air, as opposed to being trapped in one of those horrible motorized boxes.

Marks spun in midair and released a handful of something. Wax Pushed himself off a lamppost and jerked to the side, then shoved Marks’s coins as they passed, sending them out of the way of a random motorcar below. The motor swerved anyway, running toward the canal, the driver losing control.

Rust and Ruin, Wax thought with annoyance, Pushing himself back toward the motorcar. He tapped his metalmind, increasing his weight twentyfold, and came down on the hood of the motorcar.

Hard.

The smash crushed the front of the motorcar into the ground, grinding it against the stones, slowing and then stopping its momentum before it could topple into the canal. He caught a glimpse of stunned people inside, then released his metalmind and launched himself in a Push after Marks. He almost lost the man, but fortunately the red clothing was distinctive. Wax spotted him as he bounded up off a low building, then Pushed himself high along the side of one of the city’s shorter skyscrapers. Wax followed, watching as the man Pushed himself in through a window on the top floor, some twelve or fourteen stories up.

Wax shot up into the sky, windows passing him in a blur. The city of Elendel stretched out all around, smoke rising from coal plants, factories, and homes in countless spouts. He neared the top floor one window to the left of where Marks had entered, and as he landed lightly on the stonework ledge, he tossed a coin toward the window Marks had used.

The coin bounced against the glass. Gunfire sprayed out of the window. At the same time, Wax increased his weight and smashed through his own window by leaning against it, entering the building. He skidded on glass, raising Vindication toward the plaster wall separating him from Marks.

Translucent blue lines spread around him, pointing in a thousand different directions, highlighting bits of metal. The nails in a desk behind him, where a frightened man in a suit cowered. The metal wires in the walls, leading to electric lamps. Most importantly, a few lines pointed through the wall into the next room. These were faint; obstructions weakened his Allomantic sense.

One of those lines quivered as someone in there turned and raised a gun. Wax rolled Vindication’s cylinder and locked it into place.

Hazekiller round.

He fired, then Pushed, flaring his metal and drilling that bullet forward with as much force as he could. It tore through the wall as if it were paper.

The metal in the next room dropped to the floor. Wax threw himself against the wall, increasing his weight, cracking the plaster. Another slam with his shoulder smashed through, and he broke into the next room, weapon raised, looking for his target.

He found only a pool of blood soaking into the carpet and a discarded submachine gun. This room was some kind of clerk’s office. Several men and women pressed against the floor, trembling. One woman raised a finger, pointing out a door. Wax gave her a nod and crouched against the wall next to the doorway, then cautiously glanced out.

With a painful grating sound, a filing cabinet slid down the hallway toward him. Wax ducked back out of the way as it passed, then leaped out and aimed.

His gun immediately lurched backward. Wax grabbed it with both hands, holding tight, but a second Push launched his other pistol out of its holster. His feet started to skid, his gun hauling him backward, and he growled, but finally dropped Vindication. She tumbled all the way down the hall to fetch up beside the ruins of the filing cabinet, which had crashed into the wall there. He would have to come back for her once this was over.

Marks stood at the other end of the hallway, lit by soft electric lights. He bled from a shoulder wound, his face hidden by the black-and-white mask.

“There are a thousand criminals in this city far worse than I am,” a muffled voice said from behind the mask, “and yet you hunt me, lawman. Why? I’m a hero of the people.”

“You stopped being a hero weeks ago,” Wax said, striding forward, mistcoat rustling. “When you killed a child.”

“That wasn’t my fault.”

“You fired the gun, Marks. You might not have been aiming for the girl, but you fired the gun .”

The thief stepped back. The sack slung on his shoulder had been torn, either by Wax’s bullet or some shrapnel. It leaked banknotes.

Marks glared at him through the mask, eyes barely visible in the electric light. Then he dashed to the side, holding his shoulder as he ran into another room. Wax Pushed off the filing cabinet and threw himself in a rush down the hallway. He skidded to a stop before the door Marks had gone in, then Pushed off the light behind, bending it against the wall and entering the room.

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