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John Langan: The Fisherman

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John Langan The Fisherman

The Fisherman: краткое содержание, описание и аннотация

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In upstate New York, in the woods around Woodstock, Dutchman’s Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other’s company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It’s a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

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I had these shoeboxes full of photos I’d never gotten around to placing in albums, and when the alcohol in my blood hit the right level, I would fetch those boxes from the bedroom closet and surround myself with the archive of my marriage. Here was Marie when I’d first met her — when I first talked to her, I should say, since we’d been introduced at work at the beginning of the summer, when she’d joined the company right out of college. We were connected to two of the same projects, so we saw each other in passing throughout July and August, though we didn’t pass more than a couple of pleasantries back and forth at any one time. That September, there was a Labor Day party at someone’s house — I want to say Tim Stoffel’s — and we wound up sitting next to one another at one of the card tables set up around the yard. Marie had come with Jenny Barnett, but Jenny had disappeared with Steve Collins, and of the remaining party goers, I was the one she knew the best. She always denied it, but I’m reasonably sure that, when she asked me how I was doing, she was just killing time until she could finish her plate and make for home. You’d expect that conversation would be burned into my brain, but damned if I can remember much more than the pleasure of learning she was a fan of Hank Williams, Sr., too. Truth to tell, I was too busy trying not to pay too close attention to the bikini top she was wearing with a pair of cut-off shorts and tennis shoes. Typical guy, I know. We sat there talking until Tim was standing on the opposite side of the card table from us, telling us we didn’t have to go home, but we couldn’t stay here. We did go home — I mean, each of us went to our own home — but our time together had left me with a feeling — once we’d gone our separate ways, everything seemed a bit less bright than it had while we were sitting together.

Even so, an hour or two of pleasant talk does not guarantee anything, and I might never have come into possession of that photograph Jenny had taken of Marie, her hair done up in a single ponytail, her eyes and a good portion of the rest of her face concealed by a pair of enormous sunglasses, the yellow and white straps of that swimsuit top making her summer’s tan look darker still. I had a good fifteen years on her, and that was sufficient distance to keep me cautious about what I thought I’d felt between us. I’d like to say my hesitation owed itself to not wanting to harass a woman young enough to be my niece, if not my daughter, but it had as much to do with my fear of looking the fool. “No fool worse’n’ an old fool,” my pa used to say, and although I hardly considered myself old, set next to Marie, I wasn’t exactly what you’d call fresh off the rack.

Another photo, and I leapt ahead to the following spring. Marie and I were standing knee-deep in a stream — well, it was knee-deep for me; for her, it was more like thigh-high. One of her friends had invited us to spend the day in the Catskills, where said friend’s brother had a weekend place that turned out to be nicer than I was expecting. It was located halfway up a tall, rolling hill, along a gravel road you had to ease your car over if you didn’t want to tear out the undercarriage. From the outside, the place resembled an abbreviated barn, taller than it was long. Inside, new wooden surfaces, stainless steel appliances, and a stone fireplace gathered under a cathedral ceiling and a loft. Apparently, the place had been built by a Manhattan lawyer who’d had to divest himself of it shortly after its completion; whereupon Marie’s friend’s brother, who worked for the Post Office, had picked it up for the proverbial song, and not a terribly long one, at that. We arrived at lunchtime, and passed one of the more pleasant afternoons of my life wandering further up the gravel road with Marie’s friend, whose name, I’m reasonably sure, was Karen. They had grown up beside one another. After maybe a mile, the road crossed a wide meadow, at the far side of which, a line of trees marked the course of a stream. It was a hot day, the air heavy with the sun, and the shade of the trees, the surprising cold of the water, were too much to resist. We tied our sneakers around our necks, and waded in. The stream bed was rocky, so you had to step carefully. Karen walked with both hands held up, as if she were expecting to fall at any moment. Marie stayed close enough to me that she could reach out to steady herself if necessary. I can’t recall what we talked about. What I remember is staring at the water’s surface, at those little bugs that skate across it — water-skimmers? Funny, I don’t know their proper name. There were dozens of them, sliding over the stream in a way that made its top seem more solid than my legs pushing through it told me it was. In the murk beneath them, trout whose size would have beggared their insect imaginations flitted amongst the rocks. Every now and again, a plop and a spreading ripple of rings would show where a water-skimmer had found himself swallowed by a great black cavern. I don’t suppose we waded more than a hundred yards downstream until we came in sight of a small dam. What we could see of it through the skin of water pouring over it showed it old, but there was nothing on the banks on either side of it to explain how or why it had come to be placed there. It seemed a reasonable spot to turn around, head back to the cookout Karen’s brother was preparing, but before we did, Karen snapped a picture of Marie and me in the stream. Her hair’s down in this one, and she’s wearing an oversized tie-dye that she’d found in one of my drawers and that had struck her as about the funniest thing ever. (“Mr. George Jones and Merle Haggard in a tie-dye?” she’d said, laughing over my protest that I listened to the Grateful Dead, too.) In her hands, she’s cradling the green bottle of Heineken that had accompanied us on our trek and would remain in her possession until we were ready to leave. She wasn’t much of a drinker, but she’d learned that if she carried an open bottle of beer with her, she could appear social. To our right in the picture, sunlight streams down, lighting the water. To our left, darkness gathers in the trees.

Between that photo and the one before it, there was the better part of a better year — one of the best years. If I had searched the shoeboxes around me, I could have put my hands on pictures of most of its highlights, from the Christmas dinner I’d eaten with Marie’s family to the Halloween party that had been our third date — and that we’d attended dressed as Kenny Rogers and Dolly Parton — to the early spring weekend we’d taken up in Burlington. I don’t know if, deep down, all stories of falling in love are the same. Some days, it seems to me that, once you duck your head beneath the surface details, you find yourself in pretty much the same sequence of events. Other days, I think, No, it’s those details that are the point. Either way — or both, even — that was what happened to us in the space between those pictures. We’d fallen in love, and shortly after that second photo was taken, I was down on one knee, asking her if she’d marry me.

There was another year and a half from that picture to the next one. In that time, the darkness that had thickened the spaces among the trees in that second photo had gathered about us, swallowed us the way those trout had consumed the water-skimmers. The week after we returned from our honeymoon in Bermuda, Marie found a lump in her left breast. From the start, things were bad. The cancer was pretty well-advanced, already storming her lymph nodes, and it resisted the radiation and the chemo like some kind of unstoppable beast in a low-grade horror film. I’m not sure when we knew that Marie wasn’t going to survive this, or when we accepted it. Maybe a month before the end, a change came over her. In a way it’s hard for me to describe, she became calm; I don’t know if I’d say peaceful so much as still . It was as if she’d moved into the lobby of the long, dark house she was heading towards. She wasn’t morbid, or listless — if anything, she relaxed, laughed more than she had in months. I didn’t see what was happening. I thought the difference in her might be a sign that things were turning around, that she was finally getting the upper hand on the creature that had rampaged through her system. I went so far as to float this idea past her, one Saturday afternoon. I’d driven her down to the Hudson, to a little park she liked a few miles south of Wiltwyck. We’d found it one of our first weekends together, when we’d gone for a drive just to have another way to spend time together. This day, there was a breeze off the river, which made it too cold for her to leave the car, so we sat watching the water and I ventured that maybe her recent improvement was an indication that things were looking up. Did I sound as desperate as I fear I must have? Marie didn’t answer; instead, she took my right hand in her left, lifted it to her lips, and kissed it. I told myself she was too overcome with emotion to reply, which I guess she was, just not the one I thought.

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