Nnedi Okorafor - Who Fears Death

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Well-known for young adult novels (
;
), Okorafor sets this emotionally fraught tale in postapocalyptic Saharan Africa. The young sorceress Onyesonwu—whose name means Who fears death?—was born Ewu, bearing a mixture of her mother’s features and those of the man who raped her mother and left her for dead in the desert. As Onyesonwu grows into her powers, it becomes clear that her fate is mingled with the fate of her people, the oppressed Okeke, and that to achieve her destiny, she must die. Okorafor examines a host of evils in her chillingly realistic tale—gender and racial inequality share top billing, along with female genital mutilation and complacency in the face of destructive tradition—and winds these disparate concepts together into a fantastical, magical blend of grand storytelling.

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“This child’s Alusi has no respect!” her father always told her mother. But when he was in his usual good mood, her father praised this part of Najeeba, often saying, “Let your Alusi travel, daughter. See what you can see!”

Now her Alusi, that ethereal part of her with the ability to silence pain and observe, came forward. Her mind recorded events like the man’s device. Every detail. Her mind observed that when the man sang, despite the song’s words, his voice was beautiful.

It lasted about two hours, though to Najeeba it felt like a day and a half. In her memory, she saw the sun move across the sky, set, and come up again. It was a long time, that’s what matters. The Nurus sang, laughed, raped, and, a few times, killed. Then they left. Najeeba lay there on her back, her garments open, her pummeled and bruised midsection exposed to the sun. She listened for breathing, moaning, crying and for a while, she heard nothing. She was glad.

Then she heard Amaka shout, “Stand up!” Amaka was twenty years Najeeba’s senior. She was strong and often a voice for the women of her village. “Stand up, all of you!” Amaka said, stumbling. “Get up!” She went to each woman and kicked her. “We’re dead but we won’t die out here, those of us still breathing.”

Najeeba listened without moving as Amaka kicked at thighs and pulled at women’s arms. She hoped she could play dead well enough to trick Amaka. She knew her husband was dead and, even if he weren’t, he’d never touch her again.

The Nuru men, and their women, had done what they did for more than torture and shame. They wanted to create Ewu children. Such children are not children of the forbidden love between a Nuru and an Okeke, nor are they Noahs, Okekes born without color. The Ewu are children of violence.

An Okeke woman will never kill a child kindled inside of her. She would go against even her husband to keep a child in her womb alive. However, custom dictates that a child is the child of her father. These Nuru had planted poison. An Okeke woman who gave birth to an Ewu child was bound to the Nuru through her child. The Nuru sought to destroy Okeke families at the very root. Najeeba didn’t care about this cruel plan of theirs. There was no child kindled in her. All she wanted was to die. When Amaka got to her, it took only one kick to get Najeeba coughing.

“You don’t fool me, Najeeba. Get up,” Amaka said. The left side of Amaka’s face was blue-purple. Her left eye was swollen shut.

“Why?” Najeeba said in her new voiceless voice.

“Because that’s what we do .” Amaka held out a hand.

Najeeba turned away. “Let me finish dying. I have no children. It’s best.” Najeeba felt the weight in her womb. If she stood up, all the semen that had been pumped into her would splash out. She gagged at the thought and then turned her head to the side and dry heaved. When her stomach settled, Amaka was still there. She spat on the ground next to Najeeba. It was red with blood. She tried to pull Najeeba up. The pain in Najeeba’s abdomen flared but she kept her body limp and heavy. Eventually, frustrated, Amaka dropped Najeeba’s arm, spat again, and moved on.

The women who chose to live dragged themselves up and walked back to the village. Najeeba closed her eyes, feeling blood seep from a cut on her forehead. Soon there was silence again. Leaving this body will be easy , she thought. She’d always loved traveling.

She lay there until her face burned in the sun. Death was coming slower than she wanted. She opened her eyes and sat up. It took a minute for her eyes to adjust to the bright sun. When they did, she saw bodies and pools of blood, the sand drinking it up as if the women had been sacrificed to the desert. She slowly stood, went over to her satchel, and picked it up.

“Leave me,” Teka said minutes later as Najeeba shook her. Teka was the only one alive among the five bodies. Najeeba sat down hard beside her. She rubbed her aching scalp where her assailant had pulled her hair so brutally. She looked at Teka. Her cornrows were encrusted with sand and her face grimaced with each breath. Slowly Najeeba stood and tried to pull Teka up.

“Leave me,” Teka repeated, looking at her angrily. And so Najeeba did.

She trudged back to the village, only going in that direction out of habit. She begged Ani to send something along to kill her, like a lion or more Nurus. But it was not Ani’s will.

Her village was burning. Homes smoldered, gardens were destroyed, scooters were aflame. There were bodies in the street. Many were burned, unrecognizable. During these kinds of raids, the Nuru soldiers took the strongest Okeke men, tied them up, doused them with kerosene, and set them afire.

Najeeba saw no Nuru men or women dead or alive. The village had been an easy conquest, off guard, vulnerable, unaware, in denial. Stupid , she thought. Women moaned in the street. Men wept before their homes. Children walked about confused. The heat was stifling, radiating from the sun and the burning houses and scooters and people. By sundown, there would be a fresh exodus east.

Najeeba softly said her husband’s name when she got to their house. Then she wet herself. The urine burned and ran down her bruised legs. Half of the house was on fire. Their garden was destroyed. Their scooter was on fire. But there was Idris, her husband, sitting on the ground with his head in his hands.

“Idris,” Najeeba softly said again. I’m seeing a ghost, she thought. The wind will blow and he will blow away with it. There was no blood running down his face. And though the knees of his blue pants were crusted with sand and the armpits of his blue caftan were dark with sweat, he was intact. This was him, not his ghost. Najeeba wanted to say “Ani is merciful,” but the goddess wasn’t. Not at all. For, though her husband was spared, Ani had killed Najeeba and left her still alive.

When he saw her, Idris shouted with joy. They ran into each other’s arms and held each other for several minutes. Idris smelled of sweat, anxiety, fear, and doom. She dared not wonder what she smelled like.

“I’m a man, but all I could do was hide like a child,” he said into her ear. He kissed her neck. She closed her eyes, wishing Ani would strike her dead right there.

“It was what was best,” Najeeba whispered.

Then he held her back and Najeeba knew. “Wife,” he said, looking down at her open garments. Her pubic hair was exposed, her bruised thighs, her belly. “Cover yourself!” he said pulling the bottom part of her dress closed. His eyes grew moist. “C-c-cover yourself, O! ” The look on his face grew more pained and he held his side. He stepped back. He looked at Najeeba again, squinting, and then he shook his head as if trying to ward something off. “No.”

Najeeba just stood there as her husband stepped away, his hands held before him. “No,” he repeated. His eyes spilled tears but his face hardened.

His face was blank as he watched Najeeba go into the burning house. Inside, Najeeba ignored the heat and the sounds of the house cracking, popping, and dying. She methodically gathered a few things, some money she’d hidden away, a pot, their capture station, a hand game her sister had given her years ago, a photo of her husband smiling, and a cloth sack of salt. Salt was good to have when going into the desert. The only picture she had of her deceased parents was burning.

Najeeba wasn’t going to live for much longer. To herself, she became the Alusi that her father said had always lived in her; the desert spirit who loved to wander off to distant places. Once in her village, she had hoped her husband was alive. When she found him, she hoped he would be different. But she was an Okeke. What business did she have being hopeful?

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