Кэтрин Валенте - The Future Is Blue

“In the Green Country, when you say you love somebody, it means you will keep them warm even if you have to bathe them in your own blood,” Jellyfish purred. Watercolor unicorns can purr, even though real unicorns can’t. Jellyfish rubbed her velvety peach and puce horn against my sorrow’s spine.

“How do you know that?”

“Ocherous Wince, the drunken dog-lover who painted me, also painted a picture more famous than me. Even your Mummery couldn’t afford it. It’s called When I Am In Love My Heart Turns Green. A watercolor lady with watercolor wings washes a watercolor salamander with the blood pouring out of her wrists and her elbows. The salamander lies in a bathtub that is a sawn-open lightbulb with icicles instead of clawfeet. It’s the most romantic thing I ever saw. I know a lot of things because of Ocherous Wince, but I never like to say because I don’t want you to think I’m a know-it-all even though I really want to say because knowing things is nicer when somebody else knows you know them.”

Absinthe sits so close to the border of the Yellow Country that half the day is gold and half the day is green. Three brothers sculpted the whole city—houses, pubs, war monuments—out of jellybean-colored ice with only a little bit of wormwood for stability and character. I didn’t learn that from Jellyfish or Mummery, but from a malachite sign on the highway leading into the city. The brothers were named Peapod. They were each missing their pinky fingers but not for the same reason.

It turns out everybody notices you when you ride into town on a purple woolly mammoth with snowshoes for feet with a unicorn in your lap and a bone mask on your face. I couldn’t decide if I liked being invisible better or being watched by everybody all at once. They both hurt. Loyalties scattered before us like pigeons, their pale green greasepainted faces miming despair or delight or umbrage, depending on their schtick. They mimed tripping over each other, and then some actually did trip, and soon we’d caused a mime-jam and I had to leave my sorrow parked in the street. I was so hungry I could barely shiver in the cold. Jellyfish knew a cafe called O Tannenbaum but I didn’t have any money.

“That’s all right,” said the watercolor unicorn. “In the Green Country, money means grief.”

So I paid for a pine-green leather booth at O Tannenbaum, a stein of creme de menthe, a mugwort cake and parakeet pie with tears. The waiter wore a waistcoat of clover with moldavite buttons. He held out his hands politely. I didn’t think I could do it. You can’t just grieve because the bill wants 15% agony on top of the prix fixe. But my grief happened to me like a back alley mugging and I put my face into his hands so no one would see my sobbing; I put my face into his hands like a bone mask so no one could see what I looked like on the inside.

“I’m so lonely,” I wept. “I’m nobody but a wound walking around.” I lifted my head—my head felt heavier than a planet. “Did you ever meet anyone who fucked up and put it all right again, put it all back the way it was?”

“Nobody green,” said the waiter, but he walked away looking very pleased with his tip.

It’s a hard damn thing when you’re feeling lowly to sit in a leather booth with nobody but a unicorn across from you. Lucky for me, a squirrel hopped up on the bamboo table. She sat back on her hind two legs and rubbed her humongous paradox-pregnant belly with the other four paws. Her bushy mauve tail stood at attention behind her, bristling so hard you could hear it crackling.

“Pink and green feel good on my eyes,” the time-squirrel said in Orchid Harm’s voice.

“Oh, go drown yourself in a hole,” I spat at it, and drank my creme de menthe, which gave me a creme de menthe mustache that completely undermined much of what I said later.

The squirrel tried again. She opened her mouth and my voice came out.

“No quisquoses or querulous tristiloquies,” she said soothingly. But I had no use for a squirrel’s soothe.

“Eat shit,” I hissed.

But that little squirrel was the squirrel who would not quit. She rubbed her cheeks and stretched her jaw and out came a voice I did not know, a man’s voice, with a very expensive accent.

“The Red Country is the only country with walls. It stands to reason something precious lives there. But short of all-out war, which I think we can all agree is at least inconvenient, if not irresponsible, we cannot know what those walls conceal. I would suggest espionage, if we can find a suitable candidate.”

Now, I don’t listen to chronosquirrels. They’re worse than toddlers. They babble out things that got themselves said a thousand months ago or will be said seventy years from now or were only said by a preying mantis wearing suspenders in a universe that’s already burned itself out. When I was little I used to listen, but my Papo spanked me and told me the worst thing in the world was for a Nowboy to listen to his herd. It’ll drive you madder than a plate of snakes , he said. He never spanked me for anything else and that’s how I know he meant serious business. But this dopey doe also meant serious business. I could tell by her tail. And I probably would have gotten into it with her, which may or may not have done me a lick of good, except that I’d made a mistake without even thinking about it, without even brushing off a worry or a grain of dread, and just at that moment when I was about to tilt face first into Papo’s plate of snakes, the jade pepper grinder turned into a jade Emperor with black peppercorn lips and a squat silver crown.

“Salutations, young Violet,” said the Ordinary Emperor in a voice like a hot cocktail. “What’s a nice purple girl like you doing in a bad old green place like this?”

Jellyfish shrieked. When a unicorn shrieks, it sounds like sighing. I just stared. I’d been so careful. The Emperor of Peppercorns hopped across the table on his grinder. The mauve squirrel patted his crown with one of her hands. They were about the same height. I shook my head and declined to say several swear words.

“Don’t feel bad, Miss V,” he said. “It’s not possible to live without objects. Why do you think I do things this way? Because I enjoy being hand brooms and cheese-knives?”

“Leave me alone,” I moaned.

“Now, I just heard you say you were lonely! You don’t have to be lonely. None of my subjects have to be lonely! It was one of my campaign promises, you know.”

“Go back to Mummery. Mind your own business.”

The Ordinary Emperor stroked his jade beard. “I think you liked me better when I was naked in your kitchen. I can do it again, if you like. I want you to like me. That is the cornerstone of my administration.”

“No. Be a pepper grinder. Be a broom.”

“Your Papo cannot handle the herd by himself, señorita,” clucked the Ordinary Emperor. “You’ve abandoned him. Midnight comes at 3 p.m. in Plum Pudding. Every day is Thursday. Your Mummery has had her clarinet out day and night looking for you.”

“Papo managed before I was born, he can manage now. And you could have told Mums I was fine.”

“I could have. I know what you’re doing. It’s a silly, old-fashioned thing, but it’s just so you . I’ve written a song about it, you know. I called it My Baby Done Gone to Red . It’s proved very popular on the radio, but then, most of my songs do.”

“I’ve been gone for three days!”

“Culture moves very quickly when it needs to, funny bunny. Don’t you like having a song with you in it?”

I thought about Mummery and all the people who thought she was fine as a sack of bees and drank her up like champagne. She lived for that drinking-up kind of love. Maybe I would, too, if I ever got it. The yellow half of Absinthe’s day came barreling through the cafe window like a bandit in a barfight. Gold, gorgeous, impossible gold, on my hands and my shoulders and my unicorn and my mouth, the color of the slat under my bed, the color of the secret I showed Orchid before I loved him. Sitting in that puddle of suddenly gold light felt like wearing a tiger’s fur.