Кэтрин Валенте - The Future Is Blue

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The Future Is Blue: краткое содержание, описание и аннотация

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Subterranean Press is thrilled to present a major new collection from one of the most dazzling, distinctive voices in the literary world. Catherynne M. Valente, the New York Times bestselling and multiple-award-winning author of The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making and other acclaimed novels, now brings readers thirteen stories unlike any others.
In the title story, Theodore Sturgeon Award-winning novelette “The Future Is Blue,” an outcast girl named Tetley lives on floating Garbagetown, in a world that dreams of the long lost land. Lovecraft’s Cthulhu mythos is explored and reinvented in style in “Down and Out in R’lyeh.” In the novelette “The Limitless Perspective of Master Peek, or, the Luminescence of Debauchery,” Perpetua masquerades as a man in order to continue her father’s business as a glassblower and must fashion a special eye for a queen. And in “The Beasts Who Fought for Fairyland Until the Very End,” the wyvern A-Through-L, the warrior Green Wind and his giant cat the Leopard of Little Breezes cope with their broken-hearted disappointment over politicks as the evil Marquess ascends to rule.
Of her previous collection, The Bread We Eat in Dreams, the New York Times said, “Valente’s writing DNA is full of fable, fairy tale and myth drawn from deep wells worldwide.” With The Future Is Blue she continues to build and invent unforgettable worlds and characters with lyrical abandon, creating stories that feel old and new at once.
The Future Is Blue also includes three never-before-printed stories, for almost 30,000 words of work exclusive to this collection: “Major Tom,” “Two and Two is Seven,” and the long novelette “Flame, Pearl, Mother, Autumn, Virgin, Sword, Kiss, Blood, Heart, and Grave.”

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Life and Time turned into little kids right in front of us. They giggled and whispered and Mum washed her hair in the sea about nine times and then soaked it in oil until it shone. Papa tucked a candle stump that had melted just right and looked like a perfect rose into her big new fancy hairdo and then, like it was a completely normal thing to do, put on a cloak sewn out of about a hundred different neckties. They looked like a prince and a princess.

“Brighton Pier came last when I was a girl, before I even had my name,” Time told us, still giggling and blushing like she wasn’t anyone’s mother. “It’s the most wonderful thing that can ever happen in the world.”

“If God turned up for supper and brought all the dry land back for dessert, it wouldn’t be half as good as one day on Brighton Pier,” Life crowed. He picked me up in his arms and twirled me around in the air. He’d never done that before, not once, and he had his heart strapped on so tight he didn’t even stop and realize what he’d done and go vacant eyed and find something else to look at for a long while. He just squeezed me and kissed me like I came from somewhere and I didn’t know what the hell a Brighton Pier was but I loved it already.

“What is it? What is it?” Maruchan and I squealed, because you can catch happiness like a plague.

“It’s better the first time if you don’t know,” Mum assured us. “It’s meant to dock in Electric City on Friday.”

“So it’s a ship, then?” Maruchan said. But Papa just twinkled his eyes at us and put his finger over his lips to keep the secret in.

The Pier meant to dock in Electric City. My heart fell into my stomach, got all digested up, and sizzled out into the rest of me all at once. Of course, of course it would, Electric City had the best docks, the sturdiest, the prettiest. But it seemed to me like a life was happening to me on purpose, and Electric City couldn’t keep a darkgirl out anymore. They had to share like the rest of us.

“What do you want to be when you grow up, Maruchan?” I said to my twin in the dark the night before we set off to see what was better than God. Maruchan’s eyes gleamed with the Christmas thrill of it all.

“Brighton Pier,” he whispered.

“Me, too,” I sighed, and we both dreamed we were beautiful Fuckwits running through a forest of real pines, laughing and stopping to eat apples and running again and only right before we woke up did we notice that something was chasing us, something huge and electric and bound for London-town.

8. CITIZENS OF MUTATION NATION

I LOOKED FOR Goodnight Moon everywhere from the moment we crossed into Electric City. The fence had gone and Garbagetown poured in and nothing was different than it had been when I got my name off the battery spires, even though the sign had said for so long that Electric City was renovating. I played a terrible game with every person that shoved past, every face in a window, every shadow juddering down an alley and the game was: are you him? But I lost all the hands. The only time I stopped playing was when I first saw Brighton Pier.

I couldn’t get my eyes around it. It was a terrible, gorgeous whale of light and colors and music and otherness. All along a boardwalk jugglers danced and singers sang and horns horned and accordions squeezed and under it all some demonic engine screamed and wheezed. Great glass domes and towers and flags and tents glowed in the sunset but Brighton Pier made the sunset look plain-faced and unloveable. A huge wheel full of pink and emerald electric lights turned slowly in the warm wind but went nowhere. People leapt and turned somersaults and stood on each others’ shoulders and they all wore such soft, vivid costumes, like they’d all been cut out of a picturebook too fine for anyone like me to read. The tumblers lashed the pier to the Electric City docks and cut the engines and after that it was nothing but music so thick and good you could eat it out of the air.

Life and Time hugged Maruchan and cheered with the rest of Garbagetown. Tears ran down their faces. Everyone’s faces.

“When the ice melted and the rivers revolted and the Fuckwit world went under the seas,” Papa whispered through his weeping, “a great mob hacked Brighton Pier off of Brighton and strapped engines to it and set sail across the blue. They’ve been going ever since. They go around the world and around again, to the places where there’s still people, and trade their beauty for food and fuel. There’s a place on Brighton Pier where if you look just right, it’s like nothing ever drowned.”

A beautiful man wearing a hat of every color and several bells stepped up on a pedestal and held a long pale cone to his mouth. The mayor of Electric City embraced him with two meaty arms and asked his terrible, stupid, unforgivable question: “Have you seen dry land?”

And the beautiful man answered him: “With my own eyes.”

A roar went up like angels dying. I covered my ears. The mayor covered his mouth with his hands, speechless, weeping. The beautiful man patted him awkwardly on the back. Then he turned to us.

“Hello, Garbagetown!” he cried out and his voice sounded like everyone’s most secret heart.

We screamed so loud every bird in Garbagetown fled to the heavens and we clapped like mad and some people fell onto the ground and buried their face in old batteries.

“My name is Emperor William Shakespeare the Eleventh and I am the Master of Brighton Pier! We will be performing Twelfth Night in the great stage tonight at seven o’clock, followed by The Duchess of Malfi at ten (which has werewolves) and a midnight acrobatic display! Come one, come all! Let Madame Limelight tell your FORTUNE! TEST your strength with the Hammer of the Witches! SEE the wonders of the Fuckwit World in our Memory Palace! Get letters and news from the LAST HUMAN OUTPOSTS around the globe! GASP at the citizens of Mutation Nation in the Freak Tent! Sample a FULL MINUTE of real television, still high definition after all these years! Concerts begin in the Crystal Courtyard in fifteen minutes! Our Peep Shows feature only the FINEST actresses reading aloud from GENUINE Fuckwit historical records! Garbagetown, we are here to DAZZLE you!”

A groan went up from the crowds like each Garbagetowner was just then bedding their own great lost love and they heaved toward the lights, the colors, the horns and the voices, the silk and the electricity and the life floating down there, knotted to the edge of our little pile of trash.

Someone grabbed my hand and held me back while my parents, my twin, my world streamed away from me down to the Pier. No one looked back.

“Are you her?” said Goodnight Moon. He looked longer and leaner but not really older. He had on his tie.

“Yes,” I said, and nothing was different than it had been when I got my name except now neither of us had masks and our kisses weren’t like gentle elephants but like a boy and a girl and I forgot all about my strength and my fortune and the wonderful wheel of light turning around and around and going nowhere.

9. TERRORWHORE

ACTORS ARE LIARS. Writers, too. The whole lot of them, even the horn players and the fortune tellers and the freaks and the strongmen. Even the ladies with rings in their noses and high heels on their feet playing violins all along the pier and the lie they are all singing and dancing and saying is: we can get the old world back again .

My door said TERRORWHORE this morning. I looked after my potato plants and my hibiscus and thought about whether or not I would ever get to have sex again. Seemed unlikely. Big Bargains concurred.

Goodnight Moon and I lost our virginities in the Peep Show tent while a lady in green fishnet stockings and a lavender garter read to us from the dinner menu of the Dorchester Hotel circa 2005.

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