Себастьян Кастелл - Traitor's Blade

I took Lynniac’s blade on my right cuff, using a tight circle to beat it out of the way as I sidestepped to my left. The secret to playing cuffs is that you have to pair every parry or sweep with a complementary movement of the feet, otherwise you’re likely to end up with broken hands and wrists from the force of the blows.

The first man behind Lynniac tried a thrust to my midsection while the Knight himself tried to get his blade back in the air for a down-stroke. I slid back to the right and let the thrust go right by me and kicked Lynniac in the chest before he could ready the blow. In my periphery, Brasti was using both hands in a downwards block to counter a thrust from a war-sword. I could already hear Kest in my mind chastising Brasti for poor technique: you never want to use both hands to block a single weapon as it leaves you vulnerable to the next man. I didn’t bother checking on Kest because – well, he’s Kest and that would just depress me. Instead I started the song, which, after all, was the core of my plan.

The last line coincided nicely with my backhanding one of the soldiers in the jaw as his mace missed my shoulder in a failed down-stroke. Unfortunately, no one joined me on the chorus.

Kest and Brasti picked up the second verse with me. All Greatcoats learn to sing. In smaller towns and villages you often had to pass judgement by singing the verdict so that it would be easier for the townsfolk to remember. Brasti’s voice was a classic baritone, well-suited to songs like this one. Kest’s voice would surprise you if you heard it – it was smooth and sweet and completely out of character. But their voices weren’t the ones I needed.

One of the men with the crossbows tried to get a shot in, but I’d been waiting for just such an occasion. I was pushing off one man while another was trying to brain me with his mace, but that gave him a heavy-footed stance and by side-stepping the blow, I got on the other side of him in time for the crossbow bolt to take him square in the chest. I was starting to get a little winded, so I was glad that Kest and Brasti were holding up their end of the singing now.

I let the dying man who’d been my shield slide down to the ground, only to see another soldier with a crossbow raising it towards me. I took a step to the right and raised my arms up to cover my face.

The crossbow bolt narrowly missed me, but, fortunately, it didn’t miss the man who had worked his way behind me. I suspected that Captain Lynniac would be having a severe talk with his bowmen after this fight. Even better was the fact that I thought I might have heard someone from the caravan sing that last line with us.

But our time was running out. We’d taken out half of them, but that just left more openings for the crossbows. Brasti had some blood on his temple where he’d taken a glancing blow. Kest was doing all right holding off two men, but he was getting dangerously open, and if one of the men with crossbows saw the chance … To make things worse, the ground beneath our feet was turning into mud and muck and it wouldn’t be long before one of us slipped or tripped over another man’s body. And worst of all, we were running out of verses to the damned song.

I took down the man in front of me with a kick to his knee, followed by a strike to the side of his head. I saw Kest had taken both his men down, but Brasti was struggling, swinging wildly to block the blows of the swordsman in front of him. He wasn’t singing any more.

Captain Lynniac was stepping back from the fray and shouting to his men. Two of the men with crossbows were reloading, but the third was taking aim.

At his shout the rest of the Knight’s men pulled back and I saw Brasti looking around frantically for an opponent and not seeing the crossbow aimed squarely at his chest not twenty feet away. I tried to push past my own last men in a futile effort to get there in time. I could see Kest, not moving, his overly practical nature telling him there was no point. Brasti’s head turned and saw the crossbow too late. His hands started to move reflexively to guard his face when a bolt appeared in the throat of the Knight’s bowman.

There was a second of dead silence, and no one moved. Then I turned my head and looked behind me at a man in one of our wagons holding an empty crossbow. It was Blondie. ‘But my brother is the man who guards my caravan,’ he sang softly.

And that, I thought, is the old saying: ‘The song is swifter than the sword.’

I turned back to the fight. Most of the captain’s men were on the ground now. Two were still standing, but they were wary, and edging back. Lynniac himself was looking straight at me as he raised his right arm up in line with my gut. He had taken the cocked crossbow from his dead man. Knights don’t normally use bows – they consider them coward’s weapons. And knives are good enough for a soldier’s need, perhaps, but not good enough for a Knight’s honour. In my entire life I’d never seen a Knight who would even touch a crossbow. But Lynniac had lost a fight, and a Knight’s sense of honour could not forgive that. He had watched his men beaten by outlaws he considered less than dogs, and without weapons. And apparently he had no more use for honour and he was going to put a bolt into me out of pure spite. He gave me something that was a cross between a snarl and a smile, and again that sense of familiarity flared.

Then he started to laugh, and suddenly made himself known to me.

I remembered that laugh. At first it was just the soft touch of a sour memory, but it quickly filled up my world until I couldn’t really see Captain Lynniac, and I didn’t see if the sword, which I had just grabbed off the ground and thrown at him like an amateur, had hit him or missed entirely, because all I could see were the five hundred Knights who’d come to Castle Aramor to depose King Paelis and outlaw the Greatcoats. I couldn’t tell if the bolt that he had loosed had lightly grazed the side of my neck or if it was jammed in my throat because all I could feel was the heat emanating from the burned wreckage of the King’s library – the hundred ashen corpses of the texts that had meant so much to him. I couldn’t tell if Kest’s and Brasti’s shouts were encouragement or warning me that someone else was behind me, because all I could hear was the laughter of the Ducal Knights as my King’s head was jammed onto a pole and hoisted up atop Castle Aramor’s parapet. That laugh . As impossible as it seemed, Captain Lynniac’s laugh was how I remembered him, and it was both the reason and the means for me to put him out of this world.

I can’t explain what happened to me except to say that my anger gave way to a recklessness that felt like a soft, grey place of infinite indifference. The first time it had happened to me had been years ago, before I’d met the King, but there had been other incidents since then, and they came closer together now. Coming out of it was getting harder and harder too. That was why I was grateful, in a distant and uninterested way, when Kest struck me down with the pommel of one of the fallen soldier’s swords.