Чарли Андерс - Six Months, Three Days, Five Others

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“A master absurdist… Highly recommended.”

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Margot’s toaster makes toast with Arthur’s mustachioed face on it. “Ms. Baxter. I must counsel you. Nobody knows what might happen if a human tried to think using a Hyperbrain. The consequences—”

The pounding at Margot’s door sounds like a stampede.

Rosalind’s purring sounds different, like it’s time. Knowledge is justice, the rumbling seems to say. Margot reaches for her brain-interface, which looks like a diamond colander, and lowers it onto her own crown. This Singularity will be most singular, she thinks, and then her mind opens wide.

Ghost Champagne

1. Comedy

You know what I wish? I wish I could just reach into someone’s chest and pull out their beating heart and show it to them, like a movie villain. (And then I would put it back and their chest would seal up and they would be fine. I’m not a monster!) But imagine how great that would be, whenever the endless string of entitled assclowns start screwing with you—just reach in, and ZOOOOOOOP! Oh, what’s this? It’s your heart. In my hand! You wanna say something now, huh? I didn’t think so. I mean, I would only use this power in extreme circumstances, like when one of the developers in my day job starts mansplaining to me, or when I’m super bored in a meeting. Speaking of which, why is it OK to text in a meeting but not to play Candy Crush? That’s discrimination.

My comedy set is off to a pretty good start, and then I notice my ghost at a third row table, right between the canoodling pierced hipsters and the drunken yuppies.

Some days I hardly notice my ghost, but lately she’s in my face a whole lot more. Today she’s wearing a lacy loligoth dress that I wish I owned in real life, and a little hat over her wavy dark hair, which is a little shorter than mine. She’s drinking a Sidecar or an Old Fashioned, because yeah, even ghosts must obey the two–drink–minimum rule at Sal’s Comedy Cellar, and she watches me go through my set with the usual disaffected look on her face, like been–there–done–that–and–died.

I do what I always do: ignore her. Even when she knocks the candle off her table and turns the floor into a minefield of broken glass and hot wax. Fuck her. Remember the toolkit. Keep going, look past her—I try to gaze instead at my boyfriend Raj, sitting on a stool in the back. The ghost doesn’t matter. She had her chance to be alive, she obviously blew it.

We’ve reached the butt–jokes section of my set. (Dick jokes are for lesser intellects, but butt jokes are sophisticated and brilliant.) And then, Raj gets up and walks upstairs with the rest of the comics, right when I’m getting to the part about how my man has a big butt, and why is there no female equivalent of an ass man? (Nobody ever says ass woman, which just sounds like the worst superheroine ever.) Raj just up and walks out on me. I see my ghost out of the corner of my eye, giving me a look like, What can you do?

I stumble through my set, but the energy is all gone. And I don’t even get any love for my spiel about how Japanese toilets are so great, with the heated seats and the jets of warm water, it’s like being rimmed by pixies—I sat on one and my butt finally forgave me for the horseback–riding lessons I took when I was twelve. My ghost gets so bored, she knocks over someone’s beer glass with the back of her hand, CRASH. The crowd is a goddamn humor sponge. Fuck all of these stupid people, why do they pay $15 just to zonk out in public, when they could stay home and watch the Homophobia Channel for free?

When I get upstairs to the sidewalk after my set, Raj and the other comedians, mostly dudes, are standing out front smoking. Even though Raj doesn’t smoke. It’s a cool dry night. They nod at me, and then start talking about how Raj and I should have kids. You should have kids so you can enter the America’s Funniest Mom competition, you would crush that, says Roddy, who’s basically just a pair of sideburns in search of a face. You should have kids so you can get some fashion cred, cuz you know, kids are the perfect accessories, says the bleach–blond sunburnt Campbell. We should have kids so I can be a stay–at–home dad instead of just unemployable, says Raj, choking a little on his cig. If you had kids, you could get a sick reality TV show on public access cable, with your crazy family and shit, Roddy says. I realize that Raj put them up to this, he asked them to broach the idea of having kids, and this is the way they’ve chosen to go about it.

I just roll my eyes and walk away, heading down Bleecker towards the F. I’m not going to sit through the rest of the night waiting for Raj’s set after this shitshow. My ghost slouches on the other side of the street, loitering outside the CVS and the fetish boutique. She gives me a friendly wave and I ignore her.

She didn’t laugh once during my comedy set, but now my ghost looks at me, sees my angry tears, and laughs. Ruefully, which goes with the territory, I guess.

I forget the toolkit for once, and just stare at her. As if this time, there might be some clue. Just like always, my ghost looks exactly like me, except older. And dead. She has the tilde–shaped scar on her chin, that I got rock–climbing when I was 19 (and she had it before I did.) She’s gazing into the fetish shop, through the aluminum shutters.

2. Authority

Why is my own ghost haunting me, anyway? Do I die in the future, and decide that instead of going to whatever afterlife a shitty comedian, lapsed Evangelical, and unfulfilled techie goes to, I’d rather go back in time and haunt my own living self? Is this a curse? A punishment for some mistake I don’t know I’ve made, or maybe will make? Most of all, why is my ghost such a bitch?

I went to every stupid medium and spiritualist, and got a big goose egg. I went into therapy and my therapist just wanted to give me pills to make me stop seeing the ghost—but as soon as Dr. Jane reached for her prescription pad, my ghost went Full Poltergeist. She started in with the diplomas on the walls, and then got into the dolls and the office computer, and finally the antique furniture. Dr. Jane’s classy office turned into a tweaker’s love nest. Dr. Jane couldn’t stop hyperventilating, until I held her like a colicky baby for like ten minutes.

Whatever. I stopped worrying about the ghost, since she mostly minds her own business, and I’ve got a life to live. Trust the toolkit. Trust the toolkit.

Raj grovels for three days and I finally sort of forgive his ass. He’s the sweetest guy when we’re not around other comedians. Which, we’re both trying to break into comedy, so.

I get mad all over again when Raj gets invited to be in a fancy comedy showcase the following week and I’m somehow skipped over. But Raj gives me a dozen foot–rubs and cleans the bathroom, and offers to help me shop for a wedding present for my mom. What do you get your mom when she’s marrying a woman the exact same age as you? (Seriously, what?)

But. I notice that when I find out about being left out of the big comedy show, which is headlined by a B–list comedian whose set is basically listing Star Wars toys he used to own, my ghost seems to get a little less transparent. I can make out the tiny lines on her/my face more clearly. She’s perched on the wooden stool by the kitchen–counter of the teeny one–bedroom that Raj and I share in Green Point, and she’s holding a mug of chai that smells of cinnamon and seaweed. I notice she’s got her ears double–pierced, whereas mine are just single–pierced.

Raj notices I’m staring into space and asks what’s up. He’s got big friendly eyes and a wide pouty mouth, and hair like a single blue flame. He touches my left palm with his right index finger and I kind of melt. I tell him nothing’s up, I’m just thinking about the big presentation at work which, since we’re both living off my income, is kind of a thing. He kisses me—hot butterflies!—and tells me to knock ‘em dead.

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