Robert Asprin - Blood Ties

Harran was beginning to be upset. He knew this spell by reputation, though it was one that the younger priests had never been let near. He knew perfectly well that even now, at the first invocation, terrible quiet should have fallen around them, all light should have been extinguished, even the cold moonfire falling through the window should have hit the en-sorcelled marble and gone dark. But none of that was happen-ing.

"... new law, part with the Worlds and parcel; for I that was of times beyond and fields beyond, now go again unto my own. Death has taken hold on me, and failed; life has run my veins, and failed; and having conquered both, now I will to journey once again where time moves not, where the Bright Mansions stand, and my place is prepared me among the Deathless as of old..."

There were rats watching them from the walls. No living thing outside the circle should have been able to be so close to the wards without falling unconscious. Harran sweated harder. Did I put too much honey in the bread? Did one of them misdraw something... ?

"... and all Powers I call to witness as I open the gates for my going, by the means ordained of Them of old. By this bread baked in its own fires, as my body lives and is fueled of its own burning, I do call Them to witness; that by its eating, it becomes of me, and myself of it, in the old circle that is the way of gods, and both become immortal forever more..."

They all three took up their loaves of bread and began to eat them. Harran reassured himself that there was not too much honey in the bread. In fact, it had risen rather nicely. In the great silence left after he had eaten the little cake, he noticed abruptly how very silent it was getting-

"And likewise behold ye this wine of my age, burning under the sun in the grape as my blood has burned in lifelight in my veins all my days of this world, and turned to wine of its own virtue as the blood and thought of mortalkind tumeth to the divine of its virtue and in its time. Now do I drink and make it so part of me, and myself part of it, both alike immortal ..."

Harran drank the lovely old vintage, reassured, feeling it slide down his throat like velvet fire as the spell took, made it more than wine, in token of his and the others being more than merely mortal. Across the circle, Siveni made a face at the taste of wine only nine months old; Harran was hard put not to grin and spill his own. The silence was thick. At the sides of the great room, frozen eyes shone dulled in the spell-light that was rising about them. Harran's heart grew fierce inside him. It was going to work. Those bright fields that he had glimpsed, that long peace, that eternity to love in, to work in, to be more than mortal in-his, theirs, at last-

"... and these tokens offered up, these rites enacted," Siveni said, her voice becoming temfyingly clear though she had not raised it a whit, "as last sign of my intent I offer up my blood, come of gods in the olden time, returned to them at last; wherein godhead resides past time or loss, and wherein it may be regained..."

They stepped forward, all three. The night held its breath as Mriga picked up the cup, half full of a mixture of the three wines of their age. From her belt she slipped out her leaner knife. It gleamed like a live thing in the spellfire, and throbbed as if it had a heart. Siveni put up her arm.

"... that we may drink of it, as the law has always been, as I have made it, and so be restored to our own. By this token let gates be opened to us..." She never flinched as the knife slit her wrist the short way, as the blood ran down and into the wine. "... let night and day part for us, let time die for us; let it be done!"

She passed Harran the cup. He drank, thinking to ignore the taste, and finding that it was more as if the taste ignored him; the liquid in the cup was full of such power that his senses drowned in it. He staggered, seeking light or balance, finding neither. He felt as transparent as its glass. Blindly he reached out, felt Mriga take the cup from him. He felt her own drowning as if it were his. Then Siveni took it, and drained it; the great uprushing clarity that leapt into her mind was a blinding thing, and Harran nearly fell to his knees. He thought he had seen the heavens. He saw now how wrong he was. Something clutched at him: Mriga. He held onto her slender arms as if she were the last connection to reality. He was seeing things now, though not with the eyes. Other eyes there were, that watched them all from within the circle; not dull beasts' eyes like the stupefied rats', but eyes that danced and were glad, and glowed in a small dog's head, waiting for them to break through to touch the owner-

"Let all be open," Siveni cried, "let the way be prepared for us; we pass! We pass!" And Harran felt her lift the cup, to dash it against the written marble and open the way; and he felt her hesitate; and he felt her sway.

His eyes were working again, much against their will. There was moonlight where there should not have been, and Siveni stood bemused, looking at her wounded arm, watching the blood run down.

"It's wrong," she said. "It shouldn't hurt."

And she fell to the floor, and the cup went flying out of the circle and crashed in the wrong spot, all its virtue spilled in a black pool under the moon.

Harran fell down beside her. The edges of the wound were dark and inflamed. He looked at Mriga in horror. "The knife..."

"Poison," she said, her face in anguish. "But it never left me all day-"

"Yesterday," Harran said.

In Mriga's shocked mind he saw the young man, with his knife with death in it. One of the Torchholder's spies.

They started up in horror together, neither sparing more than a look for the fair young form of Siveni, that had lived thousands of years as an Ilsig goddess, and had now had those thousands of years catch up with her in one withering second.

That was when the silvertipped arrows came whistling in, and feathered them both. They fell.

When the backwash of the spell had died down a bit, in behind his men came Molin Torchholder, who missed nothing in this city, especially nothing done by those whom mere silly love made careless. Stormbringer, too, was not quite settled yet, and had spoken a word in his ear about rogue deities climbing over his walls, in one direction or another. Molin carefully broke the circle, kicked the shattered glass of the cup of blood and wine about, and nudged with his toe the skin-and-bones body of his erstwhile architect.

"I do wish people wouldn't try to cheat me," he said. "Idiots, anyway, trying spells anymore. Nothing of this intensity works right."

With a sigh he turned. "Clean up this mess," he said to one of his men, "and tomorrow detach a work detail and raze this place. We can use the stone."

Then he went away to get some sleep. He had a long day tomorrow, on Stormbringer's business.

His men took the bodies away to the chamel house and left the place in darkness. One thing they did not take: one small form, wholly there now, in the darkness of the shadows beyond the moon; a shape like a small delicate dog, with too many lives sitting behind her eyes.

Tyr snarled, and got up, and walked out into the night to consider her vengeance.

Walegrin had his back to Sanctuary-vulnerable, unconcerned. One foot rested on a broken-off piling; his folded forearms rested on his upraised knee. His eyes were empty, staring at the still, starlit harbor, watching for the faint ripple that might mean a breeze coming up.

A thick blanket of sun-steamed air had clung to the city these last four days. Last winter they-the powers in the palace-had told him to paint false plague signs along the streets. Then, in a dry spring, pestilence had erupted from the stagnant sewers and only luck, or divine intervention, had saved Sanctuary from a purging. Now, as the dank, foul air leeched vitality from every living creature, plague season had come in earnest and the nabobs were worried. Worried so much that they fled from the palace and their townhouses to outlying estates, some no more than Ilsigi ruins, to await a change in the wind. Improvements to the city's long-neglected ramparts had ground to a halt, as stone, brick, and work-gangs were openly diverted to providing comfort and security to those rich enough, or powerful enough, to afford it.