Robert Asprin - Shadow Of Sanctuary

His sedan-chair awaited him at the bazaar-gate. A second plainsman was there to hold his heavy robes while he stepped over the carved-wood sides. The first had already placed the silk on the seat and stood beside the rearmost poles. The mute pulled a leather-wrapped forked stick from his belt, slapped it once against his thigh and the entourage headed back to the palace.

The plainsmen went to wherever it was that they abided when Molin didn't need their services; the youth carried the cloth to the family's quarters with the strictest instructions that the esteemable Lady Rosanda, Molin's wife, was not to see it. Molin himself wandered through the palace until he came to those rooms now allotted to Vashanka's servants and slaves.

It was the latter who interested him, specifically the lithe Northern slave they called Seylalha who practised the arduous Dance of the Consort at this time each day. The dance was a mortal recreation of the divine dance Azyuna had performed before her brother, Vashanka, persuading him to make her his concubine rather than relegate her to the traitorous ranks of their ten brothers. Seylalha would perform that dance in less than a week at the annual commemoration of the Ten -Slaying.

She had reached the climax of the music when he arrived, beginning the dervish swirls that brought her calf-length honey-coloured hair out into a complete, dazzling circle. The tattered practice rags had long-since been discarded, but she was not yet twirling so fast that the priest could not appreciate the firmness other thighs, the small, upturned breasts. (Azyuna's dance must be danced by a Northern slave or the movements became grotesque.) The slave's face, Molin knew, was as beautiful as her body though it was now hidden by the swinging hair.

He watched until the music exploded in a final crescendo, then slid the spy-hole shut with an audible click. Seylalha would see no virile man until the feast night when she danced for the god himself.

2

The slave had been escorted to her quarters - more properly: returned to her cell. The beefy eunuch turned the key that slid a heavy bolt into place; he needn't have bothered. After ten years of captivity and especially now that she was in Sanctuary, Seylalha was not likely to risk her life in escape-attempts.

He had been there watching again; she knew that and more. They thought her mind was as blank as the surface of a pond on a windless day - but they were wrong. They thought she could remember nothing of her life before they had found her in a squalid slave-pen; she'd merely been too smart to reveal her memories. Neither had she ever revealed that she could understand their Rankan language - had always understood it. True, the women who taught her the dance were all mutes and could reveal nothing, but there were others who had tongues. That was how she came to learn of Sanctuary, of Azyuna and the Feast of the Ten-Slaying.

Here in Sanctuary she was the only one who knew the whole dance but had not yet performed it for the god. Seylalha guessed that this year would be her year the one fateful night in her constricted life. They thought she didn't know what the dance was. They thought she performed it out of fear for the bitter-faced women with their leather-bound clatter-sticks. But in her tribe nine-year-olds were considered of marriageable age, and a seduction was a seduction regardless of the language.

Seylalha had reasoned, as well, that if she did not want to become one of those mutilated women who had trained and taught her she'd best get a child from her bedding with the god. Legend said Vashanka's unfulfilled desire was to have a child by his sister; Seylalha would oblige the god in exchange for her freedom. The Ten-Slaying was a new-moon feast; she bled at the full-moon. If the god were man-like after the fashion of her clan-brothers, she would conceive.

She knelt on the soft bed-cushions they provided her, rocking back and forth until tears flowed down her face; silent tears lest her guardians hear and force a drugged potion down her throat. Calling on the sungod, the moongod, the god who tended the herds in the night and every other shadowy demon she could remember from the days before the slave-pens, Seylalha repeated her prayers: 'Let me conceive. Let me bear the god's child. Let me live! K-eep me from becoming one of themF

In the distance, beyond walls and locked door, she could hear her less fortunate sisters speaking to each other on their tambours, lyres, pipes and clatter sticks. They'd danced their dance and lost their tongues; their wombs were filled with bile. Their music was a mournful, bitter dirge - it told her fate if she did not bear a child.

As the tears dried she arched her back until her forehead rested on the soft mass of her hair beneath her. Then, in rhythm to the distant conversation, she began her dance again.

3

Molin paced around the marble-topped table he had brought with him from the capital. The mute who always attended him hid in the far corners of the room. Molin's wrath had touched him three times and it was not yet high-noon.

The injustice, the indignity of being the supreme priest of Vashanka in a sink hole like Sanctuary. Construction lagged on the temple: inept crews, unforeseen accidents, horrendous omens. The old Ilsig hierarchy gloated and collected the citizenry's irregular tithes. The Imperial entourage was cramped into inadequate quarters that shoved his household together. He was actually sharing rooms with his wife - a situation neither of them had ever desired and could no longer tolerate. The Prince was an idealist, an unmarried idealist, whose belief in the bliss of that inconvenient state was exceeded only by his nai'vety with regard to statecraft. It was difficult not to enjoy the Prince's company, however, despite his manifold shortcomings. He had the proper breeding for a useless younger son, and only the worst of fates had brought him so perilously close to the throne that he must be sent so depressingly far from it.

In Ranke, Molin had a fine house - as well as rooms within the temple. Rare flowers bloomed in his heated gardens; a waterfall coursed down one interior wall of the temple drowning out the street-noises and casting rainbows across this very table when it had resided in his audience chambers. Where had he gone wrong? Now he had a tiny room with one window looking out to an air shaft that must have sunk in the cesspools of hell itself and another one, the larger of the two, overlooking the gallows. Moreover, the Hounds were elsewhere this morning and yesterday's corpses still creaked in the breeze.

Injustice! Indignity! And so, of course, he must clothe himself in the majesty of his position as Vashanka's loyal and duly initiated priest. Kadakithis must find his way to these forsaken quarters and endure them as the priests did if Molin was to acquire better lodgings. The Prince was late - no doubt he'd got lost.

'My Lord Molin?' a cheerful voice called from the antechamber. 'My Lord Molin? Are you here?'

'I am, my Prince.'

Molin gestured to the mute who poured two goblets of fruit tea as the Prince entered the room.

'My Lord Molin, your messenger said you wished to see me urgently on matters concerning Vashanka? This must be true, isn't it, or you wouldn't have called me all the way out here. Where are we? No matter. Are there problems with the temple again? I've told Zaibar to see to it that the conscripts perform their duties...'

'No, my Prince, there are no new problems with the temple, and I have turned all those matters over to the Hounds, as you suggested. We are, by the way, in the outer wall of your palace -just upwind of the gallows. You can see them through the window - if you'd like.'

The Prince preferred to sip his tea.

'My purpose in summoning you, my Prince, has to do with the upcoming commemoration of the Ten-Slaying to take place at the new-moon. I wished certain privacy and discretion which, frankly, is not available in your own quarters.'