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Harry Turtledove (Editor): Alternate Generals III

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Harry Turtledove (Editor) Alternate Generals III
  • Название:
    Alternate Generals III
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  • Издательство:
    Baen Books
  • Жанр:
  • Год:
    2005
  • Город:
    Riverdale, NY
  • Язык:
    Английский
  • ISBN:
    0743498976
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    5 / 5
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Alternate Generals III: краткое содержание, описание и аннотация

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With its dual portrait of Grant and Lee on opposing sides of the Civil War, the jacket of editor Turtledove's solid third alternative military history anthology neatly evokes this popular subgenre. While there's no such story, Robert E. Lee must decide, as the ambassador to Britain of a victorious but ostracized Confederacy, where his true loyalties lie in Lee Allred's provocative "East of Appomattox." Similarly, Roland J. Green's " 'It Isn't Every Day of the Week' " shows how altering the outcome of a few minor incidents can turn history on its head, making General "Old Hickory" Jackson and the Cherokee Nation allies when the U.S. is drawn into the Napoleonic wars. Chris Bunch's "Murdering Uncle Ho" vividly demonstrates the wisdom of "be careful what you wish for" in the book's most intensely drawn battle sequences; this tale of an alternative Vietnam War draws some disturbing parallels with Iraq, as does Turtledove's own "Shock and Awe." Esther M. Friesner's "First, Catch Your Elephant" may not tell us much about Hannibal, but it succeeds marvelously as comedy.

Harry Turtledove (Editor): другие книги автора


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But…

"What of that?" she said, pointing to the Lark banner. "How will I show that so nobody says it was a miracle? It stood when you fell. It stood when you walked away."

An impish, youthful smile crossed the Maid's face. "What was it you said? 'If it's truth… »

"Then it should be made known," Dulice said. She fought back a tremble in her voice.

"Good, sensible advice," Hermeland said, and his tone was warm.

"Just give us whatever you see, Dulice." Spurring her horse, Joan rode, bleeding, in the direction of Autun.

Wet-eyed but with a steady hand, Dulice scratched out the Maid's instructions, word by word, in Latin, filling up the last clear space remaining on her page with bold letters and certain words.

* * *

Three Miracles at Autun. Gauntlet raised, Joan stands between the supine figure of an armored girl and the corpse of a knight. A stylized puddle of water surrounds the girl, who takes up the largest part of the center of the page. Blood seeps from the knight's armor and the two fluids mix at Joan's feet.

One of the most confusing and controversial images of the Jehanniste holy war, Three Miracles is said to depict holy works by Joan that convinced the famously indecisive Charles to throw his favor to the Maid's cause. The first miracle was defeating Georges de la Trйmoпlle in single unarmed combat; the second was the resurrection of the girl, who had been drowned by de la Trйmoпlle earlier that day.

As usual, attempts have been made to identify the girl as Joan's favorite, Dulice Aulon. It is far more probable that the figure is her standard bearer, for Aulon was neither a combatant nor given to self-portraiture. Further, the woman holds the Lark banner.

Despite the title of the image, the nature of any third miracle to take place at Autun in the spring campaign of 1456 has been lost to history.

The Road to Endless Sleep

Jim Fiscus

Caesar's ghost stalked the Forum Romanum, but it was only the dictator's stern face staring down from his statue. Marble columns and facades glowed white under the sun beating against the broad stones of the Forum and the crowd filling the great plaza. The temples and basilica, hung with red and gold banners and garlands, enclosed the civic center of Rome. Fourteen years before, Marcus Antonius stood on the wide marble platform of the Rostra and rallied the people against the murderers of Caesar. Now, he would pass in triumph before the great speaker's platform. But even in victory, Antony knew that the people of Rome did not love him as they had loved Caesar. My troops lined the Via Sacra as it passed through the Forum before the Basilica of the Aemilii and Caesar's senate house, guarding against a surge from the crowd.

I am Quintus Petillus Celsus. My father was a centurion with Caesar in Spain, where I later joined the legions and fought with Sextus Pompey, the son of Pompey the Great. When Octavian's admiral Agrippa defeated Pompey, I was called a pirate. Facing slavery, I fled to the East and joined Antony's legions. Standing on the edge of the Rostra, I watched the crowd that packed the Forum, jostling to move closer to the route of the triumphal parade. I glanced behind me, where Cleopatra sat surrounded by courtiers and attendants. My quick glance turned into a stare as I noticed a woman of the court, whose dark hair and striking beauty held my attention. Our eyes met and she smiled. I turned from the unattainable back to the crowd.

Legion had fought legion in civil war and no triumph is awarded when Romans slaughter each other, so Antony claimed his Triumph was for victory over foreign princes allied with Octavian. Everyone knew it was Octavian's defeat he celebrated. Most citizens said Antony's victory meant the final death of the Republic. Half the Senate fled as his army neared Rome while others cowered in their country villas waiting for the political winds to calm.

Hundreds of carts laden with the arms and treasure captured by Antony had rolled over the broad stones of the Sacred Way on the first day. Hundreds more, filled with treasure donated by Cleopatra as proof of her friendship with Rome, followed on the second day. On this, the third day, wagons carried the broken remains of Octavian's fleet captured at Actium. Dancers and musicians clanging cymbals and blowing small horns pranced beside Octavian's shattered glory.

The triumphal parade had started from the Field of Mars as the first hour of the day began with the rising sun and wound through the city, through the Circus Maximus and on to the Forum. From the Forum, it would climb to the Temple of Jupiter on the Capitoline Hill. Crowds lined the route. The long hours of late spring had passed slowly. I stared across the crowd to the newly enlarged Basilica Aemilia, two stories of grand marble columns and arches, its bronze roof gleaming under the afternoon sun. The crowd filled the space between the street and the columns of the basilica, pushing back against the booths of the merchants. The arches of the upper floor were crowded with more people watching the Triumph. Except, I realized, for the third archway which stood empty but for vague figures in the shadows. It might have just been a rich man and his sycophants wishing to avoid the crowd, but I could not tell.

I jumped to the paving stones. The scales of my armor clanked as I landed and the hobnails of my heavy sandals clicked on the stones as I pushed through the crowd to the Via Sacra. A legionnaire snapped to attention.

"Centurion!"

"Getting a closer look," I said, not ready to sound the alarm till I knew something was wrong.

Trumpets called for the attack and drummers beat the rhythm of the oars. A low wagon, so wide that it barely passed along the route, was pulled into the Forum. Atop the wagon, a model of Agrippa's flagship sailed to meet Antony's fleet. Dwarves in the tiny ship rowed at the air. A second wagon entered, also with a model of Agrippa's ship, its dwarf rowers moving their oars desperately as the beak of Antony's flagship appeared to crush its side. Dwarf legionnaires hurled golden-tipped javelins at their attackers and fired miniature catapults, but the weapons bounced off the armored shell of the testudo navalis and fell to the street. Members of the crowd darted out to claim the gold spear points. Scores of prisoners followed the wagons. Antony would arrive next.

I sprinted across the street. I could not tell how many men were in the alcove, but they held bows. Four legionnaires watched the side street between the basilica and Caesar's new curia.

"You men, with me."

We pounded into the basilica, the crowd parting before us, and turned toward the staircase. I drew my sword and took three stairs at a time, the legionnaires behind me. Glancing through the first arch, I saw Antony's golden chariot entering the Forum.

A heavy curtain covered the third archway. Three thugs waited, as if protecting a wealthy client. They pulled swords from beneath their tunics. The leader lunged toward me. I blocked his thrust and slashed across his neck, opening his throat to the bone. His blood spurted across the scales of my armor. Two legionnaires hurled their pila, the javelins driving into the remaining thugs, who staggered back. Dying hands gripped the curtain, tearing it free.

Three archers stood overlooking the Forum. One spun, releasing his arrow. It sliced across my left my arm below the mail. He dropped his bow and twisted, reaching for a dagger as my sword plunged into his side. I pulled the blade free against the suction of his organs. Between his companions, I saw Antony's chariot on the Via Sacra, the crowd cheering. Concentrating on their release, the remaining archers tracked the general. A pilum thudded into the back of one man and his arrow flew toward the crowd. I kicked the second man in the back as he released. He staggered and fell from the window. His arrow missed Antony by a hand's breadth. The imperator stared upward at the basilica. His hand rose and the procession stopped.

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