Melissa Marr - Ink Exchange

What does it mean when nightmares dream of peace? When shadows wish for light?

She might not be bound to him, but she was still his Shadow Girl. He'd given her his vow: to take care of her, to keep her from hurt or pain, from wanting for anything. Her leaving didn't negate his promises; they weren't conditional. And if Niall wasn't bound to a court, kept tied to some cause or purpose, he'd eventually go to Leslie. Their Gancanagh might mean well, but his nature—like Irial's— was to be addictive to mortals. He was still a thing of shadows despite how long he'd run from who he was. Not now. Now that Niall was bound to the Dark Court, his addictive nature was nullified. And mine is returned. Like Irial had once been, Niall was strengthened by his court, just as the court would be strengthened by Niall.

To look after the Dark Court, Irial had found them a better king. To care for Niall, Irial had given him the court. And to love Leslie, Irial would stay away from her. Sometimes love means letting go when you want to hold on tighter. It was the only way he knew to protect the court, the faery, and the only mortal who'd ever mattered to him.

I wanted the representation of all things tattoo-related to be as accurate and respectful as possible, so every tattoo reference in this book was handed to my tattoo artist, Paul Roe, to examine. Along the way, I've learned a great deal about the history of the art, the assembly of the machines, and minutia ranging from the metals one could use (what with faeries being sensitive to steel/iron) to why tattoo artists position the canvas in various ways. If there are errors, I hope you'll forgive me. If there aren't, the credit goes to Paul.

Leslie's tattoo is at the center of Ink Exchange. I knew that early on; I just didn't know exactly what the tattoo looked like. It needed to be a representation of Irial's nature, and while I had the words that made Iri come to life for me, I didn't have a visual that captured his essence. The universe gives us what we need, though; I believe that. What I needed was Paul's art and wisdom. To say that he was essential to the creation of this novel would be an understatement.

As with the tattoos I wear on my skin, I gave Paul my words; he answered with his images. The final result was the art that's hung in my direct line of sight for the past year. Thanks to Paul, Irial's eyes look back at me every day while I work.

It's an amazing thing when two people's muses can dance together.

— June 2007