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Rachel Caine: Devil's Due

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Rachel Caine Devil's Due

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The money Lucia and her new partner received to open their detective agency had come with strings: any assignment delivered via read envelope had to be top priority. No sweat. No one could make Lucia do something she didn't believe in-Right? Wrong. Lucia soon learned that every choice she made meant life or death for innocent people. No one could be trusted, not even the ex-cop she'd hired-and fallen for. In fact, Ben might be her fatal weakness, if the powers warring to control the future used him to control Lucia…

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Jazz badly wanted to speak, but somehow she controlled herself; Lucia watched the battle on her face. The outcome was a lowering of her blond head, deep breaths and silence.

Lucia transferred her attention back to Ben.

"I'm not working for the Cross Society again," he said. "Get that straight right now."

"Fine. If you want to work for us, you do straight-up work," she agreed. "Straightforward investigation. You don't deal with Cross at all."

He thrust a thumb over his shoulder toward Borden. "Do I have to deal with him ?"

"You have to deal with me if you disrespect him," she said. "Are we clear?"

He nodded — one sharp movement, nothing more. After a few seconds, he said, "Thanks for the suit."

He meant it to be embarrassing, as if he'd conned her out of something. She gave him a cool smile. "You're representing us now. Can't have you looking like a lowlife ex-con."

Borden glanced from one to the other. "Did I miss something? You hired him?"

"Over breakfast," Lucia said. "Jazz? Will that be a problem?"

Jazz didn't answer. She was watching McCarthy, waiting for something.

He walked over to her, took her fists in his hands and slowly smoothed her fingers out. He wasn't looking at her face. Borden had stiffened at the touch, Lucia noticed in her peripheral vision.

"Jazz," Ben said quietly. "I couldn't tell you any of it. Don't you think that was hell for me? I was almost glad they set me up. At least then I didn't have to face you every morning and lie to you. Look, I know you can't forgive me for it, but—"

"I forgave you a long time ago," she said. "I forgave you when there wasn't a reason to do it. That's why I'm angry."

"Ah," he said, and nodded. "Thanks."

"Don't thank me. If you work here, I'm your boss. You think I won't make you pay?"

He smiled. It was one of those warm, sweet smiles that had such devastating effect, and Lucia saw it had the same impact on Jazz that it did on her. "I'm counting on it. I owe you."

"Damn straight. And I'm going to get every nickel." Jazz flicked her gaze over to Lucia and deliberately nodded. "Yeah. It's okay with me."

Borden let out a sigh. It wasn't quite loud enough for Jazz or McCarthy to hear, but Lucia shot him an amused glance.

"Then if that's all the thunderbolts we have to impart," she said, "let's get back to work."

Chapter Four

An hour later, Lucia was knee-deep in files at the conference table. Borden had gone back to change into his business suit for a client meeting across town, so just she, Jazz and McCarthy were seated there. Hot, bright sunlight streaming through the blinds striped the long table, making Lucia squint, but she could tell that McCarthy was enjoying it; she refrained from pulling the shades.

"Okay," she said to him. "That stack is bread and butter—background checks for corporations, individuals worried about their daughter's fiancé, et cetera. We charge an average of two hundred for a public records and Internet search, the basic package, for individuals. For corporations, we do the whole due diligence, and that costs them an average of two thousand, in time and fees. We have sixteen corporations as clients for that sort of thing, so we always have backlogs to move through. You can start with that."

McCarthy nodded and pulled over a half-dozen folders flipping through them, reading with quick little flicks of his eyes.

Lucia nudged the next, smaller stack. "These are ongoing investigations. Mostly corporate, of course, because that seems to be what we gravitate toward."

"And you don't end up freezing your ass off in a parking lot at 2:00 a.m., videotaping a cheating husband with a hooker," Jazz added, then considered what she'd said. "Not that it can't be fun."

Lucia rolled her eyes. "Jazz is currently restricted from anything that involves undercover or stakeout work—"

"Because of the death threats," McCarthy said.

Jazz snorted. "And I keep telling you, that's over. Then hasn't been a peep out of them since—"

"Since they tried to shoot you through your office window?" Lucia said dryly. "Yes, well. Forgive me for wanting to come down on the side of caution. Give it another month, and then we'll see about stepping down protection."

Except for an expressive roll of her eyes, Jazz remained businesslike. "Yeah. So, you see the problem—my investigations mostly consist of talking on the phone. So I could use your assistance on some of these when there's legwork to be done."

He nodded again. "I'll read the files. What's the thin stack?"

The shortest of all, in red folders. She glanced at Jazz who looked back. "Cross Society," she said. "You'll have nothing to do with those."

He didn't like that, she saw, but he wasn't going to come out with it, not in his first few hours of gainful employment

"Now, to details," she said. "We need to get you a carry permit, which shouldn't present a difficulty, as your conviction has been vacated. But the sheriff's department may decide to drag their feet. By law, they have to make a decision within forty-five days of application, and issue within three days of approval, so we'll hold them to it. Here's the application." She pulled one from a folder and slid it across the table to him. "You know how it works. I'll give you cash, and you can drop it off yourself at the sheriff's office. Until we go through the process, you won't be able to legally carry a weapon in Missouri."

"The key word," Jazz said, "being legally ." She reached into a case she'd set by her chair, clicked it open and pulled out a weapon. She cleared and checked it with professional ease, then handed the gun to McCarthy. "Manny says hello, by the way."

"For as long as you are illegally carrying, should you choose to do so, you won't officially have any connection to this firm," Lucia continued. "No employment paperwork to tie you back here. No paychecks. You'll be paid in cash, from my own pocket. Got it? As far as the state of Missouri knows, you're pending employment based on approval of your carry permit."

McCarthy examined the gun, even though Jazz had already done so; he removed the clip, checked the chamber, then snapped it all back together. Smooth, artistic motions. "I understand," he said. "Good plan. How is Manny?"

"Better," Jazz said. "He's working with us now."

"What, in the office ?"

"No, he's got his own lab. You know how he is. He doesn't get out that much, but he does get out." Jazz grinned. "He's dating Pansy. Our assistant."

"You're kidding me. Manny dates?" McCarthy took the holster that Jazz handed over, slid the gun inside and removed his jacket to don the harness. He took his time adjusting it, making sure it was comfortable. When he put the jacket on again, he left it open.

"I didn't know the guy ever had a girl in his life," Ben added. "What do they do? Compare forensic swabs?"

Lucia couldn't resist a smile; Jazz outright laughed. "I try not to think about it," Lucia said. "So look those folders over. Let me know what you want to tackle first and we'll figure out the next step."

McCarthy looked from one of them to the other. "And you two? What are you doing?"

Lucia silently picked up the top red folder. Jazz sighed and took another half-dozen folders from the largest stack, the background checks. "I frickin' hate this," she said, and ran a hand through her hair. "I'm going to die of paper cut poisoning. See if I don't. Maybe Simms will see that coming!"

Lucia smiled and met McCarthy's eyes.

McCarthy was, Lucia found, a good investment: thorough, efficient and effective. He knew his way around a computer, which was a relief, and his reports were composed, like Jazz's, in a brisk, no-nonsense style that laid out facts and conclusions in a logical fashion.

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