Robin Hobb - Forest Mage

In the good god’s light,

Dr. Jakib Amicas

I folded his letter carefully, though my strongest impulse was to rip it to pieces. The gall of the man, to dash my hopes and then suggest that I pass my idle time in helping him to further his ambitions by graphing and charting my misfortune! I moved very slowly as I put all the documents and letters back in meticulous order and slid them back in the envelope. When it was done, I looked at it. A coffin for my dreams.

I could not finish reading Epiny’s letter. I tried, but it was all prattle about her new life with Spink. She liked taking care of the chickens and gathering the eggs warm from the nests. Good. I was glad for her. At least someone was still contemplating a future, even if it was one that involved chickens. I gathered my papers, left the parlor, and slowly climbed the stairs to my room.

In the days that followed, I moved like a ghost in my old home. I had entered an endless tunnel of black despair. This day-to-day existence of meaningless tasks was my future. I had nothing beyond this to anticipate. I hid from my father, and my sisters scrupulously aided me in avoiding them. Once, when I encountered Yaril in the hallway, an expression of disgust contorted her face and anger filled her eyes. Never before had she looked so much like my father. I stared at her, horrified. She made a great show of holding her skirts away from me as she hurried past me and into the music room. She closed the door loudly.

I considered cornering her and demanding to know when she had become such a foul little chit. Growing up, I had indulged her, and often shielded her from my father’s wrath. Her betrayal stung me as no other. I took two strides after her.

“Nevare.”

My mother’s soft voice came from behind me. Surprised, I spun around.

“Let her go, Nevare,” my mother suggested softly.

Irrationally, I turned my anger on her. “She behaves as if my weight is a personal insult to her, with no thought of how it affects my life or what I’ve lost as a consequence of what has befallen me. Does she think I did this deliberately? Do you think I want to look like this?”

My voice had risen to a shout. Nevertheless, my mother answered me softly. “No, Nevare. I don’t think you do.” Her gray eyes met mine steadily. She stood before me, small and arrow-straight, just as she stood when confronting my father. At that thought, my anger trickled out of me like liquid from a punctured water skin. I felt worse than emptied. Impotent. Humiliated by my show of temper. I hung my head and shame washed through me.

I think my mother knew it.

“Come, Nevare. Let us find a quiet place and talk for a bit.”

I nodded heavily and followed her.

We avoided the music room, and the parlor where Elisi sat reading poetry. Instead, she led me down the hall to a small prayer room adjacent to the women’s portion of our household chapel. I remembered the room well, though I had not entered it since I was a child and in my mother’s daily care.

The room had not changed. A half-circle of stone bench faced the meditation wall. At one end of the bench a small, well-tended brazier burned smokelessly. At the other end, a stone bowl held a pool of placid water. A mural of the good god’s blessings covered the meditation wall, with niches in the art where offerings of incense could be set. Two alcoves already held glowing bars of incense. A dark green mint-scented bar burned low in a niche painted like a harvest basket, an offering for good crops. A fat black wedge released the scent of anise into the air as it glimmered, nearly spent, in the niche for good health that hovered over a cherubic child’s head.

With housewifely efficiency, my mother removed the anise incense with a pair of black tongs reserved for that task. She carried it to the small worship pool; it hissed as she dunked it in, and she stood a moment in reverent silence as the remains of the anise brick settled to the bottom. She took a clean white cloth from a stack of carefully folded linens and carefully wiped the alcove clean.

“Choose the next offering, Nevare,” she invited me over her shoulder. She smiled as she said those words, and I almost smiled back. As a child, I had always vied with my sisters for the privilege of choosing. I had forgotten how important that had once been to me.

There was a special cabinet with one hundred small drawers, each holding a different scent of incense. I stood before the intricately carved front, considering all my choices, and then asked, “Why are you sacrificing for health? Who is ill?”

She looked surprised. “Why—I burn it for you, of course. That you may recover from what you have—what has befallen you.”

I stared at her, torn between being touched by her concern and being annoyed that she thought her prayers and silly scented offerings could help me. An instant later I recognized that I did think her incense sacrifices were silly. They were playacting, religion by rote, an offering that cost us so little as to be insignificant. How, I suddenly wanted to know, did burning a brick of leaves and oil benefit the good god? What sort of a foolish merchant god did we worship, that he dispensed blessings in exchange for smoke? I felt suddenly that my life teetered on an eroded foundation. I did not even know when I had stopped having confidence in such things. I only knew it was gone. The protection of the good god had once stood between all darkness and me. I had thought it a fortress wall; it had been a lace curtain.

The elaborately carved, gilded, and lacquered cabinet before me had once seemed a gleaming casket of mystery. “It’s just furniture,” I said aloud. “A chest of drawers full of incense blocks. Mother, nothing in here is going to save me. I don’t know what will. If I did, I wouldn’t hesitate to do it. I’d even be willing to offer blood sacrifice to the old gods if I thought it would work. Cecile Poronte’s family does.” It was the first time I’d mentioned that to anyone. In the days since the wedding, I’d felt no inclination to share any conversation at all with my father.

My mother paled at my words. Then she carefully corrected me. “Cecile is a Burvelle now, Nevare. Cecile Burvelle.” She stepped past me and opened the sage drawer of the cabinet. Sage for wisdom. She took out a fist-sized greenish brick of incense and carried it to the worship brazier. With gilded tongs, she held it to the slumbering coals, stooping to blow through pursed lips to wake their ashed red to glowing scarlet. A slender tendril of smoke rose to scent the room, and one corner of the sage brick caught the charcoal’s red kiss. She did not look at me as she bore the sage incense to the alcove for health and tucked it safely inside.

She stood for a moment in silent prayer. Habit urged me to join her there and I suddenly wished I could. But my soul felt dry and bereft of faith. No words of praise or entreaty welled in me, only hopelessness. When my mother turned aside from the mural, I said, “You knew the Porontes worship the old gods, didn’t you? Does Father know?”

She shook her head impatiently. I don’t know if she was answering my question or dismissing it. “Cecile is a Burvelle now,” she insisted. “It no longer matters what she did in the past. She will worship the good god alongside us every Sixday, and her children will be raised to do the same.”

“Did you see the dead birds?” I asked her abruptly. “Did you see that ghastly little carousel in their garden?”

She pursed her lips as she came to take a seat on the bench. She patted a space beside her and I sat down reluctantly. She spoke softly. “They invited me to witness it. Cecile’s mother sent an invitation to your sisters and me. The words were cloaked but I understood what it was about. We arrived too late. Deliberately.” She paused for a moment and then advised me sincerely, “Nevare, let this go. I don’t think that they truly worship the old gods. It is more a tradition, a form to be observed, rather than any true belief. The women of their family have always made such offerings. Cecile made the Bride’s Gift to Orandula, the old god of balances. The slain birds are a gift to the carrion bird incarnation of Orandula. His own creatures are killed and then offered back to him to feed his own. It’s a balance. The hope is that the woman offering the sacrifice will not lose any children to stillbirth or cradle death.”