Edward Whittemore - Quin’s Shanghai Circus

Their act of love lasted until dawn. When she left him she walked for miles, making her plans to return to Japan.

That night she sat by an open window looking at the stars. Midnight passed, the hours wore on. She considered her past grief, she reflected on the torment of the circus master who at that very moment was introducing the ghosts of his years in their terrible costumes, opening the cages of the savage beasts, celebrating his circus of death. But at that very moment, as well, new life was moving within her.

In the course of knowing ten thousand men she had conceived only once. Now she knew it had happened again. Through the intercession of the naked giant she had learned once more to love, she had loved well, and now she would bear the circus master’s son.

The boy was born in the General’s old villa in Tokyo. Because he was half-Caucasian she could not keep him. War was coming with the West and it would be unfair to have him grow up in Japan. Despite herself, she had to get him out of the country while there was still time.

She went to the one man she felt could help her, the missionary who was a friend of the General’s brother. Father Lamereaux listened to her story and agreed to send the baby to America. Sadly she gave him up.

War with the West came, then defeat. Before the war doors were never locked in Japan, but now desperate men stole everything they could find. Her house was broken into nightly, a new gang of starving thieves entering as soon as one had left.

The General’s chauffeur, who had come to work for her at the end of the war, suggested hiring one of these gangs of combat veterans to guard the house and keep the others away. But Mama had a different idea, one consonant as always with the Tao. She quoted Lao-tzu.

When there is Tao in the empire, the galloping steeds are turned back to fertilize the ground by their droppings.

But what does it mean? asked the corporal.

It means, she said, that these men who were heroes yesterday, who are thieves today, will one day be heroes again. They are galloping steeds, and if we treat them with the wisdom of the Tao their droppings will fertilize the future.

Droppings? said the corporal.

A man has several, answered Mama. There are still three or four women servants in this house, and I am sure there are other women near here who are lonely after so many years when the men were away fighting. So instead of posting guards we will invite every passing steed into the house. You will see.

The corporal feared what might happen, but the Tao was in Mama and she knew it. Before many years went by a new Japan began to emerge, an ingenious and industrious Japan, energetic, prosperous.

Many of the old ways had changed, but none more noticeably than the tradition Mama had become skilled in as a child, perfected in girlhood, and left as a young woman, the delicate and profound knowledge of men that for centuries had made the entrance to a Japanese brothel, no matter how humble it might appear to the passing stranger, one of the few truly exquisite gateways in the world, a portal unparalleled save by the path of mystics seeking comfort not in this world but another.

The elaborate brothels of the prewar years gave way to the garish bars of the early postwar years, but then the American soldiers left and Japanese men settled down to learning the lessons of the war and the Occupation. Having been defeated in their venture at Asian conquest, the Japanese combat veterans embraced peace and built industries to supply the Americans, who in turn, having been victorious, were now fighting wars all over the continent, bringing a devastation everywhere that required ever more Japanese goods and industries to replenish what was destroyed, bringing a prosperity to Japan that no warlord or ultranationalist could have conceived possible two decades earlier.

But the unexpected turn of history whereby Japan achieved the goals of the war by losing the war, was not without its victims. Somewhere in the hectic confusion of democratic expansion the traditional Japanese brothel disappeared, taking with it the Orient’s artistic contribution to originality and one of man’s rarest creations, the Japanese whore.

No longer was anyone willing to pay money for a woman’s educated body, a woman’s aristocratic smile, a woman’s subtle remarks and incomparable cleverness at match-stick games. The businessmen in the new Japan were preoccupied with their wares and the wares that were soon to be theirs, so when the hour came for relaxation they preferred lying on their backs in a massage parlor staring through the steam at the ceiling, calculating profits, considering new markets, dreaming alone and grandly as a firm, anonymous hand reached out from the mists to masturbate them with swift efficiency.

Or they preferred a pornographic film parlor, where such individual democratic acts could be recalled and anticipated.

As was necessary, Mama adapted to the times. She remembered the films shown in Shanghai before the war by a naked clown and built The Living Room with those films in mind. And the combat veterans she had entertained after the war, before they had learned the ways of the new democracy and become successful, certainly didn’t forget the little woman who had provided for them when they were penniless.

They remembered and they returned, gratefully spending large sums of money at Mama’s nightclub, the most famous place of entertainment in Asia, a club that was almost as much of a legend as its mysterious owner, a tiny old woman whose compassion and mercy were so great that many wondered if she might not be a reincarnation of the Kannon Buddha.

War, disaster, turmoil. Despite it all Mama had followed the Tao.

And now more recently in her old age she had acquired the kind of retreat she had always wanted, a quiet shrine where she could contemplate the sunrise high above the Imperial moat and the Imperial palace. From there she descended to the world below only in passing to accrue some minor transitory wealth, some award or honor, before returning to her real home far above the city, a spiritual temple carried on the back of the mythical dragon that had guided her through the years of loss and love.

Now we see him stepping into the ring, the master of ceremonies dressed in boots and frock coat, carrying whip and megaphone, a shaman and arbiter of marvels.

Quin came and went. Big Gobi left the apartment with him once, for the first visit to Father Lamereaux, but he was so confused by the meeting Quin left him behind after that. Quin said something about the names Father Lamereaux had given him. Big Gobi nodded and kept his eyes on the television screen.

Names are fine, he muttered as Quin closed the door.

The Living Room was an underground bar many levels below the street. Quin knew the Japanese custom of referring to all female proprietors of bars as Mama.-san , so as soon as he came upon a waiter, after having walked down several hundred steps, he asked for Mama-san saying they had a mutual friend, Father Lamereaux.

The suspicious waiter directed him to a corner where there stood a man of some four hundred pounds, a former sumo wrestler with a huge mallet resting on his shoulder. The former sumo wrestler held the mallet over Quin’s head until the waiter returned.

The waiter bowed. He apologized for his family and education, his meanness of spirit, his boorish and crass behavior, his whining voice, his unsavory appearance and total incompetence. Mama would see him presently.

In the meantime Quin was invited to be her guest in the Round Room, reserved for the most honored guests. They left the wrestler in the shadows and started down an interminable spiral staircase. Occasionally the waiter stopped to ask Quin if he liked Japan, and when Quin reassured him that he did the man sucked air noisily through his teeth out of wonder or gratitude, or simply because nothing else seemed appropriate.