Stephen King - Wolves of the Calla

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Wolves of the Calla continues the adventures of Roland, the last gunslinger and survivor of a civilized world that has "moved on." Roland's quest is ka, an inevitable destiny-to reach and perhaps save the Dark Tower, which stands at the center of everywhere and everywhen. This pursuit brings Roland, with the three others who've joined his quest, to Calla Bryn Sturgis, a town in the shadow of Thunderclap, beyond which lies the Dark Tower. Before advancing, however, they must face the evil wolves of Thunderclap, who threaten to destroy the Calla by abducting its young.
With the recent mainstream success of the Harry Potter books, Robert Jordan's The Wheel of Time, and the Lord of the Rings film trilogy, serial fantasy is bigger than ever-and the exciting, action-packed Wolves of the Calla, delivered in a beautiful, illustrated edition, is sure to be an enormous treat for fans both new and old.

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Eddie burst out laughing, looked sideways at Susannah, and stopped in a hurry.

"It was 4:17. We were invited to sit down. Which we did, feeling nervous as hell. People came and went. Every now and then a door to our left would open and we'd see a floor filled with desks and cubicles. Phones ringing, secretaries flitting hither and yon with files, the sound of a big copier. If it was a setup-and I think it was-it was as elaborate as a Hollywood movie. I was nervous about our appointment with Mr. Sayre, but no more than that. Extraordinary, really. I'd been on the run more or less constantly since leaving 'Salem's Lot eight years previous, and I'd developed a pretty good early-warning system, but it never so much as chirruped that day. I suppose if you could reach him via the Ouija board, John Dillinger would say much the same about his night at the movies with Anna Sage.

"At 4:19, a young man in a striped shirt and tie that looked just oh so Hugo Boss came out and got us. We were whisked down a corridor past some very upscale offices-with an upscale executive beavering away in every one, so far as I could see- and to double doors at the end of the hall. This was marked conference room. Our escort opened the doors. He said, 'God luck, gentlemen.' I remember that very clearly. Not good luck, but god luck. That was when my perimeter alarms started to go off, and by then it was far too late. It happened fast, you see. They didn't…"

SIXTEEN

It happens fast. They have been after Callahanfor a long time now, but they waste little time gloating. The doors slam shut behind them, much too loudly and hard enough to shiver in their frames. Executive assistants who drag down eighteen thousand a year to start with close doors a certain way - with respect for money and power - and this isn't it. This is the way angry drunks and addicts on the jones close doors. Also crazy people, of course. Crazy people are ace doorslammers .

Callahan's alarm systems are fully engaged now, not pinging but howling, and when he looks around the executive conference room, dominated at the far end by a large window giving a terrific view of Lake Michigan, he sees there's good reason for this and has time to think Dear Christ-Mary, mother of God-how could I have been so foolish? He can see thirteen people in the room. Three are low men, and this is his first good look at their heavy, unhealthy-looking faces, red-glinting eyes, and full, womanish lips. All three are smoking. Nine are Type Three vampires. The thirteenth person in the conference room is wearing a loud shirt and clashing tie, low-men attire for certain, but his face has a lean and foxy look, full of intelligence and dark humor. On his brow is a red circle of blood that seems neither to ooze nor to clot .

There is a bitter crackling sound. Callahan wheels and sees Al and Ward drop to the floor. Standing to either side of the door through which they entered are numbers fourteen and fifteen, a low man and a low woman, both of them holding electrical stunners.

"Your friends will be all right, Father Callahan. "

He whirls around again. It's the man with the blood-spot on his forehead. He looks about sixty, but it's hard to tell. He's wearing a garish yellow shirt and a red tie. When his thin lips part in a smile, they reveal teeth that come to points . It's Sayre, Callahan thinks . Sayre, or whoever signed that letter. Whoever thought this little sting up.

"You, however, won't, " he continues.

The low men look at him with a kind of dull avidity: here he is, finally, their lost pooch with the burned paw and the scarred forehead. The vampires are more interested. They almost thrum within their blue auras. And all at once Callahan can hear the chimes. They're faint, somehow damped down, but they're there. Calling him.

Sayre - if that's his name - turns to the vampires. "He's the one," he says in a matter-of-fact tone. "He's killed hundreds of you in a dozen versions of America. My friends" - he gestures to the low men -" were unable to track him down, but of course they seek other, less suspecting prey in the ordinary course of things. In any case, he's here now. Go on, have at him. But don't kill him !"

He turns to Callahan. The hole in his forehead fills and gleams but never drips . It's an eye, Callahan thinks , a bloody eye. What is looking out of it? What is watching, and from where ?

Sayre says, "These particular friends of the King all carry the AIDS virus. You surely know what I mean, don't you? We'll let that kill you. It will take you out of the game forever, in this world and all the others. This is no game for a fellow like you, anyway. A false priest like you ."

Callahan doesn't hesitate. If he hesitates, he will be lost. It's not AIDS he's afraid of, but of letting them put their filthy lips on him in the first place, to kiss him as the one was kissing Lupe Delgado in the alley. They don't get to win. After all the way he's come, after all the jobs, all the jail cells, after finally getting sober in Kansas , they don't get to win.

He doesn't try to reason with them. There is no palaver. He just sprints down the right side of the conference room's extravagant mahogany table. The man in the yellow shirt, suddenly alarmed, shouts "Get him! Get him!" Hands slap at his jacket - specially bought at Grand River Menswear for this auspicious occasion - but slip off. He has time to think The window won't break, it's made of some tough glass, anti-suicide glass, and it won't break… and he has just time enough to call on God for the first time since Barlow forced him to take of his poisoned blood .

"Help me! Please help me!" Father Callahan cries, and runs shoulder-first into the window. One more hand slaps at his head, tries to tangle itself in his hair, and then it is gone. The window shatters all around him and suddenly he is standing in cold air, surrounded by flurries of snow. He looks down between black shoes which were also specially purchased for this auspicious occasion, and he sees Michigan Avenue, with cars like toys and people like ants .

He has a sense of them - Sayre and the low men and the vampires who were supposed to infect him and take him out of the game forever - clustered at the broken window, staring with disbelief .

He thinks , This does take me out of it forever… doesn't it?

And he thinks, with the wonder of a child : This is the last thought I'll ever have. This is goodbye.

Then he is falling.

SEVENTEEN

Callahan stopped and looked at Jake, almost shyly. "Do you remember it?" He asked. "The actual…" He cleared his throat. "The dying?"

Jake nodded gravely. "You don't?"

"I remember looking at Michigan Avenue from between my new shoes. I remember the sensation of standing there-seeming to, anyway-in the middle of a snow flurry. I remember Sayre behind me, yelling in some other language. Cursing. Words that guttural just about had to be curses. And I remember thinking, He's frightened . That was actually my last thought, that Sayre was frightened. Then there was an interval of darkness. I floated. I could hear the chimes, but they were distant. Then they came closer. As if they were mounted on some engine that was rushing toward me at terrible speed.

"There was light. I saw light in the darkness. I thought I was having the Kubler-Ross death experience, and I went toward it. I didn't care where I came out, as long as it wasn't on Michigan Avenue, all smashed and bleeding, with a crowd standing around me. But I didn't see how that could happen. You don't fall thirty-three stories, then regain consciousness.

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